Worship Facilities Launches Regional E-newsletters

posted March 11, 2010

On April 22nd, Worship Facilities Magazine will launch a special regional edition of Newsbyte, their e-newsletter. Newsbyte’s Southwest Edition will be sent to the email inboxes of pastor subscribers only in the southwest part of the country. Plans include regional e-newsletters for the Northeast and Southeast regions as well, and will cover those areas quarterly.

“Our goal is to give targeted visibility to regional house-of-worship projects, products and services that are readily available to pastors—either in their state or a neighboring state,” says Worship Facilities’ Associate Publisher, Chris Pernell. Worship Facilities will also continue with the National Newsbyte Edition on the third Thursday of each month.

“This is just one more way we’re striving to be the resource and information leader for church decision-makers. And it offers advertisers the ideal opportunity to get their message out to a geographical market that’s hungry for solutions,” continues Pernell.

To see what Newsbyte Southwest will look like, please visit:
http://www.worshipfacilities.com/files/regional_v4.pdf
Stories, news items, exceptional church projects, products and services can be displayed to Newsbyte readers in these specific regions.

For advertising opportunities and great package deals, email or call Worship Facilities’ Associate Publisher Chris Pernell at .(JavaScript must be enabled to view this email address) or (919) 325-0113. Send Newsbyte Regional story ideas and images to .(JavaScript must be enabled to view this email address).

LED Install Brings Lower Electric Bills for Orlando Church

posted March 8, 2010

When Obreros de Paz wanted to start live streaming its worship services and other events, the Orlando church knew its lighting system would have to be upgraded.  Incandescent lightbulbs and a few conventional par cans had been used to light the stage area.  Not only was this makeshift rig inadequate for video production, it was uncomfortably hot!

“They had been using basically household lighting, and the people on stage would get so hot, they’d sometimes have to turn off the lights in the middle of a service,” says Rick Kisosondi of Lighting and Production Resources LLC (Orlando, FL), which was called in to re-design the church’s lighting system.  “Plus, they wanted to get into streaming to draw a bigger audience to their services, so they were aware it was time to install a more professional stage lighting system.”

Obreros de Paz, whose name translates into “Worker of Peace,” was a perfect candidate for LED lighting, Kisosondi believed.  The low heat generation and flicker-free operation of LEDs would increase the comfort level on stage and accommodate video production.    Plus, LEDs’ low power usage would help trim electrical bills for the church, which “like everyone these days, was looking to save money.” 

It was this last point that helped Kisosondi overcome church officials’ initial resistance to the idea of LED technology.  “They had no familiarity with LEDs, so it took some convincing on our part.  We sold them over time, basically by telling them, ‘Look, not only will LEDs do what you want them to do and offer the flexibility you need, but your electricity costs are going to go down.’”

The LED fixture that Kisosondi chose was Elation Professional’s ELED Fresnel.  Twenty ELED Fresnel units were hung in a half-hexagonal configuration over the stage’s front and sides.  A high-power DMX-protocol LED white light Fresnel, the ELED Fresnel is powered by a 50W 6000k white LED module.  It emits an output comparable to a 300W halogen Fresnel, while drawing only 75W maximum.  It features 0-100% dimming, with internal DMX control over its dimmer and strobe functions, along with a 10° to 50° manual zoom and a multi-voltage internal power supply.  Another Elation product, Compu 1024 PC-based lighting control software, is being used to control the ELED Fresnel units.

Kisosondi says that one of the reasons he chose the Elation ELED Fresnel was its ease of installation into the building’s existing electrical circuitry. “We didn’t have to do a lot of rewiring, which helped keep the installation cost lower.”

But an even more amazing savings was reflected in the church’s electricity costs.  After the ELED Fresnels were installed, Obreros de Paz’s monthly electric bill nose-dived by 32%.

“They were really surprised and pleased that their bill went down by almost one-third.  They knew LEDs were supposed to save on energy costs, but they didn’t realize it would be that much,” says Kisosondi.  At this rate, he added, the church should realize a return on its lighting investment in less than three years.

Obreros de Paz, which was established in 1975, has also benefited in another way since the ELED Fresnels were installed. Thanks to its bright, flicker-free white stage lighting, the church is now able to live stream its worship services, and as a result it’s seen its congregation expand well beyond its doors.  “Now that they’re streaming, they have people as far away as Turkey and Europe logging in and watching the services,”  says Kisosondi.  “They’re really excited about that.”

For more information about Elation Professional, visit http://www.elationlighting.com.

Multitrack Sound Editing on an iPhone? Yes, Now There’s an App for that!

posted March 8, 2010

VeriCorder Technology introduces the VC Audio Pro for iPhone and iPod Touch, a multitrack sound editor for the iPhone platform.

VC Audio Pro allows users to record, edit and send professional quality audio news clips or full stories from an iPhone with the touch of a finger.

Designed for broadcast and podcast applications, our software enables users to record and edit high-fidelity audio and send it instantly over WiFi or a cellular connection.

