Elation Professional Lighting To License LED Technology From Litepanels, Inc.

posted February 3, 2012

Elation Professional Lighting, has entered into a licensing agreement with Litepanels, Inc. covering the use of the latter company's patented LED technology for broadcast, photographic and motion picture lighting production.

Under the terms of the agreement, Elation has been granted the rights to use Litepanels' patented LED technology for the primary illumination of subjects for image capturing in film and video. The patented Litepanel technology will be used in Elation lighting fixtures intended for television, film and video production applications such as the TVL2000.

An ADJ Group company, Elation Professional is a leading supplier of lighting products for the entertainment, exhibition, architectural, house of worship and film/video production markets. The company's products are sold globally under the Elation brand. Under the terms of its agreement with Litepanels, Inc., Elation will be able to use the patented technology in the products it sells in all of its markets. Elation maintains a policy of respecting the valid and enforceable intellectual property rights of others.

A Vitec Company, Litepanels Inc. manufactures a broad range of white light LED fixtures that have been used in a large number of major motion pictures, network television productions, and broadcast studios.

Specific terms of the agreement, which went into effect in January 2012, were not disclosed.

Digico Introduces Simple MADI Connectivity With UB MADI

posted January 29, 2012

Until recently, MADI connectivity on a desktop or laptop computer required a format such as PCI or ExpressCard. This often involved a time-consuming set-up operation on a desktop, and laptops with the necessary slot are hard to find. Digico Solutions' UB MADI is designd to eliminate this frustration. UB MADI allows any computer to instantly connect to MADI via the most standard connector of all, USB 2.0, according to a company announcement.

UB MADI uses the latest Stealth Digital Processing FPGA technology straight out of Digico's award-winning SD range of consoles, yet fits into your top pocket and delivers 48 simultaneous inputs and outputs, totalling 96 channels of audio I/O over USB 2.0 --- an unprecedented accomplishment according to Digico.

Once the low-latency driver is installed, UB MADI is a simple plug-and-play device, automatically detecting the MADI input format and clock selection. UB MADI then communicates with your preferred PC or Mac as a standard ASIO or Core Audio interface.

Despite its high-end performance, UB MADI requires just a single USB cable, providing both audio and power connectivity. Unlike existing PCI based solutions, UB MADI is fully hot pluggable, booting within seconds of its connection.

"Delivering the convenience of USB combined with Stealth Digital Processing to professional audio engineers working with MADI has been a massively rewarding experience. Taking USB audio into the professional space has meant facing some significant challenges; from meeting PCB footprint and power constraints to, most importantly, the chipset selection and firmware design," comments the UB MADI project manager.

"Having an R&D team that strives to push technology and deliver something considered impossible is motivational for the whole company," says James Gordon, Digico's managing director. "I am very proud of their achievement in this new area for Digico. UB MADI will be a real problem-solver for anyone wanting MADI connectivity on their computer and, as with all our Stealth Digital Processing-based products, UB MADI has even greater potential for the future."

TEAC Announces Strategic Alliance with Onkyo Corporation

posted January 28, 2012

As part of its corporate goal to enhance shareholder value and meet the demands of a changing marketplace, TEAC Corporation, the global electronics manufacturer, today announced a strategic alliance with Onkyo Corporation, a worldwide leader in consumer audio. The alliance between Onkyo and TEAC is particularly synergistic in that both companies share a commitment to excellence and a passion for engineering, designing and manufacturing products that deliver value and exceed customer's expectations.

Through this strategic alliance TEAC and Onkyo will acquire shares of each other's stock. The companies are exploring ways to share manufacturing facilities, logistic centers and research and development resources. TEAC President, Yuji Hanabusa says the strategic alliance of Onkyo and TEAC will make both companies more competitive in an ever-changing market. Onkyo President, Munenori Otsuki, says the alliance with TEAC offers unique opportunities to both companies to leverage each other's considerable strengths to provide innovative life changing products to its customers.

Tascam Pro Audio, which builds a wide range of audio equipment commonly found in churches, is a division of TEAC

Onkyo made headlines in early January when Gibson Guitar announced it was acquiring a majority stake in the Onkyo USA, Onkyo's distributor for North, Central and South America.

Audinate Hires Dave Anderson as Director of Sales

posted January 26, 2012

Audinate is pleased to announce Dave Anderson as the new Director of Sales. Anderson brings a very successful career of sales leadership in the professional audio and video industries to his new position. During his 18 years with Avid, Anderson held various sales roles establishing professional audio, video, storage, and asset management technology products in the marketplace.

"I'm thrilled to be joining Audinate." Anderson says. "Audinate is well positioned for significant growth as customers recognize Dante as the market leading solution for digital media networking while de-risking their future by providing a elegant migration path to upgrade to new standards such as the IEEE Audio Video Bridging (AVB)."

Focused primarily on Avid's professional audio business, Anderson aggressively grew sales and helped establish Pro Tools as the market leading solution for recording, editing, and mixing. He formerly held the position of territory account manager and West coast sales manager where he was responsible for the largest territory in Avid's audio business.

Audinate's CEO Lee Ellison remarks, "Dave brings significant knowledge and expertise from his past 20 years in the AV industry. Dave has always delivered a successful track record in all of his past roles, and we are excited to have him join Audinate."

Audinate networks are designed to transport high-quality media over standard IT networks. Audinate's Dante products are designed to deliver a no-hassle, self-configuring, true plug-and-play digital audio network that uses standard Internet Protocols

Harman Upgrades Soundcraft Si Compact Consoles With New V2 Software

posted January 19, 2012

Harman Soundcraft's popular small-format (but big-hearted) digital console Si Compact has received a major upgrade with the V2 software release.

The new free upgrade provides more than 23 major new features, updates and enhancements; the first addition being eight additional DSP channels expanding the Si Compact 16 and Si Compact 24 to 32 and 40 inputs to mix, respectively.

Of particular note is the new user-configurable fader layers allowing input channels to be reassigned anywhere on either input layer and any bus master reassigned to either master layer. Now an engineer can put the inputs and returns where he or she most needs them, for example, having the main vocal or presenter always in position one on both input fader layers, or mixing aux and matrix masters on a single bus layer to reduce the number of layer changes.

Another particularly useful function introduced in V2 is D.O.G.S (Direct Output Gain Stabilization). A common frustration for engineers is when two consoles (FOH and Monitors) share the same source such as a mic on stage; the mix balance on the second (slave) console can be overridden if the engineer at the master console changes the mic gain and in some environments this could also result in feedback in the slave system. Using a connection topology where the slave console is fed from a pre-fade direct output of the master, DOGS can compensate for the gain adjustment maintaining original system gain between mic in and direct out. One of the unique advantages of DOGS is since stabilization occurs ‘locally' in the master console only this component requires the DOGS system and all other equipment connected to the master can benefit from the feature.

Selective copy and paste is now implemented allowing all or part of a selected channel or bus to be copied and pasted elsewhere. This basic functionality is augmented with the ability to copy and paste individual bus or matrix mixes and copy/paste FX presets between Lexicon processors. Enhanced MIDI control allows snapshots to be recalled from any external devices capable of sending simple program change messages.

A new security mode prevents unauthorized access to key functions; as well as ‘total lockdown' security can be tailored for different ‘operator access' levels for example locking out house EQ and processing for guest engineers whilst allowing access for in-house operators.

Other enhancements include additional information displayed in the Function Focus window on the touch screen, improved matrix mix facilities, show file and folder management, better navigation, improved default settings, HPF settings, added EQ curve graphics and much more.

Pivitec Unveils New Personal Monitor Mixer at NAMM 2012

posted January 17, 2012

The Pivitec e32 Personal Mixer is a 32-channel Ethernet AVB "Listener" Endpoint used to build a stereo mix from up to 32 channels of network audio sources. The e32 features a high output headphone amp designed to be loud enough to work in loud stage environments, as well as stereo line outputs for driving other devices such as wireless in-ear monitors, power amps or powered speakers. The built-in digital signal processint (DSP) provides three bands of EQ on each audio channel as well as a stereo three Band EQ and limiter on the master outputs.

The Pivitec e16i input module is a 16-channel Ethernet AVB "Talker" Endpoint used to convert signals from analog sources such as mixing consoles, mic preamps, instruments, or any other line level source. The 16 balanced line-level input channels are converted to 24 bit 48-K digital audio and sent to the audio network as a 16-channel Ethernet AVB stream and is selectable between +4/-10 dB signal level and features 26 dBu of input headroom.

The Pivitec e10SW-P is a 10-Port L2+ Managed GbE Switch that supports PoE on eight ports. In addition to the eight PoE ports the e10SW-P provides two gigabit UTP/SFP combo ports. The e10SW-P can power up to eight e32 mixers simultaneously while providing two additional ports for connection of the e16i or other network devices such as wireless access points for wireless control of the e32 mixers.

V2 Mix App provides real-time control and monitoring of all mixing and DSP functions of the e32 Personal Mixer. Each channel features pan, volume, customizable channel strip, mute and solo (each stackable), and 16 user-programmable presets that allow quick access to favorite mixes.

Pivitec was founded in March, 2010 by industry veterans Dan Garrett and Tom Knesel. Tom and Dan worked together at Aviom, where Garrett was a co-founder and VP of sales and marketing and Knesel was national sales manager. Pivitec is located in Bethlehem, PA where it designs and markets hardware and software products for the professional and commercial audio industry. Pivitec's audio solutions use open Ethernet AVB standards for networking and wireless devices based on iOS (iPads and iPhones) and Android operating systems for control. Pivitec V² Mix control software is designed to be a full-featured, audio mixing application designed for personal monitor nixing in live performance and in studio applications.

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L-Acoustics K1 and V-DOSC Systems Stolen from Procolor

posted January 17, 2012

In the early morning hours of December 8th, 2011, L-Acoustics systems provider Procolor of Guadalajara, Mexico had an entire 53-foot semi truck and trailer of equipment stolen at the conclusion of a Britney Spears concert in Mexico City.

The missing trailer contained 24 L-Acoustics K1 and 18 V-Dosc line source elements, 12 K1-SB low-frequency extension enclosures and 48 SB-218 subwoofers, among other items. Serial numbers are available upon request.

Any knowledge as to the existence and/or whereabouts of this equipment should be shared with L-Acoustics, Procolor or local law enforcement authorities. Product returns or submissions of information may be made anonymously.For further details, please contact Paul Freudenberg, L-Acoustics business development manager - Americas, at .(JavaScript must be enabled to view this email address), or Javier Barba, owner and general director of Procolor, at .(JavaScript must be enabled to view this email address).

"Although the circumstances are very unfortunate and part of a regrettably endemic issue here in Mexico, we are thankful to the good authorities that are attempting to help us resolve this situation," says Procolor's Javier Barba. "In the meantime, we will continue to focus on providing the best possible concert production services for our clients."

Despite the theft, Procolor still has a considerable inventory of L-Acoustics gear left and is carrying on with business as usual. The company will soon be taking a K1 system out on Maná's continuing Drama y Luz tour to Venezuela, Colombia, Santo Domingo, Mexico and the US. Additional Procolor tours in the next two months include Ricardo Arjona, Selena Gomez's Mexican tour, and three shows with Marc Antony and Alejandro Fernandez.

L-Acoustics' Paul Freudenberg adds, "Procolor is the first and only K1 owner in Mexico and we are shocked and saddened that they have been victims of this crime. We hope to assist them in recovering their equipment and would urge other sound companies and audio professionals to carefully be on the lookout for the stolen items."

Email: .(JavaScript must be enabled to view this email address) / Web: http://www.l-acoustics.com

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Epson Expands PowerLite Pro Z Series of Large-Venue Projectors

posted January 16, 2012

Epson, the number-one selling projector brand worldwide according to researchers, expands PowerLite Pro Z-series projector line with the introduction of five new models. Designed for corporate, higher education, house-of-worship, rental and staging, museum, and digital signage applications, the new projectors are designed to deliver advanced image quality, connectivity and installation tools, as well as an expanded feature set with edge blending, split-screen capability and Dicom Simulation mode.

The expansion of Epson's large-venue, installation-grade projector line is further evidence of the company's focus on higher-end products. According to the company, Epson's market share grew from just 2% to 16% in the over 4,000-lumen projector segment in 2011.

Further evidence that Epson intends to deliver appealing products to the installation market, many of the company's new large-venue projectors are available in both black and white cases. Several new models include both HDMI and HD-SDI inputs; include thumb screws to access connectors and lenses and feature built-in edge-blending.

"With the addition of these new PowerLite Pro Z models, Epson expands its installation projector portfolio to offer outstanding image quality and advanced features and functionality to meet the installation needs of several markets," says Sean Gunduz, product manager, projectors, Epson America. "With capabilities like built-in edge blending, these brighter, more robust models deliver the ultimate projection experience for a wide range of venues and Epson is excited to offer this new line to a multitude of markets, including rental and staging and entertainment."

The Epson PowerLite Pro Z-series deliver a range of color and white light output lumens3, resolutions and colors to meet a variety of installation needs:

Design and Image Quality Features
The Epson PowerLite Pro Z-series offer several features to meet the needs of today's installers, including:

- Connectivity: In addition to the two HDMI inputs available on all new models, WUXGA models also include HD-SDI input for long distance high-definition live broadcasts up to 300 feet
- 360° Projection: Projectors can be installed at any angle to meet a range of installation needs
- Black Case: Allows projectors to easily blend into the environment for rental and staging/entertainment applications
- Dicom Simulation Mode: Specialized imaging uses standardized grayscale to reproduce medical images, such as x-rays, for medical training and education
- Image Adjustment and Movie Reproduction: Leveraging home cinema technology, new Gamma and RGB image adjustments allow for brightness and color tone adjustments; Faroudja DCDi chipset enhances video quality with deinterlacing, noise reduction and improving sharpness
- Super Resolution Technology: Improves low resolution or blurry pictures for sharper and crisper images
- Frame Interpolation: WUXGA models deliver sharper and smoother pictures during fast motion videos, such as sports and action movies

Other Advanced Features on the PowerLite Pro Z-Series:
These new models also offer advanced features and functionality for high-end custom installation scenarios, including:

- Edge Blending: Allows for consistent and smooth brightness and color when using more than one PowerLite Pro Z model side by side for staging, art galleries, digital signage, video walls, or command centers
- Split Screen: Gives presentation flexibility with two side-by-side windows and three layout options; video and presentation materials run simultaneously for added convenience
- Memory: Conveniently can save menu settings for up to 10 different scenarios, minimizing installers' work
- Monitor and Control: Epson Easy Management allows for network monitoring, maintenance scheduling, and email alerts to be sent via LAN; schedule function allows projector to run functions without the need to be connected to a network
- Test Patterns: Six built-in test patterns are included to adjust image quality without video signals

The new PowerLite Pro Z series projectors offer additional features for large venue applications, including 3LCD, 3-chip technology, 5000:1 contrast ratio, an innovative liquid cooling system, and a dual-lamp design that further enhances image quality, performance and reliability. These projectors also offer Crestron RoomView compatibility, messaging broadcasting, a centered lens design, LAN connectivity, a built-in closed captioning decoder, and six optional lenses, including a rear-projection lens, with horizontal and vertical lens shift.

Availability and Support
The Epson PowerLite Pro Z8450WUINL and Z8455WUNL will be available in February 2012, the PowerLite Pro Z8250NL and Z8255NL will be available in April 2012 and the PowerLite Pro Z8350WNL will be available in May 2012. All models will be available through pro audio/video dealers and include two elite technical support services - Epson PrivateLine® phone support with direct access to an expedited support telephone line via a phone card included with the product, and a Road Service projector replacement program that includes projector exchange in one business day with paid shipping. For additional information about the new PowerLite Pro Z-series projectors, visit http://www.epson.com/ProZ.

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Sound Bridge Hires New VP of Sales and Marketing

posted January 14, 2012

Sound Bridge Acoustic Labs has named industry veteran Joel Motel as its Vice President of Sales and Marketing. Reporting to Sound Bridge's president, I. Christopher Cole, Motel will drive and manage strategic sales and marketing activities for the company. According to Cole, "With a wealth of audio industry sales experience and a solid understanding of the market, Joel is a welcome asset to Sound Bridge". Prior to joining Sound Bridge, Motel held sales management positions with Harman Professional.

Sound Bridge Acoustic Labs designs and manufactures high-end loudspeakers for the touring, concert, house-of-worship and installation markets, including the XYON Advanced Line Array Product Group, Slice Monitor Wedges, Quad-One Focused Subs and Series 6000 Loudspeaker Systems.

www.soundbridge.com

Photo Caption: Joel Motel, VP of Sales and Marketing with Sound Bridge Acoustic Labs

Audio-Technica Celebrates “50 Years of Passionate Listening”

posted January 11, 2012

From its early beginnings as a manufacturer of phonograph cartridges, Audio-Technica (A-T) has expanded over the years to become a leading innovator in the design of microphones, wireless microphone systems, headphones, turntables, phono cartridges and more. A-T continues to advance the art and technology of electro-acoustic design with the manufacture of products for the professional recording, musical instrument (M.I.), live sound, broadcast, fixed installation and consumer audio markets. On this historic occasion, Audio-Technica is taking the opportunity to look back, with a view toward the future.

Audio-Technica was founded in 1962 when Hideo Matsushita introduced the company's first phono cartridge. A-T soon gained a reputation for producing a range of high-quality, award-winning phono cartridges for some of Japan's leading electronics companies, and expanded its facilities in 1963 and again in 1965 to its current address in Naruse, Machida, Tokyo. In 1969, Audio-Technica began distributing an expanded range of products internationally, and in 1972, Audio-Technica U.S., Inc. was established in Akron, Ohio, moving to its current location in Stow, Ohio, in 1980.

In the 1970s and 1980s, Audio-Technica broadened its lineup to include products such as its groundbreaking VM Series dual-magnet phono cartridges; its ATH Series high-fidelity headphones; its first professional microphones, the 800 Series; and other innovations. Of particular note was the launch of A-T's compact UniPoint microphones, which changed the landscape of business presentations and other installed communications with their sleek profiles and high-fidelity audio. Audio-Technica also established divisions in Europe and Asia during this period.

In the 1990s, Audio-Technica continued to refine and diversify its product range, and its wireless microphone systems, microphones and consumer and professional headphones became industry standards for their exceptional performance, reliability and value. A-T introduced the renowned 40 Series microphones, making the pristine sound of studio microphones more affordable for many. Today, the 40 Series is used by leading producers and engineers, as well as high-profile artists in many genres of music, both in the studio and on stage. Additionally, in 1993, Hideo Matsushita took the position of chairman, and Kazuo Matsushita became president of Audio-Technica Corporation, a position he still holds today.

Since the dawning of the new millennium, Audio-Technica has continued to introduce breakthrough products and systems. In 2008, the company's noise-canceling in-ear and over-ear headphones broke new ground in environmental noise reduction and sound quality. A-T innovation continued with the introduction of the SpectraPulse ultra wideband digital wireless microphone system. The SpectraPulse products are part of A-T's Engineered Sound line of contractor-exclusive offerings, another successful area of focus for the company. Other popular A-T products include the Artist Elite series of performance microphones, its 2000 and 3000 Series Wireless Systems, and its Artist Elite Wireless Systems, the 4000 and 5000 Series.

Today, Audio-Technica is the first choice for a variety of major artists including Kenny Chesney, Gwen Stefani, Jason Aldean, Justin Timberlake, Metallica, Linkin Park, Evanescence, Newsboys, Selena Gomez and many more. Audio-Technica products are used worldwide in numerous consumer and professional applications including live concert tours, broadcast and recording studios, corporate, government and house-of-worship venues, and in high-profile events such as the presidential debates, the Grammy Awards, CMA Awards and the Summer and Winter Games, to name a few.

"We are extremely proud to mark Audio-Technica's 50th anniversary," says Phil Cajka, Audio-Technica U.S. president and CEO. "Throughout our history, A-T's growth has been fueled by our customer-focused philosophy. The bottom line is, we are committed to being in tune with our customers and providing them with innovative, compelling products and outstanding customer service. At Audio-Technica, ‘always listening' is much more than just a slogan. It's how we do business."

