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| CPM contacted a wide range of loudspeaker manufacturers (some you have heard of, others you may have not), and asked them to send us information on one of their products that they consider to be “right for churches.” The resulting compilation, spread across the next few pages, is not intended as an absolute, all-inclusive listing (we’re sure we forgot a few). But it is intended to make our readers aware of the sheer size and scope of possibilities that they may choose from. Of course, your situation (room size/shape, worship/music style etc) should determine the right loudspeaker for you. |
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Adamson SX 18 Active/Passive Loudspeaker Adamson Systems Engineering |
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Allen Audio Ensemble Loudspeaker Allen Audio |
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Bag End Crystal-I Time Align Loudspeaker Bag End Loudspeakers |
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Community CPL46 Loudspeaker Community Professional Loudspeakers |
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Crest Audio LH3 Loudspeaker Crest Audio, Inc |
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D.A.S. Audio ST-15 Loudspeaker D.A.S. Audio of America |
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Eastern Acoustic Works AS690e Loudspeaker Eastern Acoustic Works |
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Electro-Voice QRx115/75 Loudspeaker Electro-Voice |
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Galaxy Audio CORE PA5X140 Loudspeaker Galaxy Audio |
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JBL EVOi.324 Loudspeaker JBL Professional |
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Klipsch KSM-8 Monitor Klipsch Audio Technologies |
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Mackie Designs FUSSION 3000 Loudspeaker Mackie Designs Inc. |
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MacPherson IS15 Loudspeaker MacPherson, Inc. |
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Martin Audio Wavefront Theatre WT3 Loudspeaker Martin Audio Ltd |
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Meyer Sound UPM-2P Loudspeaker Meyer Sound Laboratories, Inc. |
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Nexo PS8 Loudspeaker Contact: Nexo USA Inc |
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OAP Audio NF-241 Stair Riser Loudspeaker OAP Audio |
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Peavey SP 2X Loudspeaker Peavey Electronics Corporation |
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Radian Microwedge RMW-1122 Monitor Radian Audio Engineering |
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SLS 112RT Loudspeaker SLS Loudspeakers |
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Sound Physics Labs SPL-td1 Loudspeaker Sound Physics Labs, Inc. |
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Tannoy iQ10 Loudspeaker Tannoy c/o TGI North America Inc. |
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Turbosound TQ-440SP Loudspeaker Turbosound |
Current Issue
May 2012
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Loudsperaker Product Listing
The
Adamson SX 18 contains a switchable, three-way active, two-way passive
crossover. This arrayable loudspeaker is designed to be used as the main
enclosure for small to mid-sized venues or as a supplemental cabinet for
large-scale sound reinforcement. Adamson’s proprietary internal crossover
and Kevlar drivers are employed throughout the SX 18 enclosure and its
integral fly points are designed for fast effective installation.
Allen
Audio Ensemble Loudspeakers include specially designed dual coaxial arrays
developed to create an obliquely angled plane of intensity. The goal is
consistent dispersion of high and mid frequencies, consistent volume and
reduced sound quality variance from row to row in the seating area. This
two-way loudspeaker features two 
The
Bag End Crystal is a full-range, long-throw loudspeaker system designed
for applications where high sound pressure and highly directive capability
are required. Units are designed to array in larger systems using ATM
Flyware. The Crystal-I features Bag End’s proprietary Time-Align
technology which is designed to present the listener with the same fundamental
and overtones of a complex, transient, acoustical signal as those in the
electrical signal at the input terminals of the loudspeaker.
The
CPL46 is a versatile, three-way full-range bass reflex loudspeaker system
engineered for installation in theaters, houses of worship and corporate
applications. CPL systems may be ordered to match your specific applications.
The 60 x 40 high-frequency horn is rotatable for narrower horizontal coverage
or for vertical mounting. The one-inch titanium high frequency compression
driver includes a three-position level switch. The system is protected
with Community’s PowerSense DDP (Dynamic Driver Protection).
The
LH3 from Crest Audio feature a mid-range contour switch (with High and
Normal settings), part of its internal crossover circuitry, allowing the
user to choose between flat or slightly-attenuated mid-range frequencies
for wide variety of sound reinforcement situations. The three-way LH3
loudspeaker has a 15-inch woofer, an eight-inch mid-range driver, and
two-inch titanium compression driver, with frequency response of 53 Hz
– 20 kHz and crossover frequencies of 500 Hz low-mid/3,700 Hz mid-high.
LH Series speakers offer full-range or bi-amp operation, and the protection
circuit for mid and high frequency driver provides extra protection against
damage from long-term overpowering.
The
D.A.S. ST-15 two-way, full-range systemis equipped with an internal passive
crossover which can be switched to bi-amplified use via a rear-located
mode selector. Both frequency sections are easily accessed through NL4
Neutrik Speakon connectors. Low-frequency reproduction is handled by a
15-in. B-30 cone transducer with a four-in. edgewound coil, massive magnetic
structure and carefully designed cooling schemes that result in high power
handling and low power compression. An ND-10 driver, which handles the
mid/high frequency content, utilizes a neodymium magnet structure.