VeriCorder founder and CEO Gary Symons was one of the first mobile journalist, or ‘MoJos’, in Canada, when he worked with CBC News. Symons says VC Audio Pro was designed to fill a growing need in the broadcast industry.

“We’ve heard the demand from journalists all over the world for a powerful but simple sound editor, that allows them to record, edit and send from anywhere, to anywhere,” Symons says. “Finally, there really is an app for the mobile journalist.”

Audio Pro is the fast, simple and affordable replacement for the standard cumbersome and costly recording equipment currently used by journalists. Its intuitive User Interface takes minutes to learn and is compatible with most major newsroom systems for instant integration and playout.

VC Audio Pro is now available on the App Store for just $5.99. Audio Pro can also be customized for radio networks, universities and podcast hosting sites, and fully integrated into newsroom, media asset management, and playout systems.

Audio Pro can also be deployed as a custom app on the App Store, or fully customized for a media network’s workflow, and deployed by the network’s IT department.

Renewed Vision Releases ProPresenter 4 for Mac OS X

posted February 26, 2010

Renewed Vision announces immediate availability of ProPresenter® 4, the lyric presentation and media playback application written for Apple’s MacOS X. Ideal for church worship presentations and lyric presentation staging or concert events, ProPresenter 4 takes media presentation to the next level with over 100 new features including the ability to add multiple objects to a slide, custom video attributes, new table and contiguous views, web view, template based formatting, PowerPoint importer, an all new props layer, enhanced scripture display, library synchronization, and a customizable stage display output. 

These features were added while maintaining the stability and ease of use ProPresenter fans have come to love. Pricing is $399-$799. More information is available at http://www.renewedvision.com/propresenter

Waves Audio Introduces YourWaves

posted February 26, 2010

Waves Audio, a leading provider of digital signal processing solutions, unveils YourWaves, an interactive online Waves store offering three new ways for users to get the Waves plug-ins of their choice, from different Waves bundles.

At register.waves.com/yourwaves, users can sign up for “Artist Choice,” “Quick Choice” or “Custom Choice,” each providing different approaches and plug-in options for the user.

“Artist Choice” is ideal for users who are curious as to which plug-ins are employed on favorite recordings and by top award-winning engineers. With YourWaves Artist Choice, audio heavyweights Andrew Scheps, Gil Norton, Thom Russo, Ross Hogarth and Scott Martin Gershin have each hand-picked a selection of the Waves plug-ins they cannot live (or work) without, giving consumers access to these masters’ signature sounds. More artists will be added to the YourWaves Artist Choice roster in the future.

“Quick Choice” lets users choose any five plug-ins from selected groups to get the most cost-effective and specific combination. Also, if a user only has a certain budget, Quick Choice can build the perfect plug-in package to fit that user’s desired applications.

“Custom Choice” offers, for the very first time, the option to compile personalized collections of Waves plug-ins, and tailor their selections to precisely suit their production needs – the exact plug-ins they want; no more, no less.

All plug-ins purchased at the YourWaves store are registered in buyers’ accounts separately, and each has its own serial number, giving purchasers maximum upgrade flexibility. Although YourWaves gives buyers access to plug-ins from different bundles, by registering each YourWaves plug-in separately, users can later decide which of the plug-ins they want to upgrade, and when they do, all upgrade options are open to them. For instance, if a user bought three plug-ins from YourWaves: V-Comp, L2 and CLA-2A, then he or she would then have upgrade options including the Masters bundle for the L2, the V-Series for the V-Comp and the CLA Classic Compressors for the CLA-2A, rather than the limited option of a full Mercury upgrade. Also, the Waves Update Plan is calculated for each plug-in, and users decide which plug-ins to renew Waves Update Plan coverage for, and when.

“We wanted to offer consumers a customized way to develop combinations of Waves plug-ins based on their own particular needs,” says Gilad Keren, CEO, Waves Ltd. “Whether users are seeking to emulate the sounds of their favorite engineers and producers, or build a set of plug-ins from the ground up, YourWaves delivers.”

For more information, please visit http://www.waves.com.

Acoustical Solutions Announces Reseller Agreement with Primacoustic

posted February 25, 2010

Acoustical Solutions announces a reseller agreement with Primacoustic, a division of Radial Engineering. Primacoustic is a leading manufacturer of acoustical products for the recording and broadcasting industry.

The addition of the Primacoustic brand strengthens Acoustical Solutions’ product offering aimed at the recording and broadcasting industries by focusing on delivering innovative, high-value-oriented products.

Among the Primacoustic products now offered by Acoustical Solutions are the Recoil Stabilizer platform, two types of acoustical ceiling tiles, acoustical wall panel room-kits, bass traps, corner traps, award-winning sound diffusers and other innovative recording equipment like the FlexiBooth instant Voice-over booth, a wall mounted voice-over booth that folds away to save space.