For more information on the many 50th anniversary limited edition products, click here.

Photo Caption: Phil Cajka, Audio-Technica U.S. President and CEO

New Software Available for Jands Vista Lighting Consoles

posted January 10, 2012

A company announcement says Vista v2.1.9015 software was designed from the ground up to allow all levels of user get the most from whatever mix of technology they have available, whether lighting, LED, or media. Available for a wide range of hardware options, Jands Vista v2 is designed to offer both the simplicity to work fast, with the power to control the finest details, so everyone can focus on creating a great looking show rather than on programming a desk.

AC Lighting says the Jands Vista v2 software has been used extensively by a broad range of users on a wide variety, size and style of shows around the world., and this software release contains an array of tweaks and fixes as a result of the feedback from those shows. An updated fixture library, as well as a few of the functions that have been asked for the most, including:

Native Mac OSX support - for Snow Leopard and Lion
Date/Time triggering - Set events to happen at specified times, days and dates
SMPTE and Learn Time - Synchronize your show with timecode
Park and Unpark of fixtures
New hardware user preferences

New software can be downloaded at http://www.jandsvista.com

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JVC Unveils “World’s First” Handheld 4K Camcorder

posted January 10, 2012

JVC Professional Products Company, a division of JVC Americas Corp., announces the GY-HMQ10, described by the company as the world's first handheld 4K camcorder. It captures, records, and plays video images at four times the resolution of high-definition television. Powered by JVC's Falconbrid large-scale integration (LSI) chip for high-speed signal processing and a 1/2-inch CMOS imager with 8.3 million active pixels, it delivers real-time 3840x2160 footage at 24p, 50p, or 60p.

"We're witnessing the birth of what is destined to become a broad market for full 4K end-to-end production," says Edgar Shane, general manager of engineering. "The GY-HMQ10 is a breakthrough product that opens up 4K imaging to users who previously wouldn't have considered it."

High-resolution 4K still picture imaging has been around for several years in DSLR cameras. Motion video capture with these cameras has always been done at a lower video resolution because of lack of processing power. Likewise, high-end digital motion picture cameras may capture 4K images, but often provide a raw data output to an external storage array for later processing-again due to lack of processing power in the camera. There just hasn't been the ability to capture, process, display and record full 4K images in real time until now.

JVC's exclusive Falconbrid LSI processing takes raw image data from the camera's CMOS device and dematrixes (deBayers) it in real time. Unlike many high-end 4K cameras, the GY-HMQ10 is able to output 4K images to a monitor or projection system in real time with virtually no latency. This capability opens up applications in cinematography, medical microscopy, telepresence, specialized observation / surveillance, and live wide-view event coverage.

Using MPEG-4 technology and a variable bit rate H.264 codec operating at up to 144 Mbps, the GY-HMQ10 records up to two hours of 4K video to economical SDHC or SDXC memory cards.

In addition to 4K imaging, the GY-HMQ10 also captures and records 1080i or 1080/60p full HD, with extraordinary detail provided by its 8.3 megapixel imager and high-quality lens. HD is recorded on a single memory card in a format compatible with most editing systems. This combination of superb 4K and HD imaging was requested by attendees of JVC's 4K forums, conducted throughout North America last year, and is unique in the camera industry.

Another feature requested by forum attendees was the ability to crop an HD image from a 4K frame. This can be accomplished in post production or in real time during camera playback. The "trimming" feature makes HD cropping easy using the camera's touch panel LCD monitor.

Similar in size to JVC's popular GY-HM150 ProHD camcorder, the GY-HMQ10 includes a build-in F2.8 10x zoom lens with optical image stabilizer, as well as a color viewfinder and 3.5-inch touch LCD monitor with a new, intuitive user interface. The GY-HMQ10 is built in a familiar, comfortable and lightweight form factor for hours of field production with minimum fatigue.

The GY-HMQ10 is equipped with manual level controls for audio, with audio metering in the LCD and viewfinder displays. A microphone holder and two balanced XLR connectors with phantom power are located on the handle. The camera is equipped with a built-in stereo mic for ambient sound pickup.

Other features include JVC's patented Focus Assist, as well as manual and auto control of focus, iris, gain, shutter, gamma, color matrix, and white balance. Plus, the camera has the unusual capability of live 4K output via four HDMI terminals.

"Historically, JVC has been a leader in camcorder and display technology, and the GY-HMQ10 is our latest breakthrough," Shane adds. "It's part of a larger move at JVC to bring 4K technology to a wide range of customers." In September 2011, JVC introduced an affordable line of 4K projectors to the home theater market. The company's high-end 4K projectors are widely used in commercial flight simulators and planetariums. "4K is the logical step beyond HD," said Shane. "And JVC is uniquely positioned to lead the industry in this new direction."

JVC's innovative approach to professional 4K will be unveiled in a series of industry announcements beginning at CES and continuing throughout 2012.

At a retail selling price of $4,995, the GY-HMQ10 launches immediately, with market deliveries beginning in March 2012.

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Patent Issued for MyMix Personal Monitoring System

posted January 9, 2012

The first patent for the Mymix personal monitoring and recording system is being officially issued by the US Patent Office, according to an official announcement from MOVEK, LLC, manufacturers of MyMix.

Mathias von Heydekampf, owner and co-inventor of Mymix says: "I'm proud to see the first of our patents being issued in such a short time. Mymix has a lot of new technology under its hood - some true inventions. The patent was issued for the Mymix user interface, combined with the automatic recognition of name based devices on the network, which makes Mymix a plug and play system that doesn't require an expert to set up. The patent is a great official recognition that Mymix solves monitoring issues second to none."

myMix is a product from MOVEK,LLC, described an intuitive, simple-to-use personal monitor mixing system that allows each listener/musician to create an individual stereo mix out of hundreds of channels from the network. The built-in multi-track recording and play back functionality, combined with pristine audio quality, ease of use and versatility have made it the monitor mixing system of choice for many since its launch at the NAMM show 2010.

www.mymixaudio.com

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“Crestron Connected” Seeks to Establish Standard for Interoperability of Electronics Products

posted January 9, 2012

Crestron introduces its Crestron Connected initiative, which is designed to provide the framework for a distributed cloud-based control system. Collaborating with leading manufacturers of commercial and home electronics products, Crestron is embedding its control platform intelligence in a wide selection of source equipment and display devices such as Blu-ray Disc players, flat panel HD TVs, and audio/video receivers. Products with Crestron Connected inside can be easily connected to any home or enterprise network using standard Ethernet cable, and seamlessly monitored, managed and controlled from any web-enabled laptop computer or mobile device, such as an Apple iPod, iPad or Android smartphone or tablet through Crestron Fusion RV software, with no programming required, according to the announcement from Crestron.

Crestron Connected intends to provide an easy to implement out-of-the-box solution. Simply open a secure web page and every device on the network is instantly displayed is how the company explains the new system. Crestron Fusion RV is then used to monitor, manage and control all electronic components in any room at any location around the globe. Integrators and IT managers can even get instant text or email notifications if, for example, a projector lamp fails or a device loses power.

"We need to evolve from a traditional hardwired, centralized control scheme to a distributed, cloud-based architecture," says Fred Bargetzi, Crestron VP of technology. "Crestron Connected is an important first step toward enabling different products to talk together to create smarter homes and buildings. This new technology allows for easy, fast, and affordable implementation regardless of the size and complexity of your environment."

Traditionally, control companies create a unique control module for every brand and product. A vast library of control modules is, therefore, required to create an integrated program, which is then uploaded to a central processor. All products are then hardwired back to the processor.

This new Crestron initiative takes the opposite approach. Now, to ensure stability and consistent interoperability between devices, Crestron is embedding its control intelligence in popular hardware and home electronics, eliminating the central processor and the need for hardwiring back to the headend.

"We're embedding the protocols in all the devices so that they establish a unified communication scheme," Bargetzi says. "The advantage is that devices will no longer need to connect to the processor directly; everything connects to the cloud locally and communicates over the network."

Devices that feature Crestron Connected inside can simply connect directly to the network from its Ethernet port. With plug-and-play and auto-discovery support, the need to program a central processor to translate all the different "languages" is effectively eliminated.

"For years everyone talked about interoperability, but that was never achieved because, in a competitive marketplace, every manufacturer implements the ‘standard' differently." explains Bargetzi. "With Crestron Connected we can achieve true interoperability among independently manufactured products using cloud-based processing. This is the direction our industry is going, and we're committed to leading the way."

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New D.A.S. Audio Loudspeaker Line Focused on Small and Medium-sized Venues

posted January 6, 2012

Available in both active and passive designs, the new Action Series from D.A.S. Audio includes six models including floor monitors, free standing loudspeakers, and subwoofers designed with versatility for today's musicians and DJ's, and they make an equally compelling choice for small A/V and presentation systems.

The six models --- in both active and passive configurations --- include a dedicated 12-inch floor monitor (the Action M12 and powered Action M12A) as well as the Action 12 and powered Action 12A. These two-way, compact models are comprised of a 12-inch low-frequency transducer and a one-inch high-frequency driver. The Action 12A and M12A are driven by integrated 500-watt RMS power amps with a peak power handling capacity of 1000 watts. The Action 12 and Action 12A each have a frequency range that extends from 50 Hz to 20,000 Hz. The Action M 12's frequency response ranges from 63 Hz - 20,000 Hz while the M 12A's frequency response extends from 60 Hz - 20,000 Hz.

Of particular note, the Action 12 and Action 12A, plus the larger Action 15 and Action 15A models are unique in that they have an asymmetric enclosure design that facilitates their use as both floor monitors or as free standing PA loudspeakers. The Action 15 and powered Action 15A models are two-way designs that encompass a 15-inch LF transducer paired with a one-inch high-frequency compression driver. The Action 15 has a frequency range from 47 Hz - 20,000 Hz while the Action 15A extends from 45 Hz - 20,000 Hz. The amplifier in the Action 15A provides 500 watts continuous power and a peak rating of 1000 watts. For added versatility, the Action M12, Action M12A, Action 15, and Action 15A all include pole mounting cups for easy and convenient ‘speaker on a stick' applications.

For those seeking a portable PA speaker for larger venues, the D.A.S. Audio Action 215 and Action 215A (powered) loudspeakers are just the ticket. Comprised of dual 15-inch LF transducers mated with a 1.5-inch HF compression driver, the Action 215 and 215A deliver robust performance ideal for both music and spoken word applications. Frequency response for the Action 215 and Action 215A is 47 Hz - 20,000 Hz and 45 Hz - 20,000 Hz respectively

No loudspeaker line is complete without that low frequency ‘oomph' that can only be provided by a dedicated subwoofer. The Action Series product line includes the single 18-inch Action 18 and the powered Action 18A, along with dual 18-inch models-the Action 218 and powered Action 218A. The Action 18 and Action 18A subwoofers include pole cups for convenient pole mounting of ‘top boxes' such as the Action 12, Action 12A, Action 15, or Action 15A-making these two subwoofers an exceptional choice for portable PA use where quick, easy setup and robust sound quality are critical concerns. The powered Action 18A is driven by a 750 watt continuous / 1500 watt peak integrated power amplifier.

For larger PA applications, the D.A.S. Audio Action 218 and Action 218A include dual 18-inch low-frequency transducers. The powered Action 218A is driven by an integrated 1,250 watts continuous / 2,500 watts peak power amplifier. The frequency range for the Action 218 and Action 218A is 29 Hz - 160 Hz and 35 Hz - 160 Hz respectively.

The two-way amps used in the Action Series powered loudspeakers have an EQ boost-flat switch, level control, mic/line switch, a logo on-off switch, and three status LEDs for limit, signal present, and power on. The amps used in the subwoofers include a 100-160 Hz variable low pass filter, stereo outputs that can be switched between two modes, satellite crossover high-pass filter or an all pass loop-thru output, a deep-loud EQ switch, a polarity inversion switch , LED on-off switch, level control, and three status LEDs for limit, signal present, and power on.

Robert Giner, D.A.S. Audio's director of marketing commented on the new Action Series loudspeakers, "The Action Series is specifically designed for musicians, DJ's and smaller AV applications. With built-in rigging points for safe and simple flying, rugged, Baltic Birch plywood enclosures, these loudspeakers deliver a high level of speech intelligibility, excellent music reproduction characteristics, and the versatility to deliver solid performance. Their rich feature set and the optionally available accessories enable these loudspeakers to function in a wide range of capacities-making the Action Series a first-rate value. I'm confident these loudspeakers will leave a favorable impression on prospective customers."

Pricing for the D.A.S. Audio Action Series loudspeakers has not yet been determined, but will be available during Winter NAMM at the company's booth: 7101 Arena. The Action Series product line will become available shortly after the show.

www.dasaudio.com.

Audix Adds FP Quad Drum Pack to Fusion Series

posted January 6, 2012

Audix expands its line of drum and percussion microphones by launching the FP Quad drum mic pack, a cost-effective alternative to the company's DP Quad drum mic pack introduced in 2011. The FP Quad pack is designed for use in club, rehearsal, school, house of worship, and home recording environments.

The Audix FP Quad drum mic pack presents a simple, effective combination of microphones needed to capture the depth and imaging of a full drum kit. Featuring the Audix F6 dynamic microphone for kick drum, the F5 dynamic microphone for snare drum and two F9 condensers microphones for overhead applications, the FP Quad effectively blends the mic'd sounds, accurately portraying the complete drum kit.

The F5 and F6 are high SPL (sound pressure level), dynamic microphones which are designed for close mic'ing and vital for capturing the attack and percussive sound of the drums. The F5 mic reinforces the depth and snap of the snare while the F6 mic delivers the strike of the kick drum.

The F9 pre-polarized, condenser microphone with its 14-mm, gold-sputtered diaphragm, is built for overhead applications. Depending upon the position, the F9 mic is designed to pick up the high hats, tom fills, cymbals and ambiance of the entire drum kit. Utilization of these two overhead mics will capture the transient sounds, tonality and comprehensive balance of the kit, demonstrating that "less is more".

Audix has also created a demonstration video for the FP Quad. This video illustrates precise set up requirements for each individual mic complete with detailed examples of the four mics working in tandem to create a full, natural sound for both live and recording applications. The video, available at http://www.audixusa.com, defines the significance behind drummers maintaining control of their sound; the drummer is able to mic their kit to deliver the precise sound they want the audience to hear.

Best of all, the FP Quad video takes the mystery out of drum mic'ing; set up becomes quick, easy and effective without compromising the sound integrity and critical presence, regardless of the room size or PA system.

The FP Quad drum pack includes a stand adapter for each mic as well as a DFlex rim mount clip for use with the f5 on the snare drum. Attractively packaged in a heavy duty, aluminum carrying case, the FP Quad pack is available through authorized Audix dealers at a list price of $525.

International House of Prayer Builds Internet Streaming Ministry With Haivision Encoders

posted January 5, 2012

International House of Prayer (IHOP) of Kansas City, MO is expanding its 24/7 web streaming ministry with Haivision's KulaByte live Internet video encoders. The new systems provide direct-to-internet, high-definition (HD) streaming capability. IHOP relies on Haivision encoding of HD video using the H.264 compression standard for live streaming of its prayer room services, as well as for high-quality video feeds between IHOP University (IHOPU), numerous other live ministry event locations, and broadcast centers.

IHOP provides a direct, high-quality live stream of the prayer room to God TV, an international Christian television network. IHOP currently supplies the stream via point-to-point satellite links between Kansas City, Washington, D.C., and the God TV broadcast facility in Jerusalem. To reduce related transmission costs, IHOP has installed the Mako hai1000 encoder systems to transition the God TV connections to much lower cost public Internet connections.

Photo courtesy of Telemetrics

Harvest Springs Community Church Gets Hi-Def Sound with Mackie HDA Loudspeakers

posted January 5, 2012

Non-denominational Harvest Springs Community Church (HSCC) of Great Falls, MT, recently acquired a 30-year-old building. The building, however, presented tremendous reverberation issues for HSCC's amplified music production. Rod Chaon of Rod's Music & Sound, a local supplier of audio equipment and musical instruments, completed the primary design work for HSCC's new system. Chaon recommended a ceiling-mounted cluster of three Mackie HDA High Definition Arrayable Powered Loudspeakers with two Mackie sub-woofers directly below the cluster.

Audio engineer Matt Johnson of Fourth Avenue Studios, also in Great Falls, consulted with Chaon and Pastor Cory Engel on the final system design. According to Johnson, musicality and speech intelligibility were both crucial aspects of the selection process.

"The need for both focused vocal intelligibility and full-range musical performance meant we had to consider a system that was versatile enough to handle both tasks," he explains. "In addition, aesthetics was also a concern. They had spent a considerable amount of time and money on an extensive remodeling of the sanctuary, and wanted a system that would work well with the new décor."

As Johnson observes, the HDA system's low-profile design blends seamlessly with the church's ceiling, and their scalability, combined with the two-way, 1,200 watt output from each loudspeaker makes HDA a versatile solution for all of HSCC's audio applications.

Controversial Documentary on History of Christian Rock Coming in 2012

posted January 5, 2012

"Bleed into One" is being promoted as a feature-length documentary portraying an uncompromising, controversial view of the history and people of Christian Rock. The narrative will primarily be told through interviews, archival footage, music video and live performance. Not shying away from criticism of the genre, Bleed Into One will feature honest summations of pundits, critics and offer a variety of pop culture references on the subject including but not limited to "South Park", "The Simpsons", "Rolling Stone," "Saved," "Alternative Press," "King of the Hill," and comments from comedians and other detractors. Additionally, the film will feature website chatter, VH1 and MTV references.

Interviews and performance videos have already been recorded by artists such as: P.O.D, Underoath, MxPx, Skillet, The Crucified, ZAO, Sixpence None the Richer, Jars of Clay, Steve Taylor, the REZ Band, Randy Stonehill, The Violet Burning, DC Talk, Norma Jean, Stryper, The Prayer Chain, Third Day, Phil Keaggy, Mike Roe, The Choir, Living Sacrifice, Guardian, Blindside, Piller, Project 86, Maylene and the Sons of Disaster, Relient K, Petra, Sacred Fire, Demon Hunter, Audio Adrenaline, Mercy Me, Jeremy Camp, Delirious? Newsboys, DeGarmo and Key, Squad 5-0, Family Force 5, Charlie Peacock, Brian ‘Head' Welch, Scaterd Few, Flyleaf, The Altar Boys, Plankeye, The OC Supertones, Mike Knott, The Lifters, Undercover, Chuck Girard, Oden Fong, Terry Taylor, Darrell Mansfield, Shout, Bryan Duncan, and more.

Interviews with industry leaders and tastemakers are included as well, including: Tooth and Nail records CEO-Brandon Ebel, HM Magazine Editor Doug Van Pelt, writer Brian Quincy Newcomb, former Relevant Magazine Managing Editor Tyler Clark, former Gospel Music Association President John Styll, former Editor CCM Magazine Editor Jay Schwartzendruber, "Raised By Wolves" author and promoter John J. Thompson and many, many more.

"Bleed Into One" is directed and produced by Bartlesville, OK based Tim Hudson.

In the vein of Dogtown and Z-Boys, "Bleed Into One" chronicles the underdog nature of a genre of music that truly had to battle its way towards acceptance, a battle against a world who did not understand their faith, and a battle against those of faith who did not understand their music.

Before the film can be launched, the originators are starting a Kickstarter Campaign to raise needed funds for the final music licensing. This campaign seeks to raise $60,000.The official Kickstarter page can be found at: bleedintoone.com/kickstarter.

Thirty thousand dollars of the campaign will be used to pay the required licensing fees will be paid to secure the soundtrack for the film, featuring a vast array of artists covering the entire scope of the genre. The second $30,000 will be used for the final stages of the post-production, final editing and animation.

A series of incentives have been created as a thank you for donations, everything from digital downloads of the film, autographs, t-shirts, producer credits and tickets to screenings.