Engineered
for use in permanent installations, the Eastern Acoustic Works (EAW) AS690e
utilizes dipolar array technology to provide effective vertical pattern
control to 200 Hz with a 36-inch enclosure height. Includes two 12-inch
woofers (separated vertically to create a dipolararray), a horn-loaded
10-inch mid-frequency cone and a 1.4-inch-exit/44-mm voice coil high-frequency
compression driver on a 90° x 45° constant directivity horn. These
three-way systems with passive crossovers for the mid-high sections allow
higher performance than most two-way systems without the cost and complexity
of active three-way approaches. 
The
QRx115/75 two-way 15-inch woofer loudspeaker from Electro-Voice (EV) is
designed to bridge high-end MI (music store products) with professional
contracting in fixed installation projects where direct radiating two-way
speakers are appropriate. The QRx features a rotatable 75-degree x 50-degree
constant directivity horn pattern that is asymmetrical with a 15-degree
down angle. This helps facilitate natural energy distribution down into
the audience without unnecessary box repositioning or tilting. The QRx115/75
is five-sided cabinet meaning it can be used as a floor monitor, a horizontally
mounted, low-profile main speaker, or hung in conventional vertical orientation
either alone, or in multi-cabinet arrays.
The
CORE PA5X140 Loudspeaker features balanced ¼-inch and XLR inputs
with individual volume controls, a three-band equalizer, and a ferro fluid-cooled
five-inch driver with a 40-ounce magnet structure. Produces frequency
response of 200 Hz to 18 kHz, 98 dB (1 watt/1 meter) sensitivity and maximum
sound pressure level of 114 dB. Utilizing its integral microphone stand
mount, and positioned in close proximity to the performer, it is a loud
direct sound source, that can be less likely to cause feedback than a
conventional floor monitor. Its 146-watt amplifier (at 4 ohms), powers
its own internal speaker and two external Galaxy Audio HOT SPOT Personal
Monitors.
JBL’s
EVOi.324 features a three-way design, providing a constant 80° horizonal
x 80° vertical coverage pattern. Lows and low mids are produced by
two 14-inch NDD carbon fiber cone drivers, with highs coming from a 2430
neodymium large-format compression driver. Synchronized on-board Digital
Signal Processing (DSP) controls the speaker system parameters, crossovers,
parametric EQ’s, limiting and Filtered Array Technology (FAT) tapering
functions. It also generates its own test sequence and setting its own
auto-EQ and delay parameters. With Anti Feedback Control, it discriminates
between feedback and program music. 
The
Klipsch KSM-8 is a compact, two-way, high-performance stage monitor with
sides slanted at 65° and 45°. Designed to be used where placement
at an angle is required and space is limited, the KSM-8 is perfect for
slanted floor or shelf monitor use near altars and podiums, or in board
and meeting rooms. The Klipsch KSM-8 loudspeaker features a 90° by
90° hybrid Tractrix Horn, high-power eight-inch woofer and one-inch
titanium diaphragm high-frequency compression driver, built-in passive
crossover, KLIP-circuit high-frequency driver protection devices and two
Neutrik NL-4 Speakon connectors wired in parallel.
The
FUSSION 3000 is a full-range, three-way powered speaker designed for low
distortion and high clarity. To ensure long-term reliability and performance,
the amplifier cards and processor are mounted to a three-square-foot heat
sink eliminating the need for fans—a feature designed to extend life
expectancy and eliminate maintenance cycles. The input and control panel
offers highly functional signal routing flexibility. All connections are
via XLR connectors. There is a main input with a loop-through output for
connection of other enclosures.
The
MacPherson IS15 is a full-range loudspeaker system designed to provide
big sound from an unconventionally small cabinet. The two-way design includes
a 15-inch low-frequency driver and a one-inch compression driver mounted
on a 90° horizontal x 90° (-6 dB) vertical waveguide for smooth,
even coverage. Designed for installation, the cabinet includes eyebolt
rigging points and a choice of black or paint-ready finish. Connectors
include a single Neutrik NL4, plus two barrier strips—one on the
back and one on the front under the grill—ideal for testing, or for
use in wall-mounted applications.
The
Wavefront Theatre WT3 enclosure is an efficient, high-power full-range
system. The versatile WT3 achieves three-way, full-frequency performance
from a compact enclosure only 28-inches in height. The 15-inch, low-frequency
driver is cooled by an innovative heat exchange system to reduce power
compression. The mid horn section features a high-efficiency 6.5-inch
cone driver and unique toroidal phase-plug device which maintains constant
dispersion at the upper limits of the mid-band. Both mid-range and high-frequency
horns have matched, constant-Q, 65-degree horizontal dispersion patterns.