Acoustical Solutions, National Sales Manager, David Ingersoll says, “Primacoustic has over 15 years experience in studio and live sound. Acoustical Solutions, Inc. has been selling acoustical materials and solving acoustical problems for over 20 years. Together the two companies have over 35 years of experience and have amassed a tremendous amount of resources and knowledge to share with our customers. I firmly believe that by sharing our combined knowledge, the customers will enjoy better results from our expanded product line.”

Primacoustic, Business Development Manager, Steve Dickson adds, “We are excited to be working in tandem with Acoustical Solutions and to be adding our innovative product lines to their portfolio. As the market place continues to self-educate on the growing need for acoustic treatments this partnership strengthens both companies position to meet these expectations. We look forward to not only continued growth of the Primacoustic brand but exploring new avenues of opportunity with Acoustical Solutions.

For more information please visit http://www.AcousticalSolutions.com or call 1-800-782-5742.

Church Collapses While Under Construction Killing One Worker

posted February 20, 2010

Representatives with the Department of Labor and Occupational Safety and Health Administration are working to find out why a church construction project in North Carolina collapsed killing one man on February 18th. The roof of Mt. Vernon Baptist Church in Clinton, North Carolina, collapsed during construction killing one worker and injuring two others. According to WRAL News in Raleigh, crews were adding wood around the structure that had been erected hours before. The contractor for the project is Clifton Halso Building Contractor of Chinquapin, North Carolina. The church was building a new sanctuary to coincide with the its 100th anniversary, according to Tony Rackley, chairman of the church’s Board of Deacons who was quoted on WRAL.

Worship Facilities Magazine http://www.worshipfacilities.com will be updating this story as it develops. You can also visit http://www.wral.com for the latest.

AKG’s New iPhone App Delivers Freedom, Flexibility and Functionality

posted February 18, 2010

Starting in March of 2010, AKG’s wireless systems users will have a new tool to browse, monitor, and control their wireless microphone and IEM systems: their iPhone. With the introduction of AKG’s new iPhone application - which will be available for free in Apple’s iTunes store – AKG has effectively streamlined the workflow for wireless microphone monitoring and configuration by linking Harman’s HiQnet protocol to the iPhone and iPod Touch app via Wi-Fi network.

The new application can be used to monitor wireless system parameters and radio frequency connections on stage for some of AKG’s wireless microphone systems, including the DMS 700, the WMS 4000/4500, and the IVM 4 in-ear monitoring system. The user can browse through the entire wireless system within the device list, monitor each device and it’s parameters separately within the stripe view, or use the RF monitor for checking the radio frequency connection of each wireless device.

Philipp Sonnleitner, product manager for HiQnet and system integration says, “AKG users now have the ability to control and monitor every aspect of their wireless systems from the palm of their hands anywhere on the venue.”

The iPhone application is connected via Wi-Fi to a wireless router, which is connected to the AKG HUB 4000 Q. The application can be used side by side with Harman Pro System Architect because the entire system is based on Harman’s advanced HiQnet protocol.

Panasonic Announces Video Contest for AG-HMR10 AVCCAM Handheld Recorder

posted February 18, 2010

Panasonic Broadcast is giving users of its AG-HMR10 AVCCAM handheld recorder a chance to win exciting prizes by showcasing their creative work in the new “Shoot It. Share It.” video contest. From today through June 18, 2010, HMR10 users can submit a video demonstrating their interesting use of the handheld recorder for the chance to win prizes, including the Grand Prize of a 65” Viera Plasma Television with built-in SD card slot.

Panasonic’s AG-HMR10 AVCCAM handheld recorder and the AG-HCK10 camera head allow video professionals to capture full 1920x1080 video from long distances or endless point of views. The battery-powered HMR10 records up to 12 hours of high quality HD video on a widely available 32GB SDHC card. Content can be immediately viewed on the handheld’s 3.5” LCD screen or from an SD card slot-equipped Blu-ray player, laptop PC, plasma television or other device. With an HD-SDI in/out, the HMR10 can also serve as a standalone recorder for use with HD-SDI capable cameras, switchers and decks.

Step 1: Shoot It.

Shoot with the HCK10 camera head or a HD-SDI capable camera or camcorder and record to the HMR10 handheld. Video submissions highlighting the AG-HMR10’s use are being accepted in the following categories: 

Retail (In-store, bars, restaurants, locations with plasma or LCD displays, etc.)
Business & Industry/Manufacturing (e.g. corporate, training, processes, etc.)
Medical/Dental (e.g. procedures, surgery, etc.)
Transportation (e.g. avionics, trains, military, etc.)
Sports/Extreme (e.g. football, baseball, basketball, auto racing, skate boarding, skiing, sky diving)
News (e.g. “crowd”-cam, live remotes, undercover investigations, etc.)
Production (e.g. TV, commercials, reality shows, documentaries, nature/wildlife, etc.)

Step 2: Share It.