Currently negotiating potential distribution, "Bleed Into One" hopes to launch at film festivals and in theaters in 2012.

www.bleedintoone.com

Neumann Launches Active Studio Subwoofers: the KH 810 and KH 870

posted January 4, 2012

A company announcement says numerous developments in transmission technologies have increased the demands placed on professional monitoring systems. As a result, modern production facilities now require high-quality monitoring systems that can accurately reproduce any signal, including the latest 7.1 discrete high definition formats. The KH 810 and KH 870 both feature Neumann's 7.1 High Definition Bass Manager technology, which complements high-definition video with highly accurate sound reproduction, according to Neumann.

The company describes the KH 810 is more than a subwoofer; it serves as the heart of a modern monitoring system. The 7.1 High Definition Bass Management system is designed to meet the latest demands of the industry and is built to complement the Neumann KH 120 nearfield two-way monitor. It can be used either as a subwoofer dedicated to reproducing the LFE channel, or as a means of providing low-frequency extension with high maximum SPL.

Neumann says the integrated 7.1 High Definition Bass Manager is compatible with all formats, from mono to the latest 7.1 high definition systems such as Blu-ray. Eight electronically balanced analog XLR inputs ensure flexible interconnectivity for modern studios. Four-mode LFE channel processing guarantees maximum compatibility across all formats, while fourth-order crossovers and flexible acoustic controls allow for seamless system integration. A built-in volume control permits centralized system adjustment of replay levels, independent of the source. The electronics can be located remotely to reduce cabling, and to allow the cabinet to be mounted flush to a wall.

State-of-the-art amplifier technologies and acoustic components have been used to ensure maximum accuracy of sound reproduction, according to the company annoucement. A robust 10-inch driver, solid cabinet, and carefully designed ports are designed to produce tight, articulate, distortion-free, low-frequency reproduction down to 18 Hz; even at high playback levels. By using sum output, Plane Wave Bass Array (PWBA) techniques can acoustically improve lateral consistency in the listening area and further increase low-frequency linearity. The flexibility of the system is further enhanced by an extensive range of accessories.

The combination of KH 120 and KH 810 is designed for tracking, mixing and mastering in music, broadcasting, project and post-production studios. The KH 810 ($1,999) and the KH 870 ($3,199) are available from select retailers.

Hal Leonard Ships “The Ultimate Live Sound Operator’s Handbook”

posted January 2, 2012

Hal Leonard Books, a leading source of books on the music business, audio technology, instrument history, and more, has published The Ultimate Live Sound Operator's Handbook ($39.99) by Bill Gibson. The book is an updated second edition with new text, photos, illustrations, and video examples to specifically address the important, cutting-edge concerns faced by modern sound operators of all types.

High-quality audio is increasingly imperative, whether you're running sound for a rock, country, punk, or jazz band performing in clubs, arenas, or outdoor parks. With the advent and implementation of large-budget multimedia presentations, along with high-resolution multichannel audio for movies, television, and downloads, any live act must sound great to be well received by today's increasingly savvy audience members.

This revised edition of The Ultimate Live Sound Operator's Handbook focuses on each aspect of live sound in a way that is straightforward and easy to understand, breaking the process down into principles and practices that assist the modern sound tech in everything from planning and budgeting to mixing and recording the live show. A veteran music and technology author, Gibson peppers his relaxed style with photos,graphs, charts, and tables, making the material easy to grasp and reference. Also included are a DVD and online content to further enhance the material covered in the book.

About the Author:

Bill Gibson has spent more than 30 years writing, performing, recording, producing, and teaching music. He has written more than 30 books and produced several videos covering important audio concepts. He is currently an instructor at the Art Institute of Seattle and teaches online sound courses for Berklee College of Music in Boston, for which he has developed the curriculum. Gibson lives in Seattle, Washington.www.halleonardbooks.com

Global Truss Unveils New Logo

posted December 30, 2011

Global Truss, a leading supplier of stage trussing sold under the Global Truss and Duratruss brand names has introduced a new logo the company says symbolizes the solid strength and reliability of its product line. Part of the ADJ Group, which also includes the American DJ, Elation Professional, Acclaim Lighting, Arriba Cases and American Audio brands, Global Truss has been providing trussing for the stage, touring, exhibition, retail and house of worship market for over ten years.

In addition to its quality product line, Global Truss offers customers a variety of value added services, such as complete in-house CAD capabilities to help in designing projects. The company takes pride in providing quick order fulfillment due to a deep inventory of ready-to-ship products.

Global Truss offers a wide variety of trussing products in different shapes and sizes. It also has a large selection of turnkey exhibition displays. Recently, Global Truss introduced the high-quality Duratruss line of TÜV-certified aluminum trussing.

American Audio To Introduce New German-Designed Loudspeakers at Winter NAMM

posted December 30, 2011

American Audio says it's getting serious about sound at Winter 2012 NAMM. The company will be unveiling a new series of what it calls concert-quality German-engineered professional speakers, the SenSeries, as well as a lightweight and affordable power amplifier line, the XLT Series. "Both our new SenSeries speakers and XLT amps fill niches in the pro sound marketplace, and offer solutions that end-users have told us they're looking for," says Tom Freret, national sales manager for American Audio. "That's why we are so excited about introducing these products at NAMM."

SenSeries Speakers feature German design and engineering, and offer flexibility and compact size to be used in venues where space and design present challenges. The series includes three different size speakers - Sense 8 Speaker (eight-inch woofer), Sense 12 Speaker (12-inch woofer) and Sense 15 Speaker (15-inch woofer) - plus two matching subwoofers - Sense 15B Subwoofer and Sense 18B Subwoofer. The speakers have passive crossovers that are fine-tuned for optimum acoustics and dynamics. The high-frequency cabinets feature an asymmetric design that allows for both front-of-house and monitor usage. They utilize a proprietary rotatable horn design with a wide-dispersion range designed to bring crisp-sounding audio to the far reaches of any venue. Thanks to their compact build and convenient M10 fly pints, SenSeries Speakers can be installed quickly and easily.

American Audio's new XLT Series Power Amplifiers are built to provide power and performance and an affordable price. The XLT Amplifiers feature an advanced design technology that makes them lighter in weight than traditional amps. There are four models in the series, ranging in weight from just 16 lbs./7 kg to 25 lbs./ 11 kg. :
*XLT900 (200 RMS per channel @ 8 Ohms, 1K Hz, 1% THD)
*XLT1200 (310 RMS per channel @ 8 Ohms, 1K Hz, 1% THD)
*XLT2000 (450 RMS per channel @ 8 Ohms, 1K Hz, 1% THD)
*XLT2500 (600 RMS per channel @ 8 Ohms, 1K Hz, 1% THD)

All XLT models offer features like a low cut filter, input sensitivity selector, stereo or mono operation, and front panel level LED meters. Prices start $249.99.

Alto Professional Introduces Mixpack Portable PA Systems

posted December 29, 2011

Alto Professional announces the Mixpack and Micpack Express, two all-in-one portable PA systems designed to be set up or packed away quickly. The design features a central powered mixer with a storage compartment and two speakers. The three components fit together compactly. Included with both systems are speaker cables and speaker stands. Mixpack provides such features as three-band EQ on each channel, switchable phantom power, and RCA input/output. Mixpack Express features two-band EQ on each channel, RCA input/output, and six channels of audio.
www.altoproaudio.com

Cooper Controls Release Version 7.0 ZerOS Lighting Control Software

posted December 29, 2011

The new ZerOS 7.0 software from Cooper Controls features a completely redesigned look and style for an enhanced, clearer user interface, and a color filter lookup feature designed to match moving lights to any Lee, Rosco or Apollo filter using on-screen palette keys or syntax. The new ‘Fixture Levels' window provides an instant view and modification of tracking data for the entire cue stack. The update also includes the added ability to export show files to a comma-delimited file (CSV), so designers can export show data to a spreadsheet for printing and manipulation through any common software package. A ‘Page Lock' function has been added, giving the ability to keep a submaster or UDK available across all pages. This helps keep house lights or other effects available throughout the whole show. A major overhaul of the Macros system means they can now store syntax commands or front panel button pushes, and can be executed either fast or slow, depending on your requirements. An updated and integrated comprehensive online help has been added for all desk types, built into the desk software for instant support on all desk features.  And, an updated fixture library includes  over 2500 fixture types from 175 manufacturers

"The launch of ZerOS 7.0 is a testament to the investment Cooper has made in Zero 88 over the last four years. During this time our software capability has been growing and growing, and the launch of ZerOS 7.0 is the latest addition to this powerful platform" comments Peter Kirkup, product manager. "Aside from a visual face lift, users will see a host of new features which have been requested through our support forum and feedback provided directly to our product management team. I'm excited to release this software and enable our users to try out the new features," he continued.

ZerOS 7.0 Software, ZerOS 7.0 Offline Editor and the latest ZerOS Remote Monitor software are all now available from the support centre at http://www.zero88.com

Broadcast Pix Announces Vox Voice-Automated Video Production System

posted December 29, 2011

Vox from Broadcast Pix is designed to work with the company's Granite, Mica, or Slate switching systems to produce voice-activated video productions. Vox eliminates the need for an operator during live productions, according to a company announcement, as it detects which microphone is being used and uses software to switch to a new camera position and add appropriate graphics.

Vox integrates with Broadcast Pix's built-in Fluent Macros to create automatic video-follow-audio. Fluent Macros can be programmed to select camera presets, roll clips and animations; add or remove titles; and even execute powerful compositions such as up to six picture-in-pictures for interviews. Multiple macros can be assigned to each microphone - and selection criteria can be established.

Housed in a single rack space chassis with eight microphone inputs, Vox includes camera control software for Panasonic and Sony robotic camera systems, and connects to any Broadcast Pix system via an RS-232 serial cable. Multiple VOX boxes can be cascaded to support up to 104 microphones.

Global Truss Legal Situation Resolved

posted December 23, 2011

GLP German Light Products Inc. has announced that it has reached a successful conclusion to the legal situation that occurred with Global Truss America LLC. At the conclusion of matters, GLP remains the exclusive distributor of its trussing products throughout the Americas, despite the name change to Cosmic Truss. GLP says dealers and customers will be very familiar with the established logo that Cosmic Truss bears, showing its heritage and track record.

The manufacturing of Cosmic Truss, by Taiwan Georgia Corporation, is done at the same facility that has been supplying GLP with its truss products under the previous Global Truss name. GLP says this manufacturer has been making TÜV-certified truss and accessory products for many years. The entire product range is available within the Americas through its exclusive distribution partner, GLP Inc.

The announcement from GLP says establishing the new Cosmic Truss name allows dealers, users and specifiers full access to the product range once again, without any cloud of potential legal action hanging over the heads and with the knowledge that this is the genuine product, backed up by TÜV-certified processes and materials.

GLP says it has a commitment to its customers of stocking products for immediate delivery which continues with a full range of Cosmic Truss products available from its US location in California.

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New POSSE Personal Monitor Mix System Designed To Improve Live Sound Experience

posted December 21, 2011

"Designed by musicians for musicians", is how POSSE Audio describes their new compact monitor mixing system. The new "affordable" system is designed for musicians, recording artists, and music venues, "eliminating the need for a monitor mix sound technician and allowing for easy customization of ear monitors on stage or in the studio", according to the company announcement. The POSSE system (Personal On Stage Sound Environment), which has a list price of $499, interfaces with wireless earphone and instrument systems and comes with an acoustic gooseneck mic for the unelectrified. Other features include a phantom power supply, a built-in way to record all your performances, a playback mechanisem for playing music during the break, and tune with a line-of-sight tuner. POSSE is also designed for private practicing at home, by providing a way to monitor yourself while you play-without disturbing others in the house or neighborhood-using recorded music or any outside musical source.

"POSSE was originally designed to correct for monitoring problems that a performer encounters on the stage and in the studio," says POSSE co-creator and singer-songwriter, Randy Sharp, who co-designed the concept of the system. "We've all struggled with trying to communicate with the sound person, dealing with a poor monitor mix, or in instances where the audience or band mates are too loud. Being able to independently set the level of your vocal mic, your instrument output, the ambiance of the room and any auxiliary input(s), you can customize your monitors to a comfortable and performance enhancing mix... And you'll play better when you sound good to yourself. When performers cannot hear themselves, they tend to play and sing harder, which causes havoc with the vocal chords, nuances of the music, and pitch. By carrying your mix with you from venue to venue, you'll eliminate the frustration and have the satisfaction of knowing how you'll sound at every show."

"Any performer-from a violinist in an orchestra to a drummer in a rock band-will be stunned by the improved monitoring ability of POSSE," adds Scott Morrison, who engineered the product. "POSSE is transparent to the house system so the house technician can mix for the audience and the performer can mix for themselves. If you need your mix adjusted, simply reach out and tweak a knob. In addition to being able to control your vocal/instrument mix, POSSE also provides precise control over the ambient stereo sound field. In effect, you can ‘listen past' your earphones, making for a realistic performing experience."

POSSE Highlights:
• Designed by musicians for musicians
• Built for stage, studio, or personal practice
• Control stage mix or studio feed
• Sets up in minutes and while reducing sound check time
• Consistent monitor mixing --- every venue, every time
• Less feedback from floor monitors
• Quick and easy setup in minutes
• Zero latency with any digital system
• Hear the audience with built-in stereo mics
• Mic acoustic instruments with included condenser microphone
• Built-in, line-of-sight chromatic tuner (powered by N-Tune)
• Stereo instrument inputs
• Convenient belt box
• Peak limiter protects your hearing
• Built-in direct box
• Phantom power for condenser mics
• Play your break music with MP3 player
• Record performances
• Runs on AC adapter or battery power (9-volt battery not included)

• Comes with all cables
• Made in the USA

In The Box:
POSSE comes with everything needed to set up a personal monitor mix: tote bag, floor box, mic stand box, cables, earbuds, belt box, power supply, external condenser microphone, and user manual.

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Chroma-Q Launches Higher-Output, Battery-Powered LED Fixture

posted December 20, 2011

The new Chroma-Q Color Charge Plus is a higher-output version of the company's original battery-powered, wireless DMX fixture. It is ideal for any temporary indoor lighting applications where wiring is a challenge or where install speed is critical, transforming a venue in minutes.

The Color Charge Plus utilizes latest-generation LED's and optics, resulting in 50% more output (900 lumens) than the original Color Charge (600 lumens) from the same size unit. The Color Charge Plus fixture's environmentally friendly design includes a recyclable long-life battery cell and an interchangeable LED head for upgrading in the future. The highly efficient nickel-metal hydride (NiMH) power cell delivers up to 30 hours usage from a single charge and provides up to 1,000 charges; approximately double the life of lead-acid batteries. The fixture also features a built-in mains charger that enables it to continue to be used while charging, and a gas gauge showing the percentage and hours of usage remaining.

The Color Charge Plus features wireless solutions, wireless DMX control and syncing between units, allowing the connection of up to 170 fixtures on a single network. With a wireless range of 100 meters in a crowded room and 200 meters with a clear line of site, the Color Charge Plus is designed for large indoor spaces. Also, the unit's wireless antenna folds away discreetly for safe, convenient transportation.

The plug-and-play fixture also features synchronized effects between units, slave modes allowing simple opposite A/B color effects and a built-in, stand-alone playback mode.

Part of the new generation of Chroma-Q LED lighting models, the Color Charge Plus utilizes the company's own color mixing and control management technologies providing a high quality light output.

The Chroma-Q RGBA engine has been developed to deliver a CRI of 92, for true color balance across the spectrum and accurate tungsten white light emulation. The fixture utilizes unique ColorSure technology for enhanced color consistency across fixtures.

A company announcement says the unit also features smooth, theatrical-grade dimming, making it suitable for a wide range of temporary entertainment and architectural lighting applications.

Featuring a quick focus click mechanism providing stepped beam angles, the remote head can be quickly and easily positioned. For discreet usage, the unit features a black body and optional half hat snoot to hide the lens source from view.

The Color Charge Plus can be floor mounted or hung from truss via ½-inch nutsert and safely secured in place via a built-in Kensington lock slot. For maximum practicality, the Color Charge Plus can also be mains-powered and controlled via wired DMX.

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Mega Systems, Inc. Launches Omega Truss

posted December 17, 2011

Guillermo Cabada, president of Mega Systems, Inc. says the new Omega Truss will provide spigot truss to a range of customers who require it for touring, events, decorative and much more.

"We had a distinctive opportunity to manufacture truss that is well-made and compatible with other manufacturers. Since truss is a necessity to many of our customer, we are pleased to be able to fulfill that need for them," Cabada says.

Mega Systems, Inc.'s current product offerings include professional lighting, audio and video equipment. With Omega Truss, customers will acquire more of what they need from one company.

The line of Omega Truss will include stick truss, corners and several accessories. Plans are in progress to offer other shapes like circles in the near future.

Omega Truss products are in stock and ready to ship.

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Concert-Ready Sound System Installed at Kansas City-based Evangel Church

posted December 13, 2011

An in-house demo of a Meyer Sound M'elodie line array loudspeaker system during its annual Christmas concerts convinced Evangel Church in Kansas City, Mo. that they had found the ideal audio technology to fully support its services. The congregation then rallied to marshal its resources, eventually investing in a nearly identical Meyer Sound system, designed and commissioned by Greg Slape of Special Event Services in Winston-Salem, N.C.

"We immediately fell in love with the Meyer system," says Tim Murlatt, the church's business administrator, about the first demo. "It was a spectacular sound we had never heard before in that space."

The permanently installed system features a trio of eight-high M'elodie line arrays that cover most of the flat front floor as well as all rear stadium seating in the 1,200-seat, fan-shaped auditorium. Completing the system are four 600-HP subwoofers, four M1D line array loudspeakers for front fill, two UPJ-1P VariO loudspeakers for corner fills, two UPM-1P loudspeakers overhead for choir monitors, and a Galileo loudspeaker management system with one Galileo 616 processor. Additionally, two UM-100P stage monitors supplement the musicians' in-ear foldback systems. The renovation also included an Avid Venue Profile console with direct AES3 digital connection to the Galileo system.

With the Meyer Sound system in place, the previous complaints about "raspy" sound and missing words in the sermon have disappeared. "They were long overdue for a system that matched the talent and vitality in the church," says Greg Slape. "They now have full, robust, concert-capable sound, with uniform coverage to the last row."

In addition to helping boost Sunday attendance, the M'elodie system has also opened the door to hosting concerts with no need for outside system rentals.

"We brought in Dove award-winning artist Natalie Grant, and she was blown away by the quality of the sound," says Tim Murlatt. "And when Press Play sent us their rider, we were happy to tell them our system easily exceeded their requirements. We now have full confidence that we can host any concert without a hitch. And it will be amazing."

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Audix Releases Microphone Technique Video Series For Live Performers

posted December 12, 2011

Audix calls their new Microphone Technique video series a microphone primer - an instruction manual for your microphone. Anyone who speaks or sings into a microphone will benefit from watching this series. The overriding message in this video series is that a vocal microphone is an important tool needed for your voice be heard. And like most tools, a microphone will work better when used properly.

This overview of microphone technique is comprised of three short videos that provide essential information that can dramatically improve a vocalist's live performance sound. The first video serves as an introduction and covers some basic things you should and shouldn't do when singing into a mic. The second and third videos delve deeper into live performance techniques and explore the concepts of dynamic control and proximity effect.

To help demonstrate the subject matter, Audix enlisted the help of a local, live performing band (Portland Oregon singer/songwriter Krista Herring and her band) and put them on stage; giving the viewer real-world examples of musicians using proper microphone techniques. Rather than having a vocalist demonstrate mic techniques in the studio, Audix is convinced that musicians can greatly benefit by seeing and hearing how these techniques work in context and in turn, understanding how to practically apply these strategies in live performance situations.

Although a microphone doesn't appear to be a complicated device, a vocalist should have a solid understanding of the basics of microphone technique. Microphones are not just exclusive tools for singers; church leaders, teachers, lecturers, announcers, and anyone who speaks publicly will expand their skills as a result of this video.