Active three-way or bi-amp operation is selected by a switch at the rear
of the enclosure.
Part
of Meyer Sound’s self-powered UltraSeries, the UPM-2P is a bi-amplified,
three-way system housed in a compact, low-profile enclosure. Capable of
relatively high sound pressure levels with low distortion, and exhibiting
flat frequency response across a tightly focused symmetrical 45° pattern,
the new UPM-2P is designed for situations where loudspeakers must be placed
in confined spaces or immediately adjacent to reflective surfaces.
The
PS8 Loudspeaker features new Nexo-designed low magnetic emission neodymium
drivers, making the PS8 extremely light and compact while usable next
to sensitive professional video or computer equipment. Designed for PA
and stage monitor applications, the PS8 includes a proprietary, constant-directivity,
asymmetrical-dispersion, rotatable horn with progressive horizontal (50-degree
to 100-degree) and vertical (55-degree) dispersion. The two-way passive
eight-ohm design uses a single amplifier channel to deliver bi-amped performance
for less money, space and complexity.
OAP
Audio Products’ NF-241 Loudspeaker System is designed to mount in
stair risers in houses of worship, auditoriums, class rooms, or any venue
where “hideable” near-field coverage is necessary. The enclosure
has a power handling rating of 150-watts peak program power, and frequency
response of 128 Hz to 15 kHz. The NF-241 full-range loudspeaker system
incorporates two 4 ¼-inch low-frequency rubber surround cone speakers,
and a 90-degree x 90-degree horn coupled to a one-inch voice coil high-frequency
driver with a passive crossover. 
Featuring
high power handling and smooth high-end, the Peavey SP 2X is a trapezoidal,
two-way loudspeaker offering full-range or biampable operation. 1,000-watt
program/2,000-watt peak performance comes from a BWX Black Widow woofer
with flat-wound 4-inch voice coil and cast frame basket, and an RX 22
compression driver with ferrofluid cooling and a two-inch titanium diaphragm.
Also includes Peavey’s Sound Guard III high-frequency driver protection
circuit, external voice switch and 65-Hz to 17.5-kHz (48 Hz at -10 dB)
frequency response. 
The
RMW-1122 from Radian is a passive two-way monitor with a coaxial 12-inch
speaker and two-inch compression driver. Rated at 500 watts RMS, the enclosure
is compact, low profile and up to 50% smaller than other stage monitors.
The RMW-1122’s coaxial transducer reduces the front baffle area by
30-50%, resulting in a compact enclosure that takes up less floor space
on stage while ensuring smooth response and wide dispersion from a single,
coherent source. The cabinet shape allows for monitor arrays and packing
enclosures in a very tight arc.
The
SLS 112 RT two-way loudspeaker features a high-output, high-frequency
ribbon driver coupled to an SLS-designed 80-degree horizontal by 40-degree
vertical waveguide. A high-efficiency 12-inch cast frame woofer with four-inch
voice coil, and 1,000-watt continuous program power handling capacity
provides upper bass and mid response. The 112RT is available with an optional
passive crossover, which offers component protection. Frequency response
is 54 Hz to 20,000 Hz (+/- 1.5 dB), with 126-dB maximum continuous SPL.
Loaded
with two 12-inch low-frequency drivers, four 5-inch, compression-loaded,
mid frequency drivers and a one-inch high-frequency horn, the SPL-td1
from Sound Physics Labs features a Unity Summation Aperture (Patent Pending).
This technology combines the outputs from multiple drivers to drive a
single horn, while allowing each driver to operate in its own frequency
range. It is designed to provide seamless transition across the frequency
range and is time/phase correct. It also offers two-way or three-way active
configuration in addition to passive mode operation. Frequency response
is 65 Hz – 20 kHz (+/- 3 dB), with crossover points at 300 Hz and
1,200 Hz.
Utilizing
Tannoy’s point source PowerDual technology, the iQ10 features 60-degree
by 40-degree dispersion for high-power and long-throw performance in music
and speech applications where intelligibility is required. The iQ10 is
available as a stand-alone “Skeleton” system, or it can be mounted
into an optional cabinet to match the iQ18B bass cabinet. The unit is
lightweight and is designed to be flown in tight corners and small spaces.
Its two-way design provides frequency response of 180 Hz - 22 kHz.
The
self-powered TQ-440SP from Turbosound is a three-way bi-amped compact
enclosure, part of Turbosound’s QLight Series. The built-in low-frequency
and mid-/high-frequency power amplifiers provide a total power of 800
Watts/4 ohms, and are matched to the drive units. Natural-sounding r.m.s.
limiting and dynamic response processing offer improved performance and
long-term reliability. High-quality vocal projection and seamless response
are made possible by the use of a horn-loaded 6.5-inch midrange cone driver
operating throughout the critical midrange vocal frequencies.
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