Submit your video entries via the contest form on the contest’s website—http://www.ShootItShareIt.com—by or before 11:59 p.m. U.S. Eastern Daylight Time on Friday, June 18, 2010. Up to five entries per participant will be accepted. Complete rules and requirements for video submissions are available on the contest website.

A submission can be up to three minutes in length and should capture the meaning of the interesting application or shoot. Accepted video formats include flv, wmv, avi, mpg, mp4 and m4v. Video entries will be posted and showcased on the contest website throughout the length of the contest.

Step 3: Help Select the Grand Prize Winner

A panel of Panasonic Broadcast executives and industry experts will judge the submissions on their creativity and select the winners in each category. From Tuesday, June 22 through Friday June 25, submissions from the winners in each category will be displayed at http://www.ShootItShareIt.com, where visitors can vote to select the Grand Prize Winner from that group. 

First, Second and Third Place Prizes will be awarded to the winners in each category. The Grand Prize of a Panasonic 65” Viera Plasma Display will be awarded to the winner with the most votes during the June 22nd – June 25th online voting period.

Prize Winners (per market category):

1st Place Prize (7): TC-P46G10 46” Class Viera G10 Series Plasma (Retail Value: $1,499.95)*

2nd Place Prize (7): DMP-BD70VK Blu-ray Disc™ Player (Retail Value: $399.95)*

3rd Place Prize (7): RPSDV16GU1K 16 GB SDHC High Capacity card Class 6 (Retail Value: $229.95)*

Grand Prize Winner (selected from online vote)

Grand Prize (1): TC-P65S1 65” Class Viera S1 Series Plasma (Retail Value: $3,199.95)*
 
For complete contest rules and additional information about the Shoot It. Share It. video contest, visit http://www.ShootItShareIt.com. For more information about the AG-HMR10 and AG-HCK10, visit http://www.panasonic.com/avccam.

* Or equivalent.

Roland Systems Group Releases Software Updates for M-400 and M-380 V-Mixers

posted February 17, 2010

Roland Systems Group (RSG) releases software updates for their popular digital mixing consoles – the M-400 and M-380 V-Mixers. V-Mixer software update Version 2.1 for M-400 and Version 1.1 for M-380 add S- 4000M functionality as well as a number of user-requested features. The V-Mixer is one of the four components of the V-Mixing System that also includes digital snakes, personal mixers and multi-channel recording.

In addition to user interface enhancements, some added key features include:

•Control and configuration of the S-4000M Merge Unit directly from the V- Mixer. The Merge Unit allows up to four Digital Snake heads to be merged into a REAC stream where the V-Mixer recognizes it as single REAC slave unit. This important technology enables distribution of multiple input/output units around a location, venue or stage for flexible V-Mixing System configurations.

•Select whether to mute AUX sends and/or Direct Outs when input channels are muted. Ideal when you do not want to mute sends to record or monitor position independently of house sound.

•Adjust gate and compressor parameters using EQ area control knobs.

•Access to three user fader layers.

•Patchbay assignment icons have been changed to show signal flow direction.

The software is a free update and can be downloaded from the Roland Systems Group website:

M-400 and RCS Software Version 2.1
http://www.rolandsystemsgroup.com/support-mainmenu-415/software- downloads/rss-software#m400

M-380 and RCS Software Version 1.1
http://www.rolandsystemsgroup.com/support-mainmenu-415/software- downloads/rss-software#
REAC (Roland Ethernet Audio Communication) is Roland’s original technology for low latency, high quality digital audio transfer.

Roland Systems Group U.S. (RSG) supplies the commercial and performance audio/video industries with application specific equipment from the RSS audio and EDIROL video product lines. These product lines address applications for houses of worship, studios, clubs/casinos, theaters/performing arts centers, production houses and rental and staging companies. Roland Systems Group U.S is headquartered in Bellingham, Washington. RSG is a member of the worldwide group of Roland companies. For more information, visit http://www.rolandsystemsgroup.com or call 800.380.2580.

FCC Revising Wireless Microphone License Eligibility

posted February 10, 2010

After nearly 35 years, the Federal Communications Commission is considering expanding its licensing rules for wireless microphones, in-ear monitors, production intercom systems, and similar equipment that operates in the television broadcast (VHF and UHF) band.

Until now, only broadcasters, motion picture and television-program producers, and similar entities were eligible for licenses. The FCC is aware wireless microphones are used today by musical performers, houses of worship, theaters, schools, businesses, and many other types of entities.

The FCC permits wireless microphone operation either with or without a license. However, in the near future, licensed users may be afforded greater protection against interference from future consumer wireless TV Band Devices (both fixed and portable) that will operate in the same spectrum as wireless microphones.

The FCC is seeking comments from wireless users that will assist them in determining who should be eligible for a wireless microphone license. They need to know how you use wireless systems and how your productions and/or your business would be affected by sporadic interference from new TV Band Devices.