These videos are available in high resolution on the Audix website here:
Audix Vocal Microphone Technique Videos
These videos are available on YouTube here: 

Audix Vocal Microphone Technique: Video One Part one in a short three-part video series covering the basics of live performance microphone technique.

Audix Vocal Microphone Technique Video Two Part two in a short three-part video series covering the basics of live performance microphone technique

Audix Vocal Microphone Technique: Video Three Final video of a three-part series about live performance microphone technique. This video explains "Proximity Effect".

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Panasonic Introduces “Easiest to Use Video Switcher in its Class”: the new AV-HS-410

posted December 9, 2011

Panasonic Solutions Company extends its line of innovative live video switching products with the introduction of the AV-HS410, a new HD/SD "smart" switcher the company says is "the most powerful and easiest to use in its class." Building on the success of its predecessor, the AV-HS400A, the HS410 incorporates a host of new features, including a built-in high-resolution screen, video clip stores with timeline editing, effects memory preview, and for the first time in any Panasonic professional video product, an Application Program Interface (API) and SDK (Software Development Kit) for the creation of custom plug-in applications. The HS410 is a designed for applications ranging from broadcast and mobile production to house-of-worship and education, as well as rental and staging, government, and corporate video production.

The HS410 is a compact, 19-inch rack width 1+ ME live switcher that provides, as standard, nine signal inputs (eight HD-SDI, one scalable HD DVI-D), and is expandable with option boards to a maximum of 13 HD/SD switchable signal inputs. Five HD-SDI and one DVI-D outputs are standard equipment, with option boards enabling expansion to a maximum of 10 outputs. The built-in seven-inch color LCD panel can display selected video inputs or outputs (including MultiViewer out), menus and settings in an easy-to-read format, as well as the built-in waveform monitor and vectorscope.

Four Aux busses are provided to enable versatile production workflow, with mix transitions available on AUX1. Dual PinP (with transition memories), one DSK, and an upstream keyer with 3D flying key and Primatte Chroma key capabilities are also provided. Numerous high-quality 3D and 2D effects are available for transitions for both background and key. All input channels feature a built-in frame synchronizer, while upconverters are available for four channels and color correction for the eight HD-SD/SDI inputs. The HS410's system frequency is switchable among 60 Hz, 50 Hz, and 24 Hz, enabling international operation and digital cinema control. All input channels feature a built-in frame synchronizer; upconverters are available for four channels and video processing circuits for eight channels.

In addition to the flexibility provided by the HS410's event, shot, and effects memories, the switcher's clip store functions allow recording or playback of video and still images with related key signals, and the HS410's memory preview enables pre-checking of video effects during live operation.

MultiViewer configurations include assignable screen divisions into four, five, six, nine, ten or 16 sections and support the display of time, audio level meters and 4:3 markers. The switcher's panel layout features dedicated buttons for many common functions, as well as A bus and B bus rows with 12 crosspoint buttons (22 using the shift function), allowing easy access to a variety of internal and external sources.

The AV-HS410 will be available in December 2011.

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Elation Holiday Light Show Shines So Bright, It Requires “Search Light” Permit

posted December 8, 2011

Once again this holiday season, El Paso is lighting up with a colossal synchronized Christmas light show that features products from Elation Professional. But this year, thanks to a new and incredibly bright addition to the lighting extravaganza -- Elation's Platinum Beam 5R -- the city of El Paso actually required "search light" permits.

The block-long display at the home of Fred Loya, has become a holiday tradition in the west Texas town, with over 4,000 people gathering each weekend during the month of December to enjoy the lights of the massive Christmas show as they flash, chase and change colors in synchronization to popular songs of the season.

This year's display is bigger and better than ever, featuring 12 Platinum Beam 5R's, an extreme ACL beam effect powered by the new Philips MSD Platinum 5R lamp that blasts out the tight, narrow focus and ultra-brightness of a classic aircraft landing light. The intense light from the Platinum Beam 5R is responsible for El Paso's decision to require the display to have "search light" permits for operation! Also included are 30 powerful Elation ELAR EX Floods, high-output LED RGB color-mixing outdoor floods that wash the area in brilliant, colorful light.

All of this glittering holiday magic is controlled by 1,900 DMX channels, programmed by Esteban De La Torre-Alva of Elation Inside Sales, who is now in his sixth year of designing the El Paso display. There are about 500 dimmers placed throughout the entire yard, consisting of Elation DP-415 4-channel dimmer packs that can control up to 8 fixtures each and the compact, single-channel Uni Paks, dimmer/switch packs that have standard 512-DMX protocol. The light show is being run with Elation's Compu Live, DMX lighting software, using an AL-NET8 for art-net to DMX outputs.

Click link below to see a video of the amazing 2011 El Paso Holiday Light Show.
http://vimeo.com/33131131

Rock Church Produces Live Video Streaming with Broadcast Pix Granite 5000

posted December 8, 2011

Broadcast Pix announces that the Rock Church and World Outreach Center, based in San Bernadino, Calif., is using its new Granite 5000 integrated live video production system to distribute live video of its religious services for a growing web-based audience, while simultaneously producing an image magnification (IMAG) video presentation in its sanctuary.

Rock Church upgraded to Granite in May 2011, replacing a Slate system that was installed in 2010. According to Luke Cobrae, Rock Church's video director and young adult pastor, the two M/E capability of the Granite 5000 was a primary reason for the upgrade. Both Broadcast Pix systems were installed by VMI, Inc., a systems integrator with offices in California and Washington. The Slate replaced an aging Video Toaster, which had been used since the church relocated to its current campus in 2003.

Established in 1988 in one of the most impoverished big cities in the United States, the non-denominational Rock Church has more than 20,000 members and regularly draws up to 7,000 each week for services Wednesday night, Friday night, Saturday morning, Sunday morning, and Sunday evening. "Video has always been a ‘want', but budget is always a challenge," says Cobrae. "Broadcast Pix completely opened the door for video production at the church. Our quality instantly skyrocketed."

The church conducts 10 weekly services; two are streamed live and three others can be accessed at http://www.rockchurch.com, while a separate IMAG presentation is produced for the congregation in the sanctuary and distributed across the 25-acre campus, which includes a school, café, and bookstore. The move to Granite also allows Rock Church to send a native HD signal directly to its two Christie LW600 projectors for I-MAG in the church, which significantly cut delay.

"Broadcast Pix went out of their way to make sure we were satisfied and the switcher suited our needs," Cobrae adds. "There's a big difference between a studio-in-a-box and a Broadcast Pix system."

Rock Church typically has a six-camera production for its services, including two center cameras, a dedicated camera for the singers and musicians, and a mounted pan/tilt/zoom camera for reaction shots from the congregation. It uses three Sony widescreen digital SD cameras and a combination of other cameras, including Panasonic AG-DVX100 and Sony PMW-EX1 handheld HD cameras. With its integrated frame synchronizers and multi-definition I/O, Granite seamlessly switches between the various sources.

Rock Church also takes advantage of Granite's built-in Fluent workflow tools, including Fluent-View, which is used in conjunction with an Avitech Rainier multi-viewer. Cobrae has replaced the control room's black-and-white CRT monitors with LCDs that use Fluent-View to display color images and much more information.

During services, Rock Church uses the integrated Fluent Clip Store extensively to provide sermon illustrations and video announcements - and Fluent Watch-Folders provide an easy way to import announcements or last-minute graphic changes. Plus, Granite's external keyer is used to display lyrics and other graphics from ProPresenter. Cobrae says the production crew is a combination of volunteers and a small team of full-time and part-time staff.

Eventually, Rock Church plans to replace its analog and digital SD cameras with HD studio cameras. Cobrae also wants to explore video distribution to the other four Rock Church satellite campuses in 2012.

Photo Caption: Technical director Jon Cathcart shows off Rock Church's Broadcast Pix Granite integrated live video production system, which is used to produce streaming video of services every week for the Web.

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Blackmagic Design Acquires Teranex Systems Inc.

posted December 8, 2011

Blackmagic Design announces the acquisition of Teranex Systems Inc., a leading manufacturer of high performance video processing products for the post production and broadcast industries. Teranex, headquartered in Orlando, Florida, is now a wholly owned subsidiary of Blackmagic Design.

"Teranex is a strategic acquisition for Blackmagic Design," says Grant Petty, Blackmagic Design CEO. "Its technology, solutions and market complement our own efforts and its high quality video processing technology enables us to provide our customers with even higher levels of video quality -- extending Blackmagic Design's product range for the broadcast, feature film and high end post production markets."

"This is an exciting milestone for our company," says Mike Poirier, general manager of Teranex. "We are extremely happy to be part of the Blackmagic Design team. Blackmagic Design's global reach, leading-edge technologies, widely recognized brand name, strong systems and networking expertise and worldwide customer relationships make it an ideal partner for Teranex."

Teranex will continue to support its customers and expand its sales channels with the added strength of the Blackmagic Design organization. Teranex will also continue its long tradition of developing superlative video processing platforms based on its patented SIMD architecture.

Sennheiser Launches Online “Recording Sound Academy”

posted December 7, 2011

Updated 12/8. An earlier version of this article said this was a free service. This was incorrect.  It is a paid program from Sennheiser.

Audio specialist Sennheiser announced that it is launching a new online Recording Sound Academy (RSA), designed to help aspiring producers and engineers achieve their dreams and create a great sounding mix.

Through a partnership with audio software and hardware manufacturer Steinberg, Sennheiser is providing recording enthusiasts with the opportunity to have their mixes reviewed and evaluated by accomplished, award winning engineers including Grammy winners David Thoener (Aerosmith, Bruce Springsteen, David Bowie), Karl Richardson (Eric Clapton, Bee Gees, Barbra Streisand), Al Schmitt (Steely Dan, Ray Charles) as well as Tom Young (Tony Bennett, Frank Sinatra), Tim Palmer (Pearl Jam, U2) and Kool & Dre (Lil Wayne, Busta Rhymes, Queen Latifah).

The Recording Sound Academy -- which takes place entirely online -- is an interactive program that provides aspiring engineers and producers with raw, individual pre-recorded tracks for three unreleased songs by a well-known recording artist, each recorded with Sennheiser and Neumann microphones. To participate, users simply download these from the Recording Sound Academy website [ ]http://www.sennheiserusa.com/RSA], mix them on their computers or home studios and then upload a finished track to the site. After each mix is completed and uploaded, it is then individually critiqued by an award-winning engineer. The first artist to be featured in the program will be Bo Bice, who has been featured on the hit TV show American Idol.

The online Recording Sound Academy borrows instructional elements from the Sennheiser Recording Sound Academy, such as valuable tips and instruction on microphone selection and placement and recording techniques. All participants in the program are invited to participate in a series of live video webinars that feature the participating engineers who will explain how they created their version of the final mix for the songs. The webinars, which include a Q&A session, presents an opportunity for program participants to learn about special techniques and methods of mixdown, as well as how Neumann and Sennheiser microphones were used to capture the tracks.

Participants are encouraged to utilize whatever DAW (digital audio workstation) software they are comfortable with. However, the program will provide a complimentary copy of Steinberg's Cubase LE 5 to all users, compliments of Steinberg. Additionally, once the program is completed next year, one participant with the best mix will be chosen to win a Neumann U87 Ai.

For more information and information on how to participate, please visit the Recording Sound Academy website ( http://www.sennheiserusa.com/RSA)

Acoustics First Introduces Phasefoam Acoustical Treatment

posted December 6, 2011

Designed primarily for use in broadcast and recording studios, Phasefoam is intended to improve sound in music rehearsal spaces, music teaching studios, vocal booths, tracking rooms, home theaters, listening rooms, personal gaming systems, and other critical listening environments.

This system allows users to configure the sound and room design using the key components contained in two simple acoustic foam kits.

Phasefoam Box A includes 16 pieces of 1'x1' x 2" thick, high-density wedge pattern acoustical foam panels used to absorb sound, prevent phase cancellations, and design visual interest.

Phasefoam Box B contains two pair of Triangle Traps. The design of the bass trap allows for various corner configurations and installation direct to a wall or ceiling to provide low-frequency sound absorption anywhere in the room.

The box A and B configuration allows users to choose the amount and type of Phasefoam material appropriate for the specific application.

Phasefoam is currently in stock, and available from $125.00 ea. (shipping additional).

Southern California Church Upgrades with L-Acoustics Karai Loudspeaker System

posted December 5, 2011

After outgrowing its previous worship facility, New Life Community Church of Oxnard, California has now moved into its new home - a renovated 50,000-square-foot industrial building. To accommodate the sound reinforcement needs of the much larger space, New Life called upon Rutherford Design of nearby Northridge, which specified the installation of an L-Acoustics Karai loudspeaker system.

The new sanctuary seats just under 1,000 people making it one of the city's largest auditoriums. Dual arrays of four KARAi enclosures each are flown above the left and right sides of the wide stage delivering the primary house sound coverage. A single 12XTi loudspeaker per side was added to address the extreme left and right seating areas.

A total of four L-Acoustics SB18i subwoofers built into the front of the stage provide the room's low-frequency reinforcement. Each subwoofer position is also equipped with a single 8XTi full-range box to bring the sound image down to the stage for the first few rows. All of the L-Acoustics loudspeakers are powered and processed by three LA8 and one LA4 amplified controllers housed in a 42-space rack at stage left.

"Although everyone loves music, the single most important element of a worship service is the spoken word," says Rutherford Design's VP Richard Rutherford, who notes that nearly two-thirds of his business comes from the church market. "When designing a sound system, I jokingly tell pastors that I'm not concerned about the people in the front seats because they'll be here next week no matter what. My goal is to help the pastor deliver his message in an intimate way to what might normally be viewed as the worst seats in the house - the ones at the back and far sides - because those will usually be where first-time visitors will sit. The pastor has to be able to communicate to them as if they're sitting on the front row; it has to be an excellent experience for them. The L-Acoustics Karai system very effectively helps New Life achieve that intimacy.

"That being said, [the Karai system] is also phenomenal for musical reinforcement. I'm a big believer in headroom; I'd rather provide 30 extra decibels that a church might never use instead of having them wish for six more they simply don't have. On paper, a smaller system - such as L-Acoustic' Kica - could have done more than enough for the room, but the Karai offered that extra 15 dB at the back of the room that filled the space with a much bigger, in-your-face sound should they ever need it. Having that level of impact and intelligibility be omnipresent throughout the entire room really draws people into the worship experience so much more."

"For the very first service in our new sanctuary on October 2, we had a 50-member choir on stage in addition to our full praise team and everything sounded absolutely amazing," adds New Life Associate Pastor Chuck Swankosky. "Now that we've been up and running for a few months, everyone loves the new system. Its sound quality and clarity are even better than we had expected and we're looking forward to bringing in touring Christian artists with this truly ‘rider ready' system."
Collaboratively designed by Rutherford and L-Acoustics' Dan Palmer, the system's integration was chiefly coordinated by Rutherford Design field technician Andrew Bacon and David Myers, director of installations for Rat Sound Systems, which also provided the sale of the system. Santa Clarita-based Focus Building Solutions served as the general contractor on the project.

New Training App Designed to Help Live Sound Professionals

posted December 5, 2011

Audiofile Engineering, creators of professional audio software for Mac OS X and iOS, announce the release of Quiztones for Mac as well as an update to the iOS version for iPhone, iPad, and iPod touch.

Quiztones (http://quiztones.net) is an ear training application designed to help audio professionals and musicians accomplish better mixing, recording and live sound. Quiztones uses quizzes to engage users in training exercises from frequency tones to EQ boosts/cuts on pink noise, instrument loops, and songs in a user's music library. Quiztones is designed to train the ears to recognize frequencies, which is useful for tasks like mixing, adjusting EQ settings, and identifying and eliminating feedback.

Previously available only for iOS, Quiztones is now available for Mac. The new accessory is designed for audio engineers and musicians working in home or professional environments. The Mac version boasts similar features as the iOS version, including over 40 quizzes, but with the addition of a score log and 1/3 octave quizzes included in the purchase price.

Quiztones iOS has been updated to version 1.6 and now offers an Expert Mode of 1/3 octave quizzes (available as In-App Purchase) which is intended to challenge even the most accomplished audio professional. This new version also includes bass, electric guitar, strings, and orchestra content in the purchase price, previously only available via In-App Purchase. Finally, version 1.6 includes a native iPad interface to make the best use of the larger display.

To learn more about Quiztones, visit: http://quiztones.net.

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Presonus Products to Include Smaart Sound System Measurement Technology

posted December 3, 2011

PreSonus and Rational Acoustics announced today that they are working together to incorporate Rational Acoustics' Smaart Measurement Technology into PreSonus products. "We are extremely pleased to be working with the team at PreSonus," says Karen Anderson, Chief Operating Officer at Rational Acoustics. "This relationship expands our opportunity to deliver Smaart-based measurement solutions to a wider audience and fits well with PreSonus' commitment to deliver powerful, accessible tools to their users via the ongoing development and integration of new technologies."

"We'll show the first fruits of our collaboration with Rational Acoustics at the upcoming Winter NAMM show but that's just the beginning," comments PreSonus CEO Jim Mack. "We are very excited about the capabilities that Smaart Measurement Technology will enable us to deliver to our customers in the future. Prepare to be amazed"

Aviom Releases Two Updates to Pro64 Network Manager

posted December 3, 2011

Aviom's Pro64 Firmware version 4.35 and Pro64 Network Manager version 2.1 are now available for download. The updated firmware introduces additional flexibility to Aviom's m-control mic preamp control protocol for Yamaha digital consoles, as well as the ability to seamlessly extend Pro64 networks while the network is running.

The new m-control feature allows users to select from two methods of mapping mic preamp gain settings from the Yamaha console to the gain and pad settings of Aviom's Pro64 Series mic preamps. For most users, Auto Pad, which automatically switches Aviom pads on and off based on the position of the Yamaha gain control and whether the gain is being adjusted up or down, is a good balance of performance and simplicity. However, for users who prefer separate gain and pad controls, Manual Pad delinks the two settings, mapping Yamaha gain settings directly to the Aviom preamps and leaving the Aviom pad state unaffected by gain changes.

"As always, we are listening to our customers and their needs," explains Aviom's Director of Marketing, Chandler Collison. "This firmware update adds two new features to the Pro64 audio network that people in the field told us they needed to make the technology ideal for them."

Pro64 Network Manager is a free download from Aviom.com/NetworkManager and includes firmware upgrades for all Pro64 Series devices.

Aviom pioneered personal mixing with its Pro16 Monitor Mixing System and continues to break new ground with the revolutionary Pro64® Series of audio networking products. With tens of thousands of products in the field today, Aviom has set the standard for high performance, scalable digital solutions. All Aviom systems harness the power of A-Net®, Aviom's innovative digital audio technology that simplifies system design while enhancing flexibility and fidelity. All Aviom products are designed, tested, and manufactured in the USA.

For more information, visit http://www.Aviom.com. 

Soundcraft Studer Announces Open House Session in Knoxville

posted December 1, 2011

Harman's Soundcraft Studer will be hosting an Open House on Monday, December 5 in Knoxville, Tennessee. The Open House session will take place in Harman's 73-foot-long Soundcraft Studer truck at the offices of M&L Sound, with support from Vision2 Marketing, Harman's regional rep.

The Open House session will feature hands-on sessions with Soundcraft and Studer digital audio consoles. Specific products include the Soundcraft Vi1 and Si Compact and Studer Vista 9 and Vista 5 M2-22 consoles, covering applications ranging from live sound in touring, theater and club installations to radio and TV broadcast.

"The Open House session is a great opportunity for anyone in the Knoxville area to learn more about Soundcraft and Studer products and spend some time with fellow audiophiles and console specialists," said Katy Templeman-Holmes of Soundcraft Studer. "Everyone is welcome to attend!"

M&L Sound is located at 1410 East Weisgarber Road, Knoxville, TN 37909.

For directions, click here: http://g.co/maps/z7brw

Elite Screens Introduces PowerMax, a New Electric Roll-Up Projection Screen

posted December 1, 2011

Elite Screens, Inc. manufacturer of high quality projection screens, introduces the PowerMax its latest electric projection screen design. "It is aesthetically, the best-looking electric roll-up screen that we have made," says David Rodgers, marketing manager, Elite Screens, Inc. "The PowerMax offers the retail customer a full projection screen solution with all the quality of a high end product at a price-point that is compatible with today's retail projectors."

The PowerMax Series from Elite Screens offers a combination of elegance and reliability. It features a stylish aluminum casing with aesthetically sleek lines that complement any media room or presentation environment. Its standard power connection comes complete with an in-line up/stop/down toggle switch for easy operation.
Full IR/RF, Ethernet control package comes with larger models or as an accessory option.

For a full control package, there is the PowerMax Pro. The "Pro" is for total control and it includes IR/RF controls, three-way Ethernet wall switch, and 12-volt trigger with the screen. Installation is a snap, literally. Its sliding installation brackets mount quickly and snap the PowerMax into place. Because the brackets slide horizontally, the screen will be perfectly centered every time.

The PowerMax has a fast-acting 95-watt/220-volt tubular motor that is capable of 14 rpm with a lift capacity of 6 Newton Meters or 4.4 foot pounds. It uses Elite's award-winning Maxwhite FG fiberglass-backed material. This 1.1 gain viewing surface is designed to provide superb color neutrality with wide diffusion uniformity. The material is black-backed to eliminate light penetration and has black matte borders for enhanced picture contrast and appearance. The screens are available in 90"-165" diagonal sizes in either a 4:3 (NTSC) or 16:9 (HDTV) aspect ratios.

Elite Screens' PowerMax has pricing as low as $ 499 (USD) MSRP and will be available through Elite's retail sales channel. Each comes with a standard two-year warranty as well as a three-year warranty (US only) for government, educational, house of worship and military purchases.

Hosa Technology Introduces Mogan Microphones

posted December 1, 2011

Hosa Technology, a provider of analog and digital connectivity solutions for the modern musician and audio/video professional, is pleased to introduce Mogan Microphones, a new brand of subminiature microphones. The first offering under the new brand is the Mogan Standard Omni Earset Microphone. Designed to offer solid performance and excellent value, the new Mogan Standard earset microphone will be offered at a price that will appeal to budget-conscious presenters. The new Mogan Standard earset model is a designed for educators, lecturers, business presenters, and church worship leaders.

The new Mogan Standard earset microphone features a 3.0 mm omni-directional capsule with -45 dB nominal sensitivity that is designed to be positioned near the corner of one's mouth. Delivering full-frequency audio performance, this microphone enables presenters to achieve good audio levels and deliver natural, resonant sound.

The new Mogan Standard earset microphone is designed to be worn comfortably for hours-enabling one to focus on his or her presentation without distraction. With a soft ear cushion concealing its fully adjustable, sprung-steel (stainless) mechanism, this earset microphone can be positioned on the left or right ear for excellent stability and comfort.

The new Mogan Microphone interchangeable cable system enables one to connect the microphone to most popular wireless transmitters, including models from Shure, AKG, Sennheiser, and Audio-Technica. Each microphone ships with a detachable, Kevlar-reinforced cable with a hardwired connector.

The new Mogan Standard Omni Earset Microphone is available in either beige or black to blend with a variety of skin tones. Additionally, each unit includes a foam windscreen and a single mic clip. The entire package ships in a fabric-backed polyvinyl chloride (PVC) zippered case for heat resistance, durability, and ease of cleaning.

Jonathan Pusey, Hosa Technology's director of sales and marketing, says "The Mogan Microphones brand of subminiature microphones represents a significant step forward for Hosa Technology. This is a new brand solely owned by Hosa and I'm encouraged by both the performance and value these new microphones deliver and the possibilities this new product line represents for us. As our first offering, the Mogan Standard earset model delivers impressive performance and comfort for an amazingly low price. I believe educators, business presenters, and others will find this earset microphone a compelling value."

The Mogan Standard Omni Earset Microphone is available now. MSRP is $200.

A TD Reflects on WFX Dallas 2011

posted November 18, 2011

The planning is over, the crowds dispersed. The 2011 WFX is in the books. Hearty handshakes stood as reminders and commitments to reconvene in Atlanta 2012, the next WFX Conference.

So what did we take away from this year's event? What was the net gain? Judging by the exuberance of the crowds, exhibit hall and foyer conversations one can only confirm its success. Connections were made, friendships rekindled and education reigned supreme.

Before looking for the final net gains, we must first ask the question, "What were you looking for?" If it was building connections and relationships, you succeeded mightily.

I was in attendance at the Tech Leaders Retreat, which took place the day before the conference opening. After the exercise of working through common issues with peers and new connections you walked away with a better understanding of your personal situation and how to improve your effectiveness with your teams. The staff, during this four-hour session, made sure to have everyone involved by strategically placing leaders at every table, covering a wide array of relativetopics. You walked away refreshed, invigorated and ready to enjoy the conference to its fullest, eager to take home your new-found skill sets. It was a great way to set up the conference.

If you were looking for encouragement, inspiration and motivation, you found it in the two keynote speeches, delivered on consecutive days opening the conference. Greg Surratt pondered "How Jesus Built The Church Without An iPad", while Jud Wilhite delivered a challenging message "Reach Out To The Broken". Both can only be described as having God's anointing. The challenges of the tech arts ministries were discussed, explored and put into perfect perspective. It was an emotional charge that is sure to be present in each listener for quite a long time. Were you there? If not, I heartily recommend listening via the recordings soon to be available at http://www.wfxweb.com.

If you were looking for training and education, you couldn't avoid it. It was strategically scheduled throughout the event. From informative discussions to hands-on training, the opportunity was there to move your ministry and teams ahead, taking advantage of the broad range of teachers and instructors.

I thoroughly enjoyed the line array demo room that gave listeners the opportunity to hear 12 manufacturers openly demonstrating the newest sound technology. There was a noticeable buzz around Bose Corp's new line array, which won WFX'sBest New Line Array Award. Great discussions ensued, smiling faces told the story of complete delight having this rare opportunity to compare systems back to back.

If you were looking for products, manufacturers or some solid research, you weren't disappointed. The exhibit hall was represented by hundreds of leading manufacturers and product developers. Any church, whether upgrading, building or not, would benefit from this large and vibrant showcase. Demonstrations were the norm and quality one-on-one discussions with knowledgeable exhibitors made for a successful event on every level.

This was a win/win event for every attendee. Thanks and congratulations to the presenters for their faithful planning and attention to every detail in putting this event together. As much as they have planned for you, don't you feel we should do the same for all our home churches? You can do this by planning to be at the WFX 2012 in Atlanta Georgia in September. Prepare now. No matter what role brought you to the WFX, we are all a witness to a watching world --- a world where instability and uncertainty is the new norm. It matters what you do! Take this conference back home with you, keep connected, stay focused. See you at the next WFX event.

---BIO--
JJ (Joe) Cichon is senior technical director for Black Rock Church in Fairfield, Conn. Join him at HOWiReview.com, an online church tech community. He can be reached at .(JavaScript must be enabled to view this email address).

Yamaha Intro’s New Live Sound/Recording Mixer

posted November 16, 2011

Yamaha Commercial Audio Systems, Inc. announces the launch of the new 01V96i Digital Mixer, making its first official debut at this week's InterBee Show. The new 01V96i offers a 16-track USB 2.0 interface for multi-track recording via MAC or PC. Yamaha says the new unit is identical in mixing functionality as its predecessor but cosmetically takes on a new black look for easy differentiation from the previous 01V Series dark blue. Since its initial release in 1998, the 01V has been used in a wide variety of applications, both personal and professional, ranging from recording and production environments to live sound and installation applications.

"With the growing demand for high quality multi-track recording and playback in many applications, the new 01V96i was a necessary addition to our expanding line of affordable, live sound and recording/production solutions," says Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. "Historically, the 01V Series has been an extremely high value mixer with updates made as necessary in order to adapt to evolving market needs."

The new 01V96i features 16 in/16 out USB audio streaming at 96 kHz, as well as multi-channel in/out via expansion card or ADAT. The addition of a USB makes high-quality, multi-track recording and playback faster and easier than ever before, and provides full integration with every major ASIO and Core Audio DAW software programs. The 01V96 also comes bundled with the latest version of Steinberg's Cubase AI.

With a full package of Yamaha VCM Effects and high-resolution REV-X reverb, Yamaha says the Virtual Circuitry Modeling (VCM) technology offers an impressive array of tonal colors, bringing the richness and warmth of analog sound to a digital recording environment. Even resistors and capacitors of the VCM plug-ins model the circuitry of original effects units. Identical to those used with Yamaha's top-of-the-line professional mixers, the plug-in effects are standard and pre-installed on all 01V96i mixers.

At a sampling rate of 24-bit/96 kHz, Yamaha says the 01V96i also features newly improved, studio-quality head amps with high-performance onboard 24-bit/96 kHz A/D and D/A converters. The mixer shares all the functionality of its predecessor including 100-mm motor faders, 99 scene memories for instant recall, and fully configurable user defined keys adapting to any studio or sound reinforcement situation.

The 01V96i replaces the 01V96VCM and will be available during the first quarter of 2012 at the same MRSP as its predecessor of $2,699.

Nearly 250 Attend Technical Directors Retreat Held in Advance of WFX Dallas

posted November 9, 2011

One of the many highlights of WFX is the Tech Director's Retreat, one of the largest gatherings of church technical personnel in the world. The retreat is designed to help address the professional, technical, personal and spiritual aspects of doing technical ministry in a church environment.

Nearly 250 church technical directors attended the event on Tuesday, Nov 8, at the Dallas Convention Center. Led by a panel of the country's top technical directors, including members of the Church Technical Leaders (CTL), formerly the Church Technical Directors Roundtable (CTDRT), attendees participated in round-table discussions and collaborated on solutions-oriented activities aimed at making them more effective leaders. "This particular forum is not about technology," says Brian Blackmore, editor of Church Production Magazine. "It's more about ministry and being more effective in your role as a manager and staff member than it is about buttons and knobs."

Other classes being held this week at WFX do address many of the technical aspects of being a church technical director, including nearly 50 hands-on training classes that span the gamut of across audio, video and lighting technologies.

Worship Facilities Conference & Expo (WFX) is the leading event for church facilities and technology teams presented by Church Production and Worship Facilities Magazines and EH Events in conjunction with The American Institution of Architects Interfaith Forum on Religion, Art and Architecture Knowledge Community, and sponsored by Christianity Today International and the National Council of Acoustical Consultants.

About Production Media Inc. (http://www.pmipub.com)
Production Media Inc. (PMI), publishers of Church Production and Worship Facilities and Worship Facilities DESIGNER Magazines, and presenters of WFX, is a full-service media company specializing in the house-of-worship market.

About EH Publishing, Inc. & EH Events (http://www.ehpub.com)
EH Publishing, Inc. is a leading media company specializing in technology-based markets. EH offers integrated media solutions including e-media, print, event, research and custom products. Key market segments include custom electronics, professional sound, house of worship, and robotics.

Renkus-Heinz IC2 Demos at WFX

posted November 9, 2011

This year's WFX Worship Facilities Show, from November 9 through 11 in Dallas, is shaping up to be one of the biggest in the event's history. At booth 1227, Renkus-Heinz will be showcasing its new loudspeaker products, including IC2 (IC Squared), which the company says is the first digitally steerable array that combines the power and focus of point source loudspeaker technology with the control and flexibility of a digitally steerable line array.

On display will also be the newest iteration of Renkus-Heinz's acclaimed Iconyx low-profile digitally steerable arrays, the IC8-R MkII and IC16-R MkII, featuring triple tweeter technology. Along with demonstrations of Renkus-Heinz technologies including RHAON Renkus-Heinz Audio Operations Network and BeamWare Iconyx digital beam steering and configuration software, the company will also be exhibiting their CF-101LA modular point source array loudspeakers.

Away from the booth, Renkus-Heinz will be participating in the Compact Loudspeaker Demo on November 9 and 10 in Hall B. Sponsored by Live Sound International and Pro Sound Web, this unique, controlled environment demonstration affords participants side-by-side listening opportunities to evaluate compact systems from twelve leading manufacturers. The company invites you to come and hear for yourself how IC2 stacks up against the competition.

Visitors to Dallas can also attend a two-day SysTune training session on November 16-17, presented by Doug Fowler of Fowler Audio Services. The session includes both presentations and hands-on exercises covering the basics of EASERA SysTune for sound system measurement and design. Advance registration is required, and more information is available on the Renkus-Heinz website.

If you're not able to make it to the Compact Loudspeaker Demo or you want to hear more, Renkus-Heinz will be hosting an exclusive IC2 demo at the Dallas Winspear Opera House on Friday, November 18th. For more details contact Ladd Temple, Technical Sales Manager at .(JavaScript must be enabled to view this email address).

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WFX Worship Facilities Conference and Expo Announces Collaboration with Not For Sale/ Freedom Sunday

posted November 4, 2011

Worship Facilities Conference and Expo (WFX) announces a collaboration with Not For Sale (NFS) for Freedom Sunday, a platform that provides churches with resources and action steps to increase awareness and action in opposing modern-day slavery.

Freedom Sunday organizer Not For Sale, whose mission is to equip and mobilize Smart Activists to deploy innovative solutions to re-abolish slavery in their own backyards and across the globe, is partnering with WFX to help engage the church at a higher level and increase the church's impact in the fight to end modern-day slavery and create new futures for survivors.

WFX is the comprehensive event where church building, technology, and leadership teams bring their visions to life. WFX Dallas 2011 will take place November 9-11, 2011 at the Dallas Convention Center in Dallas, Texas.

"I experienced the story of Not For Sale and was inspired and moved by the focus and passion of the people working organically within this movement, and wanted to use the access and platform of WFX to help move this effort forward," says Jim Wagner, managing director of WFX.

"Freedom Sunday is a unique opportunity to raise awareness of modern-day slavery through the body most equipped, most called, and most likely to have the greatest impact upon it, the church. WFX is proud to partner with Not For Sale on the outreach efforts for Freedom Sunday and will be supporting them in many more ways in the future."

Freedom Sunday 2012, Not For Sale's global celebration of freedom, will take place on February 26. More than 2,600 have already signed up to participate. For more information on participation in Freedom Sunday, visit http://www.freedomsunday.org/participate/.

Now in its eighth year, WFX is presented by Church Production and Worship Facilities Magazines and EH Events in conjunction with The American Institute of Architects Interfaith Forum on Religion, Art and Architecture Knowledge Community, and sponsored by Christianity Today International and the National Council of Acoustical Consultants. The event brings together thousands of church and industry leaders and hundreds of exhibitors from around the world to guide facilities and technology investments and opportunities for houses of worship.

WFX Dallas 2011 will offer the most comprehensive agenda ever, including two dynamic keynote presentations, more than 55 Conference sessions, over 50 Hands-On Training audio, video and lighting classes, dedicated Tech Leaders and Pastors events, over 200 exhibitors on the Expo Floor, worship concert, two behind-the-scenes church tours, and invaluable networking opportunities.

Blackmagic Design Announces Support for Avid Media Composer 6

posted November 4, 2011

Blackmagic Design introduces Desktop Video 9.0, a major new software update with advanced capture and playback for the Avid Media Composer 6 family of software including Avid Symphony and Avid NewsCutter, for both Windows 7 and Mac OS X, a company announcement says.

Desktop Video 9.0 is available for download now and free of charge for all Blackmagic Design customers. This update includes support for all current DeckLink, Multibridge, Intensity and UltraStudio models.

Avid Media Composer has long been respected by the broadcast and film industry. According to Blackmagic Design, Avid customers can, for the first time, use Blackmagic Design's latest Thunderbolt, USB 3.0 and PCI Express video capture and playback devices while demanding frame accuracy and flexible workflows. The company announcement says that the combination of Blackmagic Design hardware and the flexibility of Avid Media Composer lets you work with virtually any media format including Uncompressed 10 bit YUV and RGB, Avid DNxHD, Panasonic DVCPRO HD, Sony XDCAM and more.

Blackmagic Design says the company's UltraStudio 3D and DeckLink HD Extreme 3D take full advantage of new advanced 3D editing support in Media Composer 6, saving time and creating a much more fluid editing experience for 3D projects.

"We have been waiting to do this for years!" says Grant Petty, CEO of Blackmagic Design. "To have full integration with Avid Media Composer 6 with our capture and playback devices, plus AAF round trip with DaVinci Resolve, are truly defining moments for all our creative customers and for the film and television industry, this changes everything."

"With support for Blackmagic hardware or Avid accelerated and natively integrated DX systems, customers now have more choice than ever when working with Media Composer, Symphony and NewsCutter," says Angus Mackay, segment marketing manager at Avid. "Blackmagic's support of DNxHD and AAF makes for easy project transfer and pipeline design, smoothing workflows and boosting productivity for our mutual customers, who can leverage existing hardware investments and easily add Avid editing systems into current workflow configurations. We're thrilled to satisfy users with these advancements in openness, productivity and collaboration."

Desktop Video 9.0 Key Features
-Certified by Avid for Avid Media Composer 6, Avid Symphony, Avid NewsCutter.
-Uncompressed and DNxHD capture and playback in Avid Media Composer 6.
-RealTime effects in Avid Media Composer 6.
-Advanced dual stream 3D workflow capturing left and right eye to separate files in -Avid Media Composer 6.

Availability and Price
Desktop Video 9.0 is available now free of charge from the Blackmagic Design web site.

Community Professional Loudspeakers Employs CONEQ Acoustic Power Frequency Equalization Technology

posted November 3, 2011

Sound Lab announces Community Professional Loudspeakers as the first CONEQ licensee amongst professional audio product manufacturers. CONEQ technology will be featured in Community's newest loudspeaker processor, the dSPEC226.

dSPEC226 will feature 1,024 bands of CONEQ Acoustic Power Frequency equalization on each of the six output channels, improving the performance of selected Community loudspeakers with a degree of precision the company says is "not achievable by any other means."

"The introduction of dSPEC will re-define Community's approach to sound reinforcement for the foreseeable future," says Chris Barrow, Community's product manager. "Our product line-up features many fully passive and horn-loaded loudspeakers which can uniquely benefit from CONEQ's ability to correct the linear time invariant phenomena invariably found in these types of systems, like the elimination of horn resonances."

Viesturs Sosars, CEO of Real Sound Lab: "We are delighted to learn that dSPEC has been launched on the pro audio market by Community Professional Loudspeakers after the completion of significant development work of this new product. Having them as our technology licensee, we were clearly able to see their determination and passion about delivering new ideas to the loudspeaker processor market. We believe that in the nearest future CONEQ technology will be employed in an increasing number of loudspeaker processors in various applications."

Real Sound Lab, SIA is an independent, R&D-focused company, active in development of technology solutions for sound engineering in professional and consumer markets. The company has created and developed a proprietary and patented technology, CONEQ. This Acoustic Power Frequency Response (APFR) -based technology allows for fully automated equalization of loudspeakers and is continuously providing what Real Sound Lab calls "unprecedented sound quality of speakers and their systems."

Community Professional Loudspeakers has been a leading supplier of professional sound systems since 1968. Headquartered in Chester, Pennsylvania, Community distributes its products to over fifty countries on six continents.

Primera Intros New, Smaller 50-Disc Bravo 4051 Disc Publisher

posted October 26, 2011

Primera Technology, Inc., announces its Bravo 4051 Disc Publisher. This new model delivers the same performance as Primera's award-winning Bravo 4100-Series, which have a 100-disc capacity, but with a 50-disc capacity and a new, lower price of just $2495 (MSRP).

Bravo 4051 prints full-color, 100% coverage discs in just six seconds each. This compares to 20 to 120 seconds on competitive machines to print discs with comparable print quality.

"Many of our customers told us that a more affordable, smaller-capacity
version of the Bravo 4100-Series Disc Publishers would be a very attractive
product. The new 50-disc Bravo 4051 delivers the same industry-leading
features and performance but at a significantly lower price," says Mark D.
Strobel, Primera's vice president of sales and marketing.