If you rely on wireless audio equipment, it is critical that you submit comments to the FCC before the deadline of February 22, 2010. For guidelines on how you can submit comments on this issue, send an email message to .(JavaScript must be enabled to view this email address). You will receive a reply message with details on what information must be included in your comments and how to file them with the FCC.

Software Audio Console Quietly Making Noise

posted February 10, 2010

The Software Audio Console, or SAC (no relation to the SAC Pro Audio from China) has been gathering momentum in the live sound market place and seeing increased acceptance among users. SAC gives the user a FOH console as well as 24 additional consoles. They can be used as monitor mixers, broadcast mixers or additional venue mixers. Venues such as Harrah’s in Las Vegas have been using SAC for some time now finding its features and functions perfect for “Legends In Concert” show. A touring version of the show also used SAC. Church community forum sites such as Churchmedia.net are also weighing in with lively discussions.

Not bad for a product that is both new in technology (virtual software for live sound) and recent launch date (September 2008). Company founder Bob Lentini is no stranger to software control systems having produced the successful SAW platform for the recording market.

Tour sound veteran Steve Cochran has embraced the flexibility of SAC and, to his ears, lack of audible latency that actually improves many of the already high quality sound systems that he encounters on tour. Currently touring with Nashville based Brady Seals; Cochran began using SAC for the bands IEM systems and wedges. The SAC multi-console format allowed Steve to get his eight monitor mixes plus FOH (mains, front fills, delays and subs) all controlled by a single laptop computer.

Finding a comfort level with SAC did not take Cochran long and soon he was mixing FOH and monitors with different laptops and fader banks all from one SAC system. “Patching into existing mains in a venue and bypassing the venue’s console always made that system sound much better. I love the system and all artists ears have been amazed by the sonic quality and have had zero reliability issues.”

Lentini, quite obviously, is pleased with the momentum in the live sound marketplace and feels that SAC is on the cusp of “going large.”  He states, “The shift in balance is amazing and is reaching into areas that high priced digital consoles can not. The reliability is high and when there is a problem the fix is simply a download. Thousands of shows have been mixed with SAC and given the low price, we see that trend increasing.”

Broadcast Pix Introduces Slate Portable

posted February 10, 2010

Broadcast Pix announces Slate Portable, a new system for live video production on location. Designed for quick setup on a table or other work surface, Slate Portable provides the power of a Slate video production system in a compact, cost-effective, all-in-one unit, including: HD/SD production switcher, multi-view monitoring, clip stores, graphics system with Harris Inscriber CG, Fluent workflow software, and format and aspect conversion for 1080i, 720p, SD, and analog. It is available now.

“Slate Portable is the ideal solution for high quality, cost-effective live video production in the field,” says Ken Swanton, president of Broadcast Pix. “You get the power and reliability of Broadcast Pix in a compact package that’s built for easy transport and sets up in minutes.”

Fold down the cover to reveal the built-in monitor, keyboard, and touch-pad, attach cables to secure BNCs and XLRs on the back, and create compelling live video. Slate Portable has a carrying handle on top, and comes in a padded carrying case with wheels for easy transport. It features rugged aluminum construction, measures just 17x14x12 inches (44x35x25 cm), and weighs 45 pounds (20 kg).

Slate Portable supports eight external inputs in HD or SD-SDI or analog, or a hybrid configuration, plus 14 internal video and key inputs for clips and graphics. The switcher has three standard and three optional keyers, each with a DVE for picture-in-picture and other effects. Five graphics stores can hold thousands of graphics, which can be created on the built-in Harris Inscriber CG, while the dual channel clip store can hold up to 200 hours of QuickTime, H.264, and ProRes HD and SD clips with audio.

Fluent Watch-Folders enable clips and graphics to be easily imported from all popular editing and graphics systems. Fluent Macros combine switcher moves and specific files for powerful effects. Unlike conventional multi-views that show only outputs and sources, Fluent Multi-View also shows keys, clips, and graphics.

A single operator can create compelling live video, or Slate Portable can be expanded for team use. It can be operated from the touch-pad by clicking on either its multi-view or SoftPanel. Its built-in monitor can be upgraded to a touch-screen to further simplify operation, and a second monitor can be attached for a larger multi-view or separate graphics operator. A variety of control panels can be attached, from the cost-effective Slate 100 Control Panel to larger 1 M/E and 2 M/E panels. Other Slate options may be added as well, including DVI I/O, control of Sony, Panasonic or Hitachi cameras, and control of audio mixers. A hard case is available as an option.

Slate Portable is priced at $20,900 in SD and $24,900 in HD/SD

Canon Announces MPEG-2 Full HD (4:2:2) File Based Recording Codec

posted February 10, 2010

Canon U.S.A., Inc., a leader in digital imaging, announces the company has adopted an MPEG-2 Full HD (4:2:2) file-based recording codec for a new file-based professional video camera currently under development. The new Canon MPEG-2 codec will enable high-quality imaging and audio performance with up to 50 Mbps data recording and twice the color data of the HDV*1 profile format. File-based recording helps video operations realize greater efficiencies during post-production, making it an ideal format for many industry applications such as news gathering, documentary filmmaking and event videography. The main features of the new Canon MPEG-2 codec include:

*MPEG-2 Full HD compression and 4:2:2 color sampling

The adoption of MPEG-2 Full HD (MPEG-2 4:2:2P@HL compliant) compression enables the recording of 1,920 x 1,080-pixel full high-definition video. Additionally, compared with the 4:2:0 profile format used in HDV and other standards, 4:2:2 color sampling offers twice the volume of color data, providing double the level of color resolution.

*Maximum 50 Mbps data recording

With approximately twice the data volume of HDV, the new codec supports higher resolution and increased color data to enable the recording of high-quality video.

*Industry-standard MXF*2 file format

MXF (Material eXchange Format) is a widely supported open source file format for the recording of video and audio and metadata, developed to suit the latest editing systems used by broadcasters.

*Canon partners with major editing and processing software developers

To support the swift adoption of its new MPEG-2 Full HD (4:2:2) file-based recording codec, Canon is working in cooperation with Adobe Systems Incorporated, Apple Inc., Avid Technology, Inc. and Grass Valley to ensure compatibility with major editing and processing software programs widely used within the video imaging industry. Additionally, at future industry events, Canon intends to demonstrate the overall video-production workflow, from initial video capture to clip-trimming and final editing, with video clips stored in a file-based recording system and using industry-standard software applications.

*Advantages of File-Based Recording

File-based recording enables video and audio data to be managed and stored by file, much in the same way as computer data. It supports efficiency throughout the production process, from initial video capture to final editing through the entire workflow. Additionally, file-based recording provides users with the flexibility to utilize different editing environments and workflow solutions without the restrictions associated with some other video recording formats, helping to reduce investment costs.

Hong Kong Church Broadcasts in HD to 9,000

posted February 3, 2010

Yan Fook Church located in Kowloon, Hong Kong, delivers Sunday worship in HD to 9,000 people using a Ross Vision 1M Multi-Definition Production Switcher.

Yan Fook Church chose Vision for its HD capabilities, modular design, and quantity of outputs allowing the ability to air content to various destinations throughout the church.

“Vision’s modular design will allow Yan Fook Church to expand and upgrade in the future,” says Koon Shing Lo, the church’s senior technical manager. “Plus, we now only require two operators to run Vision, giving us the extra resources to also do post production.”

“Ross has long been a popular choice for houses of worship all over the world,” says David Ross, CEO, Ross Video. “Vision offers reliability and flexibility that churches need in an affordable package.”

Ross Video designs, manufactures and supports a wide range of innovative products for use in live production applications. Ross’ award winning product line includes Vision, Vision Octane and CrossOver Video Production Switchers; openGear, RossGear and GearLite Terminal Equipment; SoftMetal Video Servers; OverDrive Production Control Systems and XPression Character Generators. Ross products are installed in over 100 countries around the world, where they are used daily by top broadcasters, production companies, sports stadiums, government agencies and houses of worship.  News and information are available at http://www.rossvideo.com.

Rose Brand Employees Donate for Haitian Disaster Relief

posted February 3, 2010

Rose Brand employees have contributed $7096.50 which was matched 100-percent by Rose Brand for a total donation of $14,193.00 to the US Fund of UNICEF, addressing the earthquake disaster in Haiti. 

Rose Brand has a long history of philanthropy with Broadway Cares - Equity Fights Aids, and ESTA’s Behind the Scenes Foundation receiving continued support.  George Jacobstein, president of Rose Brand says, “I am so proud of our employees and their enormous generosity, this is a heartbreaking situation for the people of Haiti and we must stand together to provide support”. 

UNICEF is mandated by the United Nations General Assembly to advocate for the protection of children’s rights, to help meet their basic needs and to expand their opportunities to reach their full potential. Guided by the Convention on the Rights of the Child, UNICEF strives to establish children’s rights as enduring ethical principles and international standards of behavior towards children.

Rose Brand (http://www.rosebrand.com) is a premier provider of theatrical fabrics, custom stage drapery, custom sewn creations and production supplies for the live entertainment film TV display and event industries.

Yamaha M7CL-48ES Digital Audio Console Makes Debut

posted February 1, 2010

Yamaha Commercial Audio Systems, Inc. announces a new addition to the M7CL digital console product line. The M7CL-48ES, available in the spring of 2010, with its main I/O interface being the SB168-ES remote stage box, connects via a single Cat5 cable. The new console includes a built-in EtherSound interface with a third port for PC control and monitoring, eight Omni Ins (Mic/Line), eight Omni Outs, and three MY card slots. The M7CL-48ES supports up to three SB168-ES stage boxes and, like the M7CL-48, can mix up to 48 mono plus four stereo inputs to 16 Mix Buses, eight Matrix Outs, Stereo and Mono Outputs.  The new Stage Box Quick Set up feature provides plug-and-play connection of up to three SB168-ES units.