Features of the Bravo 4051 include:

• six seconds per disc print speed (default high-quality print mode)
• Individual CMYK ink cartridges - delivers lower ink cost per disc
• One high-speed Sony Optiarc CD/DVD drive
• 4800 dpi print quality
• 300% faster robotics than previous models
• Interior blue LED lighting with job status feedback
• Seventh-generation disc picking mechanism
• Compatible with Windows XP/Vista/7 and Mac OS X 10.6 (or higher), including OS X Lion (10.7)
• Optional Blu-ray Disc recordable drive with eSATA interface for true 12x BD-R recording speeds

Primera's latest Bravo-series units have already won numerous awards,
including the highly respected "Editor's Choice" award from optical disc
industry expert Hugh Bennett of Hugh's News.

Bravo 4051 Disc Publishers are available now from Primera's resellers and
distributors worldwide.

PreSonus Enhances StudioLive Mixers and More with Universal Control 1.5.2

posted October 19, 2011

PreSonus is now shipping Universal Control 1.5.2, a free, major update to its driver and control software, which also includes important firmware updates for its StudioLive 16.4.2 and 16.0.2 digital mixers. The company wants to thank all who participated in the public beta testing for version 1.5.2; the beta version is replaced by this release.

With this update, current StudioLive 16.4.2 mixer owners can now take advantage of six 31-band graphic EQs that are dedicated to the aux buses, variable (2 to 500 ms) output delays on each subgroup, and Aux Flip mode, which lets you include the tape input, main Firewire return, aux A input aux B input, FXA bus, and FXB bus in aux mixes one through six. An overlay for the 16.4.2 control surface is available for the cost of shipping and handling from the PreSonus Store at http://www.presonus.com.

Universal Control 1.5.2 adds compatibility with Mac OS X 10.7 (Lion) for the FireStudio Mobile, FireStudio Project, FireStudio Tube, FireStudio Lightpipe, and all three StudioLive-series mixers. The original FireStudio (26x26) is not included in the Universal Control 1.5.2 update; however, PreSonus will continue to support users of this product with Universal Control 1.2 and is developing a release that will add Lion compatibility.

The StudioLive 16.0.2 mixer adds compatibility with PreSonus StudioLive Remote control software for Apple iPad-a much-requested feature. StudioLive Remote 1.1 is required for iPad control of the StudioLive 16.0.2 and will be available soon at the Apple Store. The company announcement emphasizes that StudioLive 16.0.2 owners can choose to record channels one through 16, as before, or can record channels one through 14 and the L/R main bus. Thus, owners can use the StudioLive 16.0.2 to mix down previously recorded tracks and record the stereo mix to PreSonus Capture^TM or to a DAW (including PreSonus Studio One).

PreSonus says its Virtual StudioLive for the StudioLive mixers has also been improved, adding three new features. With dual horizontal scrolling, users can separately scroll through Fat Channel settings and channel strips, and can now close the aux master view in order to maintain the fader view on low-resolution screens. The new factory reset feature resets a connected StudioLive mixer to its default settings and erases user-library changes.

This release is compatible with 32- and 64-bit Microsoft Windows XP, Vista, and 7 and with Mac OS X 10.6 (Snow Leopard) and 10.7 (Lion).

Universal Control 1.5.2 can be downloaded free at http://www.presonus.com/technical-support/downloads/drivers-software.

Aviom Pro64 Network Manager Version 2.0 Now Available

posted October 12, 2011

Aviom, the developer the A-Net audio transport protocol, announces the availability of version 2.0 of the Pro64 Network Manager PC control application. Aviom says the new Network Manager 2.0 delivers the power and flexibility of a full crosspoint switch on both inputs and outputs throughout a Pro64 audio network. Utilizing the Network Manager, any audio input or output can be assigned to any Pro64 network audio slot.

Network Manager 2.0 also adds support for Aviom's AllFrame Multi-Modular I/O System, the newest addition to the Pro64 Series of audio networking products. A field customizable and configurable modular digital solution, the AllFrame is comprised of a host frame, audio I/O cards and a range of mounting options.

"This latest release of the Network Manager brings new flexibility to the Pro64 system," says Ray Legnini, Aviom's product research and development manager. "With a crosspoint switch at every network node, users can matrix audio however they want and make more efficient use of hardware resources and more dynamically distribute audio throughout their system."

Pro64 Network Manager is a free download from Aviom.com/NetworkManager and includes firmware upgrades for all Pro64 Series devices.

www.aviom.com.

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Rose Brand Introduces New Affordable Sheer Fabric Line

posted October 11, 2011

Rose Brand's newest sheer fabric, Organdy, is offered in fifteen different colors. Organdy is flame-retardant and is availabel in 58-inch to 60-inch widths. With prices as low as $5/roll, this beautiful fabric is a real bargain. Visit http://bit.ly/organdy or call a Rose Brand sales representative for more information.

d&b audiotechnik Launches Smaller E4 and E5 loudspeakers

posted October 7, 2011

The d&b audiotechnik E-Series Black range of loudspeakers are highly compact and unobtrusive in their design, making them visually discreet yet designed to be audibly impressive for such small loudspeakers. d&b is expanding that series by launching the new E4 and E5 loudspeakers that size wise fit below the recently launched E6, the successor for the venerable little E3. The E4 will be available from November 2011, while the release of the E5 is scheduled for January 2012.

The E4 and E5 are lightweight two-way passive loudspeakers that employ a four-inch and five-inch LF driver respectively and a coaxially mounted wide-dispersion dome tweeter. Both are mounted in highly compact enclosures and offer wide symmetrical dispersion patterns in the horizontal and vertical plane, while the cabinets may be mounted in either attitude. They have built-in passive crossover networks with a frequency response extending from 130 to 20,000 Hz for the E4 and 85 Hz to 20,000 Hz for the E5 and weighing in at 1.1 kg (2.4 lb) and 2.2 kg (4.8 lb) they produce a maximum dB SPL of 115 and 117 respectively. The enclosures are injection molded providing both excellent mechanical and acoustical properties and are coated with an impact resistant black paint finish. The front of the loudspeakers are protected by a rigid metal grill and incorporated into the rear panel is an M10 threaded insert to accept the Ball joint adapter, two NL4 connectors and a two-pole push terminal.

The loudspeakers are weather protected and suitable for temporary outdoor use as standard, and as with all other E-Series cabinets are available to order with a special color option. They can be powered by either the d&b D6 or D12 amplifiers and up to four cabinets may be driven by each channel of either amplifier. Firmware and software updates including the E4 are available for download under the relevant sections within Support/Downloads at http://www.dbaudio.com. These provide configurations for all current d&b amplifiers and the latest version of R1 Remote control software. Firmware and software updates to include the E5 will be available in January 2012.

The E4 and E5 loudspeakers are specifically intended for mobile near-field applications for speech and music reinforcement in theatres, house-of worship, conferences, industrial presentations and broadcast studios and as surround sound, delay and fill systems. Both can be used stand-alone or supplemented by different subwoofers from the E-Series. Werner 'Vier' Bayer, product manager at d&b commented, "When we recently launched the E6 into the E-Series we thought at the time that this little loudspeaker was the final piece to complete the package since the introduction of the E12X and the cardioid B4 subwoofers, however these two new loudspeakers have proved us wrong. The E4 and E5 are great additions to this Series providing even further flexibility along with astonishing performance for their size. They really should be listened to, to be believed."

www.dbaudio.com

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TV One Introduces HDMI Signal Extender Over Fiber

posted October 7, 2011

Now Available from TV One, the new 1T-CT-670 series extends HDMI signals to remote display devices, using a single fiber optic cable.

The 1T-CT-670 system is the latest addition to TV One's SDI or DVI over fiber product range and could be an ideal addition to the company's range of HDMI scaler, switcher and distribution amplifiers.

The individual components of the HDMI over fiber extender system consist of the 1T-CT-671 Transmitter and the 1T-CT-672 Receiver which constitutes a system used to transmit deep color (12 bits) v1.3 HDMI with HDCP signals at resolutions up to 1080p, plus the transmission of embedded lossless audio, over a single Fiber Optic cable. The 1T-CT-670 series can also be used to transmit encrypted, audio based, graphics data.

The system can achieve signal distribution distances of up to 1,000 meters (3,280 feet) for signals up to and including 1080p resolution. The transmitter and receiver products also feature the unique TV One-task locking power connectors to enhance overall system mechanical security.

The 1T-CT-670 System has a Manufacturer's Recommended Retail Price of $1,495.00. Please contact TV One for a demonstration.

www.tvone.com

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Primera Announces New Lower Pricing on Bravo SE Blu Disc Publisher

posted October 7, 2011

Primera Technology, Inc., a leading manufacturer of CD/DVD and Blu-ray Disc Publishers, announces a price reduction on its Bravo SE Blu Disc Publisher (DP-SE Blu in Europe, Scandinavia and Middle East). The previous price was $2995 (MSRP). Beginning today, the new price is $2495 (MSRP).

Bravo SE Blu is an all-in-one disc publishing system and CD/DVD and Blu-ray Disc duplicator. It combines fast, automated robotic duplication along with full-color, 4800-dpi, direct-to-disc printing. Bravo SE Blu is designed to produce discs either one at a time with unique content or larger jobs of up to 20 discs at a time.

"We're pleased to make Bravo SE Blu available at a new, lower price," said Mark D. Strobel, Primera's vice president of sales and marketing. "Now you can produce quantities of professional-grade CDs, DVDs and Blu-ray Discs all on one machine for a much lower price than ever before."

Bravo SE Blu is designed for a wide variety of light- to medium-duty disc publishing jobs. Just a few of the most popular applications include video and music content, church, wedding and event videography, corporate videos, independent films and much more.

Features of the Bravo SE Blu include:
• Up to 20-disc capacity using CDs, DVDs and Blu-ray Discs
• Blu-ray Disc recordable drive with eSATA interface for true 12x BD-R recording speeds
• 4800 dpi print quality• Seventh-generation disc picking mechanism
• Compatible with Windows XP/Vista/7 and Mac OS X 10.6 (or higher)

Bravo SE Blu Disc Publishers are available from Primera's resellers and distributors worldwide.

www.primera.com

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Maxell Expands Line of Desktop Hard Disk Drives for HD Applications

posted October 5, 2011

Maxell Corporation of America expands its line of maxdata quads with the introduction of a 3TB external desktop hard disk drive (HDD). The 3.5-inch HDD has a quad interface specifically designed to address the large files associated with HD environments, including audio/video editing, digital photography and animation files.

A key addition to the company's recently introduced line of maxdata quad hard drives, Maxell Professional Media's 3TB maxdata quad HDD combines essential elements to meet varying performance, and transfer speed and technologies. It provides video, broadcast, and post-production professionals with the capacity, durability and overall performance necessary to easily and cost-efficiently archive and back up HD files.

Supporting USB 2.0, eSATA, Firewire 400, and Firewire 800, all maxdata quad HDDs have a hot plug and play function for simple connection. The 3TB drive spins at 7,200 RPM and has up to 16MB of cache. It supports Windows 2000 and above, as well as MAC 9.0+ and OS X.

"Professional archiving needs are growing as quickly as technical advances will allow them," said Patricia Byrne, senior marketing manager for Maxell. "Broadcast media professionals are in need of portable, cost-efficient, flexible options to archive and back up HD footage, graphics, animation and other large files. Our new 3TB maxdata quad HDD provides the highest quality storage solution available today."

The maxdata quad HDDs have a durable aluminum housing and feature excellent shock resistance, making them rugged enough to withstand professional environments. Their wide temperature range of -20° C to 60° C meets automotive and industrial standards, and the HDDs are environmentally friendly. Measuring 5.61 x 1.38 x 8.52 (inches), the maxdata quad HDDs can be positioned vertically or horizontally, so they can fit into tight configurations.

List price for the 3TB maxdata quad HDD is $504.64, and it is available now for shipment. The 1TB and 2TB versions are currently available.  

Digital Projection and Delta Electronics Announce Fall 2011 Road Show Dates

posted October 5, 2011

Digital Projection International (DPI), manufacturer of professional projection systems, Delta Group, manufacturers of display solutions, and Mersive, a developer of visual computing software, announce the dates for their upcoming six-city "Displays at Your Doorstep" road show. The events will demonstrate a wide variety of display technologies, for an array of commercial integration applications, in key regions across the US. Attendees will experience the latest trends in display technologies, including but not limited to DLP-based high-lumen projectors, LED videowalls and video cube arrays.

During the presentations, Delta Electronics will focus on LCD, LED, edge-matched and rear-projection display solutions, plus Delta's full product lineup of direct view displays. DPI will focus on presenting medium- to large-venue projection systems from its single and three-chip DLP lineup. The 16,000 lumen, warp- and blend-enabled Titan Quad 3D, recently acknowledged at InfoComm 2011 by Commercial Integrator magazine with a "Best New Projector" award, will be presented, as will the 8,000 lumen warp and blend-enabled Highlite Cine 660. Attendees will also see DPI's high-brightness, high-value 6,000 lumen E-Vision WXGA 600, alongside other outstanding projection solutions.

Mersive will demonstrate their patented Sol software, which corrects geometric misalignment and intensity balancing while also providing exceptional image quality by minimizing resampling artifacts. In addition to auto calibration, Sol provides an intuitive display management interface for increased control over the display system. Mersive's patented Sol visual computing software is designed for simplicity and affordability in large-scale, beyond-HD displays by automatically calibrating multiple projectors into one seamless image without the expense of specialized hardware and services.

The following cities and dates have been confirmed:
Orlando, FL - October 18 - 19, 2011
Washington, DC - October 25 - 26, 2011
Atlanta, GA - November 2 - 3, 2011
Dallas, TX - November 9 - 10, 2011
Los Angeles, CA - November 15 - 16, 2011

A full schedule with venue locations, as well as a comprehensive product list is available by contacting Sean Milstead at .(JavaScript must be enabled to view this email address).

Roland Systems Group Now Shipping the R-1000 Multi-Channel Recorder/Player

posted October 5, 2011

Roland Systems Group is pleased to announce the shipping of R-1000 48-Track Recorder/Player through it's network of authorized resellers. The R-1000 is an innovative stand alone, dedicated recorder/player designed to work with the V-Mixing System in any live event or production. Setup and control parameters of the R-1000 can be done directly from any V-Mixer or through the PC/Mac control utility (R-1000 RCS). Additionally, you can connect and use the R-1000 with any digital console that has MADI output capabilities by using the Roland S-MADI REAC MADI Bridge.

Use the R-1000 as a recorder for live events to capture up to 48 channels of discrete audio all as separate broadcast wave files ready to open in a DAW of choice. As a playback device it can be used in live events to play back selected channels to augment a live performance or as a multi-channel playback deck in a theater or amusement park application. Sync two units together for a 96-channel recorder/player or sync to video with SMPTE (LTC) or via black burst. All files are stored on the included 500GB removable hard disk drive (HDD). Material can also be transferred via USB to a connected drive.

Virtual rehearsals are now possible when the R-1000 is integrated with a Roland V-Mixer Digital Console. Not only does it become a powerful training tool, it greatly reduces sound check time for bands/productions. Using a song previously recorded on the R-1000, simply switch to playback mode and all the sources play back through the appropriate channels on the console. Adjust the preamp gains on the console as you would if the band was live and the R-1000 takes care of the gain compensation. Then set compression, EQ, monitors, and effects. When the band takes the stage you can be confident it will sound the way it did during the virtual rehearsal.

Setup and configuration can be done using the color LCD touch panel on the front panel or with the PC/Mac Remote Control software via a USB connection.

The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5/6 (Ethernet/LAN) cable.

The R-1000 records high-quality audio by capturing the converted sound connected to the Roland Digital Snake Systems. Analog inputs and high-quality mic preamps are located close to the source where audio is immediately converted to 24-bit digital streams and sent over Ethernet. Using REAC, the digital audio signal is transferred throughout the complete system path en route to the R-1000 hard drive and then back to any outputs and on to limitless split positions. Roland says using the REAC system for recording provides the highest quality possible not found in any other live multi-channel recording solutions.The R-1000 48-Track Recorder/Player is a recording/playback solution designed for event production in house of worship, education, government and corporate applications.

For more information about the R-1000 please visit http://www.rolandsystemsgroup.com/r1000

Boston-based M. Steinert & Sons Announces “Pianos for Praise” Program

posted September 27, 2011

M. Steinert & Sons a Boston-based retails of musical instruments launches a special "Pianos for Praise" program in conjunction with piano manufacturer, Steinway & Sons. "Pianos for Praise" is designed to provide houses of worship throughout eastern New England with quality pianos to enrich and enhance liturgical music during services.

Through the "Pianos for Praise" program, M. Steinert & Sons is able to offer Steinway and Steinway-designed Boston and Essex pianos at special pricing, along with support for fund raising and donor programs to help offset the cost of the instrument. The program also places pianos in houses of worship for trial periods of up to two months with no cost or obligation.

M. Steinert & Sons has been serving New England's musical community since 1860.
The company has a showrooms in historic Steinert Hall on Boylston Street in Boston, Mass.; and in Natick, Mass. The company is the exclusive regional dealer for world-renowned Steinway & Sons pianos. For additional information visit http://www.msteinert.com.

Allen & Heath’s Dante Card Provides Audio Flexibility for Florida Church

posted September 23, 2011

Like many house of worship facilities with a strong media ministry, First Baptist Church of Altamonte Springs, Florida, was anxious to upgrade its audio system. With an Allen & Heath iLive digital mixing console already in place, the church was interested in expanding the system's extensive capabilities in a way that would simplify training of its volunteer audio staff. John Williams, Worship & Media Director for the church, engaged Entertainment Arts, an Orlando-based design and integration firm, to find and integrate a cost-effective solution.

Digital audio systems for house of worship applications range from straightforward to extremely complex, and from affordable to outrageous in cost. In general, the key factor between these extremes has been the amount of signal routing required. The more channels and destinations desired, the more complex and expensive a system is required.

However, Allen & Heath now offers the M-DANTE card, a plug-and-play audio networking solution for its popular iLive mixing infrastructure. This solution uses the Dante protocol, an Ethernet-based digital audio networking system by Audinate, an Australian company. In essence, Dante provides full 64-channel bi-directional signal routing between the iLive's MixRack I/O center and an external Ethernet device via a single CAT5 cable. The Dante card streams a full split of the console's inputs between the MixRack and the destination device. For First Baptist Church of Altamonte Springs, that destination was a computer with recording software, enabling discrete 64-by-64 channel recording and playback.

"We love being able to multi-track record our rehearsals and worship services," reports John Williams. "With Dante's virtual Sound Check, we can actually go back and adjust the monitor mix for the praise team members without holding up the rehearsal. It's also great for training our volunteer tech ministry. By playing back the full multi-track recording, our team members can re-produce the entire original performance and learn to operate the iLive console without the pressure of doing it during rehearsals or services. It's a phenomenal tool!"

The Dante protocol leverages common Ethernet connectivity over a standard IP computer network to deliver full-bandwidth audio with latency of less than one millisecond, whether using a 100 MB or a full Gigabit connection. The key to its flexibility is the inherent bi-directional nature of the connection, which means that a full signal split can be sent out from the iLive console to an external device (in this case, a computer with recording software), while also allowing the full signal path to be returned to the originating iLive system for mixdown or playback.

The Dante card comes complete with a license for Audinate's Virtual Soundcard software, which turn's a computer's Ethernet port into an audio interface with plug-and-play simplicity. The Allen & Heath Dante module enables flexible routing and distribution of audio between devices on an existing computer network while eliminating the technical challenge of IP configuration from the process. The M-DANTE card can be ordered as an option on any new Allen & Heath iLive digital mixing console, or can retrofitted into any Allen & Heath iDR MixRack to significantly expand its functionality.

John Williams of First Baptist Church of Altamonte Springs sums it up this way: "Thanks to Allen & Heath and Audinate, we now have an extreme amount of flexibility in our audio system. And if you're in an A/V ministry, that's what it's all about!"