“Using the I/O within the SB168-ES stage boxes will provide end users with up to 48 remotely controllable mic preamps and 24 outputs,” states Kevin Kimmel, Mixer Product Manager. Utilizing the onboard Omni Inputs and Outputs brings the number of mixable channels to 56 and 27 Outputs. “The M7CL-48ES is physically laid out much the same as the original M7CL-48, so for those users who are familiar with the M7CL, they will immediately feel comfortable on the new console.”

With the built-in EtherSound interface, the M7CL-48ES gains all the benefits of a digital network infrastructure while allowing the card slots to be used for other purposes, such as personal monitoring systems and recording outputs.

Because the new M7CL-48ES console runs the same software as standard M7CL consoles, there is direct file compatibility between all M7CL models. And, new Version 3 software updates, available in coming weeks, will include Direct Sends on Fader access from the M7CL knobs in Sends on Fader mode, Sends on Fader in M7CL Editor; new Recall Safe parameters (Input Patch, Output Patch, Direct Out Patch, Insert Out Patch); inclusion of VCM Effects (Comp 276/276s, Comp 260/260s, Open Deck, EQ601); additionally, Omni In 1-8 can be used for Talkback.

The new console consumes even less power, 50% less to be exact (150w vs. 300w). Other new features include on board analog insertion via Omni In/Out and added Output Port Delay for each EtherSound output.

The new M7CL-48ES has a targeted MSRP of $21,499.

For more information, visit http://www.yamahaca.com.

Shure Extends 700 MHz Rebate as June 12th FCC Deadline Approaches

posted January 23, 2010

On the heels of the Federal Communications Commission’s (FCC) order that the operation of wireless microphones, in-ear monitors, and related equipment in the 700 MHz band will not be permitted after June 12, 2010, Shure Incorporated reiterates its commitment to assist wireless system users with the transition.

“We’re pleased that the FCC has issued a firm transition date for 700 MHz wireless equipment,” says Mark Brunner, senior director global brand management. “In anticipation of the post-DTV transition UHF landscape, Shure has been moving its product lines away from the 700 MHz band for the better part of a decade, and in recent years we have increased our information outreach to the user community, including very attractive trade-in rebate programs.  Complying with this firm date will still be challenging for some users, but we remain committed to making the transition as easy as possible for them under the circumstances. It’s time for one final push to prevent interference with the new users of the spectrum.”

To comply with FCC regulations, users of wireless systems operating in the 700 MHz band must retire those products before June 12, 2010. Continued operation may cause interference to public safety communications or other licensed services. Shure has not sold equipment operating in the 700 MHz band since 2007, although many of these units remain in service in theaters, schools, meeting facilities, and houses of worship.  More information about the Shure components that operate in the 700 MHz band can be found at http://www.shure.com/700.

Wireless microphones, in-ear monitors, and other professional wireless devices will continue to be permitted in the remaining UHF TV band (470–698 MHz).  Existing 700 MHz equipment should be replaced with systems operating in that range or in other parts of the spectrum. Additional details relating to the FCC’s order and its implications for wireless systems users can be found at http://www.fcc.gov.

In addition to offering technical guidance and assistance in determining appropriate replacement products, the company is extending its popular 700 MHz rebate until June 30, 2010 in order to help customers comply with the FCC Order. The rebate offers up to $1,000 per system for customers who purchase a new Shure wireless system and send in their old 700 MHz system, regardless of who manufactured it.  Complete details are available at http://www.shure.com/rebate.

Aviom Introduces MT-X Expansion Box for Personal Mixers

posted January 23, 2010

Aviom, developer of the powerful audio transport protocol, A-Net, is providing its Personal Mixer users with additional connection options and durability with the introduction of the MT-X Expansion Box.

The MT-X Expansion Box can be added to any A-16 or A-16II Personal Mixer and offers users robust protection to the Personal Mixer’s case and connectors while supplying additional audio connectivity options. In addition to the1/4-inch stereo headphone jack found on the Personal Mixers, the MT-X also offers a 1/8-inch stereo headphone jack, as well as separate XLR left/right audio outputs, streamlining connections to a wide range of listening devices. All connectors are located on the underside of the MT-X, with an internal wire harness that connects to the A-16II audio output jack and A-Net input jack.  For further robustness, the A-Net input on the MT-X features a heavy-duty locking EtherCon connector.

“The most common feature requests we get are for locking connectors and a metal case. The MT-X is a cost-effective way for our existing users to get these features without having to replace their mixers,” says Chandler Collison, director of marketing for Aviom. “We know our mixers can take a real beating on stage, in the studio, and on the road, and the MT-X gives the extra protection users are looking for, as well as the convenience of more output options.”

The MT-X Expansion Box can attach to any A-16 or A-16II Personal Mixer using the MT-1 Mic Mount.

Community’s First Annual Online Video Contest

posted January 19, 2010

Community Professional Loudspeakers announces its first annual online video contest. Entrants are asked to create a short, two to four minute, video about their favorite Community loudspeaker product or application, or profiling a favorite installation. Entries don’t have to be slick or professional, just tell what it is about Community that works for you.

The Grand Prize winner will win their choice of full S-Series or VERIS systems. The Second Prize winner will receive a smaller S-Series or VERIS package. Additional runner-up prizes will also be awarded.

So get your camera out and get busy!

Deadline for entries is February 28, 2010. Winners will be announced on March 20, 2010 on Community’s website. Full contest rules at http://www.communitypro.com

Shure Announces Strong Support for Newly Proposed Wireless Microphone Legislation

posted January 19, 2010

The President and CEO of Shure Incorporated, Sandy LaMantia, is voicing the company’s strong support for legislation recently introduced by Representative Bobby Rush (D-IL) that proposes to protect 13 different classes of wireless microphone users from interference that could result from the operation of new devices that the Federal Communications Commission (FCC) has approved for frequencies (known as the “white spaces”) currently occupied by wireless microphone users.

“Shure thanks and applauds Congressman Rush for his very thoughtful and balanced approach to the white spaces issue,” says LaMantia.  “New white space devices and wireless microphone users can certainly coexist in the white spaces if the new FCC policy reflects an appreciation for the different classes of wireless microphone users who deserve protection from interference.”

The Rush legislation, H.R. 4353, would require the FCC to provide access to an electronic database where wireless microphone users will register their frequencies, thereby protecting their operation from interference from signals transmitted from the newly approved white spaces devices.  The 13 classes of wireless microphone users in the Rush bill include amusement parks, arenas, convention centers, educational facilities, fairgrounds, government facilities, Houses of Worship, lodging facilities, museums, recording studios, restaurants, stadiums, and theaters. 

“Congressman Rush’s bill simply and comprehensively identifies the professional classes of wireless microphone use and calls for their protection from interference by new devices,” says Mark Brunner, Shure’s Senior Director of Global Brand Management.  “The general public is often unaware how common wireless microphones have become in everyday American life.  This legislation spells it out and calls for continuity.”

Waves Audio Announces Strategic Alliance with DiGiCo

posted January 15, 2010

Waves Audio, a leading provider of digital signal processing software and hardware solutions, and DiGiCo, the renowned UK-based manufacturer of some of the world’s most popular, successful and groundbreaking digital mixing consoles, have announced a technology agreement. The joint announcement was made today at the Winter NAMM Show in Anaheim, California, by Mick Olesh, Waves Executive VP, Sales and Marketing, and DiGiCo Managing Director James Gordon and DiGiCo Marketing Director David Webster.

Waves and DiGiCo have agreed to work together to integrate Waves’ new SoundGrid technology into DiGiCo’s single FPGA Stealth Digital Processing products for the live sound industry. Further details about this strategic alliance are to be unveiled over 2010.

Commenting on the agreement, Olesh stated, “DiGiCo has always been on the forefront in digital mixing technology. Their consoles have been acknowledged as an industry leader, and everyone at Waves is extremely excited to be able to work with their R&D team. We look forward to a close working relationship.”

About DiGiCo:
DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and groundbreaking digital mixing consoles for the live, theatre, broadcast and post production industries and is exclusively distributed in the U.S. by Group One Ltd. of Farmingdale, New York.

About Waves Ltd.:
Waves is a leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets. Waves has over 15 years of expertise in the development of psycho-acoustic signal processing algorithms that leverage knowledge on the human perception of hearing to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and popular video games worldwide. Waves offers computer software solutions as well as hardware plus software solutions for the professional and broadcast markets. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves’ Maxx technologies dramatically enhance audio performance and are used by industry leaders such as Sony, Sanyo, JVC, Toshiba, and many others. For more information, visit the Waves web site at http://www.waves.com.

“The arrival of Waves’ Sound Grid is a big step in the plug-in world. Its impressive lack of latency and access to existing plug-ins made it the only choice for DiGiCo,” added DiGiCo managing director James Gordon. “When you think of plug-ins, you think of Waves. In the future, we hope that DiGiCo control will be the next name that comes to mind.”

For more information, please visit http://www.waves.com.

WFX Charlotte Announces Winners of Distinguished WFX Awards Programs

posted January 14, 2010

Worship Facilities Conference & Expo (WFX) announces the winners of the WFX Awards Program, presented by Church Production and Worship Facilities Magazines. WFX (http://www.wfxweb.com) is the leading event where church leadership teams connect with tools and technology to create meaningful spaces and powerful worship experiences.

The fourth annual WFX Solomon Awards recognize church teams, individuals, and vendor partners who have been instrumental in achieving excellence with their facilities design, management, marketing, usage and audio visual production.

For a list of award winners and photos visit the full article:

http://www.churchproduction.com/go.php/article/10256