Soundcraft Launches “Mixing With Professionals” Program to United States

posted September 16, 2011

Soundcraft, a division of Harman, is bringing its "Mixing With Professionals" series to the United States for the first time with two seminars featuring Gert Sanner, front of house engineer for legendary rock band Deep Purple. The half-day seminars will take place at the Harman's campus in Northridge, California, and will give attendees the opportunity to hear Sanner discuss his use of Soundcraft digital consoles in the high-pressure environment of live sound mixing for one of rock's biggest bands.

"We're extremely excited to have Gert Sanner at our first ‘Mixing With Professionals' session in the United States," says Keith Watson, marketing director, Harman Mixing Group. "With his professional experience and mastery of Soundcraft desks, Gert has so much to offer to seminar attendees that you just can't find in a technical manual."

"I've been using Soundcraft consoles because of their sound quality, ease of use and onboard effects, all of which can make an FOH mixer's job a lot easier when the lights go down and the faders go up," Sanner says. "As you can imagine, being the person responsible for the concert sound of one of the world's major rock bands is not for the faint of heart. The Vi6 and other Soundcraft consoles have a host of well-thought-out features that are geared toward live sound mixing-especially when you have to make instant mixing decisions in the heat of the moment. I'm looking forward to sharing my knowledge at this seminar."

The "Mixing With Professionals" seminars are free, and attendees can register by sending an e-mail to .(JavaScript must be enabled to view this email address). The event is open to professionals wanting to learn more about the Soundcraft Vi Series digital consoles, those making the transition from analog to digital consoles, new engineers and others. In addition to the seminars, participants will also get a chance to tour the Harman campus and enjoy a light lunch with refreshments.

Photo caption: Sound engineer, Gert Sanner, with a Soundcraft Vi6 digital audio mixing console.

Related Items:
Audio Review: Soundcraft Si Compact Console (September 2011)
Digital Audio Consoles: From Our Reader's Perspective (July 2010)
Audio Effects: Plug In To The Future (July 2010)

New Midas Digital Consoles Offer High-end Features at Lower Cost Threshold

posted September 13, 2011

Unveiled earlier this week at the PLASA show in London, the new Midas Pro2 and Pro2C digital audio mixing consoles offer most features of the larger Midas Pro Series models - as well as the high-end XL8 - but in a smaller footprint and at a far lower price point. Targeted at the broad mid-level touring and installation market, the two new entries are identical except that the PRO2C has a smaller frame and eight fewer physical input faders.

Key features of both consoles include 56 mic/line inputs with Midas mic preamps, 64 input channels, 32 analog outputs, plus dual AES3 inputs and outputs. The 27 mixing buses employ the same sample-synchronous, phase-coherent technology as other Midas digital consoles. Six stereo effects engines are on board, along with up to 28 Klark Teknik DN370 equalizers. Flexible mixing architecture allows 8 VCA groups, 6 POPulation groups, and 192 MCA (Master Control Association) Groups.

The standard system consists of the control surface connected to a rack-mount stage I/O unit by a Cat-5E network cable carrying control data and networked audio via the AES50 protocols. A 100m "digital snake" is included, and an available iPad app gives handy portable access to all faders, on-board graphic EQ, and input/output metering. List pricing is given as $29,500 for the Pro2 and $22,700 for the Pro2C.

Related Items:
Midas and Klark-Teknik Appoint New US Distributor (Sept 7, 2011)
Audio Review: Midas Pro3 Digital Audio Mixing Console (October 2010)
Digital Audio Consoles: From Our Readers Perspectives (July 2010)

Digital Projection (DPI) Roadshow to Focus on Medium- and Large-Scale Venues

posted September 12, 2011

Digital Projection International (DPI), an Emmy Award-winning manufacturer of high-performance projection systems, Delta Group, one of the world's largest manufacturers of display solutions, and Mersive, a developer of visual computing software, announce the dates for their upcoming 6 city "Displays at Your Doorstep" road show. The events will demonstrate a wide variety of display technologies, well suited for an array of commercial integration applications, in key regions across the US. Attendees will experience the highest performance and latest trends in display technologies, including but not limited to DLP-based high-lumen projectors, LED videowalls and video cube arrays.

During the roadshow presentations, Delta Electronics will focus on innovative video processing products, LCD, LED, edge-matched and rear-projection display solutions, plus Delta's full product lineup of direct view displays. With its global manufacturing and engineering team, Delta fully leverages global design, manufacturing and distribution to bring affordability and value to professional video markets.

DPI will focus on presenting medium- to large-venue projection systems from its single and three-chip DLP lineup. Reknowned for their powerful yet efficient line of 2D and 3D projectors, DPI will demonstrate two recently launched three-chip displays. The 16,000 lumen, warp- and blend-enabled Titan Quad 3D, recently acknowledged at InfoComm 2011 by Commercial Integrator magazine with a "Best New Projector" award, will be presented, as will the 8,000 lumen warp and blend-enabled Highlite Cine 660. Attendees will also see DPI's high-brightness, high-value 6,000 lumen E-Vision WXGA 600, alongside other outstanding projection solutions.

Mersive will demonstrate their patented Sol software, which corrects geometric misalignment and intensity balancing while also providing exceptional image quality by minimizing resampling artifacts. In addition to auto calibration, Sol provides an intuitive display management interface for increased control over the display system. Mersive's patented Sol visual computing software is designed for simplicity and affordability in large-scale, beyond-HD displays by automatically calibrating multiple projectors into one seamless image without the expense of specialized hardware and services.

The following cities and dates have been confirmed:
New York City - October 11 - 12, 2011
Orlando, FL - October 18 - 19, 2011
Washington, DC - October 25 - 26, 2011
Atlanta, GA - November 2 - 3, 2011
Dallas, TX - November 9 - 10, 2011
Los Angeles, CA - November 15 - 16, 2011

A full schedule with venue locations, as well as a comprehensive product list, will be available by mid-September. Any preliminary questions regarding the "Displays at Your Doorstep" road show should be sent to Sean Milstead at .(JavaScript must be enabled to view this email address).

Christie Introduces New Series of Large-Venue Projectors: The J Series

posted September 12, 2011

Christie announces the next generation of its three-chip DLP Xenon platform – the Christie J Series projectors. This new platform targets a variety of applications within the rental, staging and fixed install segments, requiring high brightness, superior performance and crisp, clear images – all in a compact, rugged and reliable package.

“Feedback from our customers was instrumental in the technological improvements of the Christie J Series,” continued Tsintzouras. “The platform was designed to enable customers to use their existing accessories and gear such as lamps, stacking mounts, projection lenses and M Series input cards. J Series is also the same size as its predecessor and yet is both brighter and more efficient. Our customers and partners also benefit from knowing that the J Series models are 3D upgradable, protecting their investment should the need for 3D arise in the future.”

Benefits of J Series:

-Christie Twist image warping and edge-blending is now included, eliminating the need for external processors and reducing cost of installation

-Xenon DLP performance in the what Christie says is the most compact chassis in its class

-Full 3D upgrade path

-Ability to use existing legacy lamps, lenses and accessories

-Liquid cooling allows for operating temperatures up to 104 F (40 C) in Roadster and high power Mirage models

-Portrait orientation capabilities

J Series Product Lineup: Christie DS+8K-J, Christie DS+10K-J, Roadster S+14-J, Roadster S+18-J, Roadster S+22K-J, Christie HD7K-J, Christie HD9K-J, Roadster HD14K-J, Roadster HD16K-J, Roadster HD20K-J, Roadster WU20K-J, Mirage DS+8K-J, Mirage S+14K-J, Mirage S+18K-J, Mirage S+22K-J, Mirage HD7K-J, Mirage HD14K-J, Mirage HD16K-J, Mirage HD20K-J, Mirage WU7K-J, Mirage WU14K-J, Mirage WU20K-J.

“The best image in the world just got better. Christie has taken its highly successful Xenon product line and evolved it with exciting new features like embedded Christie Twist that allows for image warping without the need to purchase additional electronics cards. Driven by a Xenon illumination system that offers the best color reproduction and stability, J Series also offers lenses with Intelligent Lens System (ILS) functionality and three resolutions, SXGA+, HD and WUXGA,” says George Tsintzouras, senior director product management, Business Products, Christie.

The Mirage versions of the J Series models are high-performance, active stereo projectors providing exceptional 3D performance. Easy to set up and configure, these models are compact, yet powerful and flexible. The new capabilities include full native resolution 3D inputs of 60 Hz per eye and triple flash 144 Hz 3D for exceptional 3D movie content playback.

“We’re excited about this new generation of our Xenon 3-chip DLP products,” adds Gary Fuller, vice president, Business Products, Christie. “The new electronics architecture is built on our tried and true Xenon platform. It enables us to offer many new features, as well as enhance the features that our partners and customers have told us they value in our products. We’ve made our extremely successful and widely used platform even better with the J Series.”

“Christie is proud to present the technologically advanced J Series to our customers and partners,” concluded Tsintzouras. “This is a significant milestone for Christie as we continue to bring superior products and services to the market.”

Broadcast Pix Launches Mica, A New Line of Affordable Live Video Production Systems

posted September 12, 2011

Broadcast Pix introduces Mica, a new family of live video production systems that designed to provide pristine HD and leadership integration at what the company calls "an unprecedented price point". Mica will be demonstrated for the first time at IBC2011, which runs 9-13 Sept. at the RAI Centre in Amsterdam (Stand 7.B20).

The new Mica system harnesses the native HD technology from the award-winning Broadcast Pix Granite systems in a compact, cost-effective package. It also includes Broadcast Pix Fluent software that tightly integrates video and file-based content, so even a single operator can create compelling live productions.

Mica includes a multi-definition switcher that can mix eight HD/SD-SDI inputs with seven channels of internal clips, animations, and graphics. There is support for up to six keyers and DVEs, six HD/SD-SDI outputs, and two DVI outputs. It also includes a 30-hour clip store and a Harris or optional Chyron character generator.

"With Mica, you pay for a switcher and get an HD control room," says Ken Swanton, president of Broadcast Pix. "But unlike a conventional control room, Mica is so well integrated, that a solo operator can combine cameras, clips, and graphics into great live video."

Pricing starts at $16,900 for Mica Desktop, which is controlled through a touch screen or mouse interface. Mica 500, at $19,900, includes a control surface with a patented device control section. Mica 1000 and Mica 2000, with larger and more powerful control panels, sport patented PixButtons, which dynamically display sources and devices in the button to switch with confidence. All four Mica models are available now.

Housed in a single 4 RU case, Mica features an I/O board with a wide back panel for easy, uncluttered connectivity. Additional Mica features include:

· Multi-Definition Switcher - each of the eight SDI inputs has a frame synchronizer and supports 1080i, 720p, or SD sources in either 50 or 60 Hz.

· Clip Store - holds up to 30 hours of H.264 and ProRes clips with audio. Integration includes AutoStart, AutoRewind, Looping, AutoNext, and AutoTransition.

· Fluent-View - displays all video and file inputs, key layers, and file libraries with four outputs. Totally customizable and can be spread across two DVI monitors.

· Character Generator (CG) - Harris Inscriber TitleMotion GS or optional Chyron Lyric Pro 8, with animation creation and easy in-show editing.

· Control Panels - familiar switcher layout extends access to file-based content. Mica 1000 and 2000 feature patented PixButtons displaying sources and file names.

· Fluent Macros - create dazzling effects with the only switcher memories that can recall specific files and devices.

· Fluent Watch-Folders - import clips and graphics from editing and graphics systems, even mid-production.

· Device Control - control ViewCast streaming appliances and AJA Ki Pro recorders.

· Optional Device Controls - cameras (Hitachi, Panasonic, Sony, and Telemetrics), audio mixers, and servers (360 Systems, Harris, and Omneon).

· Fluent Rapid CG (optional) - automate titles by connecting them to databases, RSS feeds, or custom action buttons.

Mica is designed for all live productions including broadcast, corporate, government, and educational facilities, as well as live entertainment and houses of worship. It also provides an upgrade path to native HD production for Broadcast Pix Slate users, and can be easily upgraded to Granite, which can support 2 M/E productions and offers more I/O, redundancy, and performance options. Pricing is for the Americas, and monitors are not included.

To see a short video of Mica benefits, please visit http://www.broadcastpix.com/Videos.html <http://www.broadcastpix.com/Videos.html>.

Digico Expands With A Second UK-based Manufacturing Facility

posted September 11, 2011

To keep pace with the development of the raft of new products that it has introduced to the market in recent years, Digico is in the process of upping its output capacity by adding a new Scottish production facility, twice the size of the existing facility.

A company announcement says Digico has always been proud of its UK-centric operation and is pleased to announce the addition of the purpose-built electronics factory. Having been manufacturing in Scotland for 21 years, the facility is based in Glenrothes, close to Edinburgh.

The new facility includes a dedicated factory acceptance area and gives the company further room for future expansion and diversification.

"Unsurprisingly, when you're using the latest, large-scale FPGA technology designs, there's little additional saving in taking production off shore and we're proud that our entire operation is still UK-based," says Digico's managing director James Gordon.

"The new factory will increase our efficiency and productivity and keep up with the ever increasing demand for our consoles. In turn, this will benefit our clients with continued short lead times and competitive pricing."

Full Compass Systems Earns Small Business Administration SBA 100 Award

posted September 8, 2011

Full Compass Systems, a leading professional audio, video, lighting, A/V and musical instrument dealer, was recently visited by Karen Mills, Administrator of the U.S. Small Business Administration (SBA), as part of the company's induction into the SBA 100. The SBA 100 recognizes one hundred businesses that have received assistance in the past from the SBA and grew to create 100 jobs or more. These companies employ workers all across America and cover a wide range of industries. Full Compass Systems is one of only two businesses from Wisconsin who have received this honor.

Full Compass owners, Jonathan and Susan Lipp, participated in the SBA's 7a loan program in the early 80's. The loans they received assisted in acquiring a larger facility, allowing them to house additional inventory and hire more employees to accommodate their fast-growing business. Now, Full Compass has moved into its newest home, a 140,000 sq.-ft. facility designed by the Lipps, who also supervised its construction. The new headquarters houses over $12 million in inventory and a staff of over 180 employees. It is the fourth largest woman-owned business in the state of Wisconsin.

Susan Lipp says, "We are grateful to the Small Business Administration for their assistance and are thrilled to be recognized as one of their success stories. More importantly, we take great pride in the people we employ at Full Compass and we strive to create a wonderful place to work."

Photo caption: Karen Mills, Administrator of the U.S. Small Business Administration (SBA) addresses the staff at Madison, Wisconsin-based Full Compass Systems, as owners Susan and Jonathan Lipp look on. Full Compass recently was awarded an SBA 100 award from the U.S. Small Business Administration.

http://www.sba.gov/sba-100
http://www.fullcompass.com/

“Technologies for Worship Magazine” Founder Dies

posted September 8, 2011

The NRB Today reports "Technologies for Worship Magazine" founder Barry Cobus passed away on August 31st at his home in Queensville, Ontario. He was 65. Cobus was diagnosed with brain lymphoma in 2006 but he remained an primary force in publishing "Technologies for Worship", a magazine he founded with his wife, Shelagh, in 1992, and the company's many conference seminars held around the world. The NRB report say, prior to founding "Technologies for Worship Magazine", he founded Cobus Management, a top Canadian management company during the 1970's, and later launched the AMI Directory to the music industry. "Those who knew Barry were familiar with his infectious positivity (sic), his consistent optimism and his unyielding drive and determination," says Kevin Rogers Cobus, executive editor of "Technologies for Worship". "That, coupled with his genuine warmth, his natural creativity and his capacity to love made him a great man; a leader, a mentor and most definitely a memorable character."

Brian Blackmore, founding editor of "Church Production Magazine" adds, "Barry was a class act. He was always personable and positive. He'll be remembered as one of the ‘good guys' of the industry."

Barry Cobus is survived by his wife, Shelagh, and four of his five children.

www.nrb.org/mediacenter/publications/nrb-today/ 

Midas and Klark-Teknik Appoint New US Distributor

posted September 7, 2011

Starin, a pro audio sales, distribution and manufacturing company based in the Chicago suburb of Chesterton, Indiana, today announces it will be the new "supply partner" for Midas and Klark-Teknik in the United States.

Jim Starin, CEO of Starin says, “ We have enjoyed knowing and working with these brands
through a prior owner relationship and are excited about what the realignment and concentrated
efforts will yield to help customers.  It is good to have them back in our family of brands and as
part of an expanded Starin in terms of service capacity and complimentary brands.” 

Starin will says it will work with existing independent field representatives for Midas-KT.

Developing....

Update (11:40AM, 9/7/11):
An announcement from Midas and Klark-Teknik made in August 2011 suggested changes to the distribution for USA and Canada were forthcoming, though it said Midas Consoles North America would likely be set up as a wholly owned business unit of Music Group, owner of the Midas and Klark-Teknik brands.  Today’s announcement regarding the appointment of new distributor, Starin, seems to counter that earlier announcement.

In an effort to maintain existing business relationships in the US, Jay Easley, associate VP of customer support, will remain in charge of customer relations for Midas and Klark-Teknik.  Comments today from Jim Starin, CEO of new distrubtor Starin, about maintaining the current rep force echo what Easley said in the earlier announcement, “Midas and Klark Teknik customers will have the reassurance of continuing to deal with their existing … representatives and dealers.”

The company says the new distribution model will have many benefits for customers including improved accessibility to service, focused product and specialist technical support, a closer relationship between end-user and manufacturer and more competitive pricing on many products.

“[Our customers] will doubtless be delighted we are taking this opportunity to become more price competitive in certain product areas, by returning margin to the end user,” Easley says.

ETC Introduces New Mid-Level Lighting Control Console: the Gio

posted September 6, 2011

ETC's award-winning Eos lighting-control family is expanding -- but the newest console in it is not. More than just a rumor since July, when ETC gave their end-users at their Cue conference an exclusive first look, the elegant, compact new Gio is designed as a highly functional lighting control console in a smaller footprint. "Gio puts together the control-surface depth required to do large shows in a mid-ranged, ergonomically engineered package," says Matt Kerr, ETC Associate Entertainment Market Manager. "We designed it to be the professional solution for space-compromised productions and touring." Gio will be officially debuted at fall industry tradeshows like PLASA in London, LDI in Orlando, and WFX in Dallas.

Positioned in the middle of the popular Eos console range, between the Eos and the Ion boards, Gio features the family's powerful hardware and software for sophisticated effects - like pixel mapping and media server control -- as well as the instantly recognizable ETC syntax. Programmers familiar with other ETC consoles will immediately settle in with Gio, and novice users will quickly master the direct, intuitive operational style.

Not just lightweight and portable, Gio introduces new technologies to the Eos line-up. The console's buttons are back lit, making programming in dark situations much easier (and freeing up console Littlites for script reading). Gio also includes two articulating 12.1" LCD multi-touch displays, allowing the screens to be positioned flat for shipping and angled for programming according to preference. Whether a programmer is sitting or standing, the view is adjustable to his or her sightline and comfort. Gio also supports up to three high-density external displays -- all of which can be multi-touch -- speeding up programming by putting navigation and more control right at the fingertips.

Compact but not compromising on capability, Gio is designed to accommodate the broad and varied range of modern lighting demands. Fully networked with ETC's ACN-based Net3, Gio can act as a primary console, a synchronized back-up, or a client integrated within an Eos or an Ion system. Offline and client programming is available on PC (Windows 7 or XP) and Macintosh (OS X Intel). And twelve discrete online users with partitioned control means a lighting team can work faster -- splitting the workload by accessing the same show file simultaneously.

Transition will be smooth from other consoles as well: Shows can be imported from ETC's Obsession, Express, Expression, Emphasis, and Congo, as well as the Strand 500/300-series show files via ASCII. All Eos and Ion accessories work with Gio.

Small but muscular, Gio offers 10,000 channels (devices); 2,048, 4,096, 6,144, or 8,192 outputs/parameters; a dedicated master-playback fader pair; ten definable motorized faders, with 30 pages of control; 999 cue lists; 200 active playbacks; 300 submasters; and four pageable force-feedback encoders. The Gio's sophistication also includes Virtual Media Server Control with stock content (user images may be imported).

Easily handling conventional and moving lights, LEDs, and media servers, Gio will adapt to today's rigs in theater, TV studios, academic institutions, houses of worship, corporate productions, exhibits, special events and touring - any venue or production that is looking for complete control sized right.

For more information on Gio and to contact an ETC dealer, go to http://www.etcconnect.com

Auralex Introduces Free Digital Acoustical Room Analysis

posted August 31, 2011

Auralex Acoustics, Inc., an industry leader in sound control solutions, launches a Free Personalized Room Analysis service, a Digital Personalized Room Analysis Form (Digital PRAF). As a digital upgrade to the company's existing Free Personalized Room Analysis service, the new digital form will allow for a more efficient customer experience.

The new digital process enables room information to be fed directly into the Auralex database, so the company's Application Specialists can immediately begin evaluating the room's acoustical needs. This direct stream of data drastically shortens the process and, ultimately, the acoustical analysis completion time. However, if customers still desire the paper version of this form, authorized Auralex dealers will have it on hand.

Most aspects of the PRAF service have stayed the same. Customers fill out a form with details about their project and provide diagrams with room dimensions. The new form will allow customers to input the requested data, and upload drawings and pictures directly into Auralex's Customer Relationship Management software. This information is then used to render an acoustical model of the space and to determine the most effective acoustical treatment plan for the specific room and application.

After Auralex receives the requests, they are sorted geographically and routed to the appropriate Application Specialist. Within two to three business days, an Auralex Application Specialist will review the information and formulate suggestions for Auralex products and their suggested placement in the room(s). Products can then be purchased through any of Auralex's hundreds of authorized dealers.

"By digitizing our Personalized Room Analysis Form, Auralex is able to promptly respond to and provide consumers with a convenient and cost-effective solution to diagnosing and treating acoustical inaccuracies," says Eric Smith, founder and president of Auralex Acoustics. "Auralex continually strives for advancement in product design and service; the new Digital PRAF demonstrates Auralex's commitment to remaining at the forefront of inventive customer service and support."

The new free digital PRAF is now available at http://www.auralex.com/praf/ and has replaced the downloadable Auralex PRAF form in PDF format.

Due to an ever-growing demand for acoustical assistance and the popularity of Auralex products, the company's free Personalized Room Analysis is limited to a maximum of two hours of phone discussions, e-mails and/or faxed correspondences. This is necessary to ensure that Auralex can assist everyone in a timely fashion. If your product application support needs exceed this limit, an Auralex representative will contact you directly to discuss additional options.

Android-controlled Sound System Installed in California Church

posted August 29, 2011

Just paces from the Arizona border in Blythe, California, St. Joan of Arc is not your average Catholic church. Father Henri Licznerski stays ahead of the technological curve, as evidenced by the church's video system with three screens, several pan/tilt/zoom remote control cameras, digital video recording system and a personal monitoring system for the choir. The recent addition of high-end condenser mics for the choir with accompanying monitors left the church exposed to a substantial feedback risk, and its multiple mixer locations invited busy fingers - however well-intentioned - to really mess things up.

Licznerski called on San Bernardino's Enko Systems, Inc. to provide a solution. In keeping with St. Joan of Arc's embrace of technology, Enko's Dave Chitty installed two Symetrix Jupiter 12 app-based processors and provided control from Licznerski's Android smartphone via Symetrix' ground-breaking Arc-Web technology.

"They previously had no auto-mixing at all," said Chitty. "And then they introduced five super-hot condensers for choir pick-up. They sound really nice, but they made the sound tech duties quite a burden. In addition, it opened the system up to the ‘more me' dynamic, where everyone wants to turn up his or her own mic. In short, it had all the hallmarks of a well-designed system that was destined to sound unprofessional due to operator error." Chitty installed one Symetrix Jupiter 12 processor for the choir loft and a second unit for the main house system.

Chitty originally thought he would be setting up the Symetrix Arc-Web for Licznerski's iPhone, but the pastor upgraded at the last minute to a new Android-based model. It ended up making little difference, as setting up the Arc-Web is akin to setting up a hardware ARC wall panel remote control. The device that uses the Arc-Web, be it an iPhone, an Android, or a computer-hosted web browser, is incidental to the setup. "Using a secure wireless router on the church's network, I only had to configure a few items to get the Arc-Web up and running," said Chitty. "I gave the Jupiter 12 a static IP address and made it available on the network. His access is secured by password so that if anyone else happens to find it, they won't be able to access the sound system controls." From Pastor Licznerski's perspective, the sound system controls are just another app on his smartphone. He taps a bookmark and is ready to make adjustments from the pulpit or from anywhere.

Chitty also gave the church a hardware-based Symetrix ARC-2 wall panel with redundant controls. Both the Arc-2 and the Arc-Web provide constrained volume control of the choir microphones, from +3 dB to -12 dB. Similar controls for the video mixer, ambient mic, and podium mic give all the control needed - and no more. "The Father actually controls the sound system right from the podium," said Chitty. "The Arc-Web is a remarkable advance, and it is a fitting component of a very forward-thinking church."

Chitty has experience with all of the Symetrix lines, including the ultra-flexible SymNet open-architecture line, the Integrator Series of fixed-architecture solutions, and the new Jupiter system, which is patterned after the smartphone "app" revolution. "I like the consistency across all of the Symetrix platforms," he said. "They're all easy to program, and moving from platform to platform is straightforward. I'm looking forward to trying out the new Solus open-architecture line." For St. Joan of Arc, the flexible and affordable Jupiter and a "Gain-Sharing Auto Mixer" app had everything needed to keep the professional polish on the newly updated equipment.

AE Global Media Aquires Audioworks Unlimited

posted August 28, 2011

AE Global Media announces the acquisition of Audioworks Unlimited. AE Global Media is based in Charlotte, N.C., and specializes in high-performance custom designed audio systems. Audioworks is located in Starr, S.C. and provides professional AVL Equipment and Integration Services throughout the Southeast.

Lee Robinson, owner of Audioworks Unlimited, will join AE Global Media's business development department and says, "I am excited to now be a part of AE Global Media and I look forward to bringing the strength and integrity of AE Global to my clients now and in the future."

Donnie Haulk, President of AE Global Media, says, "Audioworks has earned great client loyalty by providing excellence to their customers. We are looking forward to what this partnership will bring to the industry. Lee is an incredibly talented designer and will ad to the strength of the AE Global Media team!"

For more information on AE Global Media, please visit http://www.aeglobalmedia.com

Fiber Camera Interface Now Available for Digital Triax Cameras

posted August 25, 2011

Telecast Fiber Systems announces the release of Cobra II, the latest version of the company's triax-to-fiber camera interface. The Cobra II is the first technology to extend the industry's newest digital triax-based camera chains using simple, inexpensive fiber optic cable, according to a company announcement from Telecast.

"First launched in 1996, the tried-and-true Cobra D has become a mainstay of triax-to-fiber connectivity for a wide range of video transmission installations, including outside broadcasting, sports venues, and corporate and industrial video delivery systems," said Steve DeFrancesco, vice president and general manager of Telecast Fiber Systems. "And now, with the Cobra II, we've advanced the functionality to make it compatible with today's next-generation digital triax cameras."

Initially supporting Sony's new high-definition digital triax camera chains, such as the HXC-100K and HSC-300K, the Cobra II enables their use over durable, lightweight tactical fiber or within an installed fiber optic infrastructure. It is designed for an installation around a building, across a campus, or even 20 km across town using metropolitan "dark fiber." Using Telecast Fiber System's TelePort 3G systems, several digital triax cameras can be "muxed" together onto a single pair of fibers, permitting production options never before possible, according to Telecast - all at the lowest pricing Telecast Fiber Systems has ever been able to offer for triax-to-fiber technology.

Traditional Architecture Requires High Tech Solutions

posted August 25, 2011

A vibrant musical program and a growing congregation were overwhelming the sound reinforcement system at Columbia Road Church of God in Orangeburg, South Carolina. The congregation, led by Senior Pastor Bishop L. Keith Vaughn, recognizes that both music clarity and speech intelligibility were critical to the effectiveness of its services. The church recently upgraded its sound reinforcement capabilities with a new sound system designed and installed by Orangeburg-based Templeton Sound Systems

Michael W. Templeton, president of Templeton Sound Systems, describes the 500-seat room, saying, "The real challenge in this space stemmed from the nature of the high ceiling, which is made from wood and has exposed beams. This extreme depth of the seating area made it very challenging for the previous sound system to achieve even coverage from front to rear. As a result, those seated in the front of the congregation were getting blasted while the people in the back of the room could barely understand what was taking place up front. Because of this, I wanted a line array system that delivers clear, penetrating high frequencies over a predictable and controlled coverage area and this prerequisite led me to the WorxAudio X5i-P installation line array."

With its five modules, each with a medium format, one-inch exit compression driver coupled to a stabilized proprietary wave-shaping device and mated with dual eight-inch cone transducers for the low-mids, the WorxAudio X5i-P is a compact all-in-one line array. The five modules are splayed to produce a broad 160-degree horizontal by 40-degree vertical dispersion that creates a holding pattern ranging from 300 Hz to 18,000 Hz.

"The X5i-P effectively eliminated the coverage issues while at the same time, it increased the level of speech intelligibility throughout the room," Templeton said. "With this centrally flown loudspeaker cluster, we were able to achieve remarkably consistent SPL levels from front to rear and side to side; and those people seated up front no longer get punished."

With a sizeable praise band, a choir, and a praise team, music plays a vital role in Columbia Road Church of God's services. Here, too, the X5i-P delivers solid music reproduction characteristics. Mounted to the rear of the X5i-P is the WorxAudio X1i-P compact line array system. Similar in overall design to the X5i-P, the X1i-P incorporates a single module with the same basic transducer complement. This loudspeaker system serves as a downfill monitor for the choir and others on stage-providing a dispersion pattern of 160 degrees horizontal by 10 degrees vertical.

"While the X1i-P isn't visible throughout most of the congregation seating area," Templeton notes, "it does a terrific job of covering the stage area and functions as an exceptional monitor system. We augmented this monitoring arrangement with two WorxAudio 8M loudspeakers, which in addition to serving as floor wedges, can be used as front fills should the need arise. Monitoring for the musicians is handled by Aviom in-ear monitor systems."

Low-frequency support is provided by two WorxAudio TrueLineTL218SSi-P sub bass enclosures. There is one sub enclosure positioned on each side of the stage area and each enclosure is housed in a custom recessed cubicle under the front edge of the stage.

With the new system up and running since the beginning of August, Templeton reports that compliments for a job well done are flowing, "We've had wonderful responses from church management, the pastor, musicians, vocalists, and the congregation. For the first time ever, sound coverage is consistent throughout the house and the audio level up front is no longer painful. The music has a pleasing, supportive quality to it and people can understand what's being said from wherever they happen to be seated. Make no mistake; the new WorxAudio sound system goes a long way toward making the church's services more relevant than ever."

Photo caption:
Columbia Road Church of God in Orangeburg, South Carolina is led by Senior Pastor Bishop L. Keith Vaughn.

IntraCom Brings Wireless Intercom to the iPhone

posted August 23, 2011

IntraCom Systems, LLC, developer of VCOM, a leading software IP Matrix Intercom System, announced today that it has developed an iOS version of its popular VCOM Control Panel for the iPhone, iPod Touch, and iPad. VCOM Control Panels for iOS are now available in Apple's iTunes App Store, keyword search "VCOM", free of charge.

Any combination of iOS VCOM Control Panels can be used to add mobile clients to an existing VCOM System or used as a stand-alone wireless intercom system.

"With current and expected future RF spectrum limitations we need innovative solutions to meet the demands of the changing landscape and satisfy users who desire more and more flexibility and mobility in communications," says David Brand, Chief Development Officer of IntraCom Systems, LLC. Brand continues: "VCOM Wireless Intercom on iOS takes advantage of both WiFi and cellular infrastructure to provide fully programmable, multi-channel multi-access matrix capability on Apple's highly popular iOS platform."

The new VCOM Wireless Intercom system supports up to 200 users who can talk hands-free privately or in conference in full duplex. The system allows virtually unlimited channels configurable for point to-points, group calls, and party lines. All typical hardware matrix control panel operations are supported including push-to-latch or momentary mode on any control key. VCOM Wireless Intercom can be used over WiFi or Data Cellular, readily interfaces with virtually any number of external communications systems, and has no radio frequency restraints.

Related Items:
Audio Review: Clear-Com Tempest 2400 Wireless Intercom
If you need more than 50 wireless intercom systems to pull off your worship service, you're not a church-you're a theme park.
http://www.churchproduction.com/go.php/article/14631

Audio Review: Lectrosonics Quadra Digital Wireless In-Ear Monitoring System
"The Quadra is a digital IEM solution that is unlike anything else currently on the market."
http://www.churchproduction.com/go.php/article/14896

What Makes a Wireless Digital?
http://www.churchproduction.com/go.php/article/14279

Back Lighting Takes Center Stage with Hillsong United

posted June 8, 2011

Hillsong United's latest US tour spanned venues from LA's Staples Center to Boston's Orpheum Theatre. The pre-eminent Christian band drawn from Hillsong Church in Sydney, Australia, has grown from a worship team supporting youth meetings at the church to a refined touring band that travels worldwide.

Ian Hendrick, who designed the tour's lighting, selected a system of 36 Barco MiSTRIPs, 16 Martin Mac IIIs, 12 Mac 700 washes and four 700 profiles, 12 Mac 101s, 12 Mac 2000 washes, six Vari-Lite VL 1000s and a dozen Atomic Strobes all controlled by a full-size grandMA2 front-of-house for lighting control and a grandMA2 Light sitting at dimmers as back up.

Stylistically, the lighting design "is all about the backlight," Hendrick explains. "There's minimal frontlight in the rig, and the bulk of the moving lights sits on six vertical trusses that climb the back wall. The goal is to make an immersive, enveloping experience for the audience without making anyone feel like they're on display. We don't consider the performance a show or a spectator event. Hillsong United isn't there to be watched or listened to; we're there to take the audience somewhere with us."

Ian Hendrick, who designed the tour's lighting and programmed and operated the grandMA2, has been using the board for more than a decade. "I don't see any reason to stop," he says. "The original grandMA was a solid platform that was powerful enough for anything you could throw at it, scalable from the smallest gig to the biggest extravaganza, and surprisingly user friendly once you got to know it -- with everything you might need at your fingertips."

grandMA2 has been "a great upgrade," he adds, with "extra features, even more flexibility, a surface that capitalizes on the strengths of the old system, and fixes for a lot of things that used to drive me nuts! I can hit the big ‘Go' button with my right hand now! Best of all, they did it without taking away any of the charm or usability of the old console."

A.C.T Lighting is the exclusive distributor of the grandMA in North America.

Mid-America Sound Corporation of Greenfield, Indiana outfitted the tour; Hendrick programmed the grandMA2 at Mid-America where the initial set up was done, says lighting division manager Bob Williams. Hillsong United's lighting "tends toward concert rigs that can be easily adapted to fit into the wide range of venues we perform in," says Hendrick.

Since the band does a lot of song work-shopping while on tour, stages needed to be ready to go by early afternoon each day, he says. "Mid-America Sound came up with a great pre-rig option that was clean, uncompromising to the design and, most importantly, went in really quickly with minimal crew."

At Hillsong United, Steve Pippett was the production manager and Ricki Cook was in charge of media servers. At Mid-America Sound, Al Story was the crew chief. Andy Woody and Robert Dilk were lighting techs. Matt Certa at Big Picture Productions provided the LED.

Worship Facilities Designer Launches as Supplement

posted May 12, 2011

Production Media Inc. (PMI), publishers of Church Production and Worship Facilities magazines and sponsors of Worship Facilities Conference & Expo (WFX), launch Worship Facilities Designer, or WF Designer, alongside the Mar/Apr 2011 issue of Worship Facilities Magazine. The new publication will be its own standalone title in 2012, publishing four times- March, June, September, and December.

Inside its pages, readers will find church-related architectural project profiles; information on products; design and building methodologies; audio-visual, lighting and acoustics design and products; reports on sustainable design achievements; global and national news; a building economic development update; professional business analysis and advice; a special column from the Washington, D.C.-based American Institute of Architects (AIA) knowledge network-the Interfaith Forum on Religion, Art and Architecture (IFRAA); as well as features on a range of topics affecting church architectural design and building. Readers can also access WF Designer's website, http://www.wfdesigner.com, for fresh content, resources of interest, rich media, and photo galleries showcasing the most compelling church projects across the nation. An information- and image-packed enewsletter component is also in the works.

"WF Designer is a natural extension of PMI's offerings," says Editor-in-Chief and Publisher Brian Blackmore. "With Church Production Magazine we are speaking to church technical directors, worship pastors, producers, and other technical artists who create engaging worship experiences each week. With Worship Facilities Magazine, we are a resource for executive pastors, pastors, business administrators, youth pastors, facilities managers, and other church leadership that is involved in decisions about design and building, renovation, finance, maintenance, and operations. Now, WF Designer allows us to serve the architects, designers, specifiers and builders upon whom so much hinges in getting the ideal facility to house effective worship, important ministries and community outreach efforts."

For more information and advertising rates for WF Designer, contact Associate Publisher Chris Pernell at .(JavaScript must be enabled to view this email address) or (919) 325-0120, ext. 213.

New Adobe Creative Suite 5.5 Production Premium Features Updated Premiere Pro Video Editing Software

posted April 29, 2011

At the recent NAB Show in Las Vegas, Adobe Systems Incorporated announced Adobe Creative Suite 5.5 Production Premium, what the company calls "the complete software solution for video and post-production." The new package is designed to help deliver content to virtually any type of video screen. New performance capabilities, workflow improvements, creative innovations, and powerful new audio editing capabilities are built upon Adobe's customer successes with broadcasters, filmmakers and video professionals worldwide. New versions receiving major updates include Adobe Premiere Pro CS5.5, Adobe After Effects CS5.5, Adobe Flash Professional CS5.5, Adobe Flash Catalyst CS5.5, Adobe Story, Adobe Media Encoder CS5.5, and Adobe Device Central CS5.5. New to Creative Suite 5.5 is Adobe Audition CS5.5, bringing its audio-for-video multitrack editing environment to both Mac OS and Windows for the first time.

Adobe also launched an affordable and flexible subscription-based pricing plan, attractive to customers that want to get current and stay current on Creative Suite products, have project-based needs --- one that could also provide incentive to try the software for the first time. New Subscription Editions ensure customers with active subscriptions are always working with the most up-to-date versions of the software, without the upfront cost of full pricing. Now customers can use Adobe Production Premium CS5.5 for as little as US$85 per month.

"Over the past year, we've received a phenomenal response to Adobe Creative Suite CS5 Production Premium for its performance, new features and expanded integration with hardware and camera manufacturers that makes metadata, collaboration and distribution a seamless workflow for video professionals," says Jim Guerard, vice president and general manager for Professional Video, Adobe. "CS5.5 turbo-charges a product that has already taken the industry by storm and gives story-tellers new tools and features to continue to astonish audiences around the world."

The new Adobe Creative Suite 5.5 Production Premium includes significant productivity enhancements designed to enable video and audio professionals to dramatically accelerate their workflows. The powerful Adobe Mercury Playback Engine, introduced in Adobe Premiere Pro CS5, broadens its graphics processing unit (GPU) hardware support to include laptops and more supported cards, and allows users to open projects faster, get real-time feedback for more GPU-accelerated features, and work more smoothly at 4k and higher resolutions.

Adobe Premiere Pro CS5.5 offers improved performance by providing a smoother editing workflow, enabled by new trimming and editing tools that provide more precision and control. Dual-system sound support from the new Merge Clips command in Adobe Premiere Pro CS5.5 lets users quickly sync video with high-quality audio recorded on separate devices like location recorders, ideal for DSLR or Red workflows. Leveraging an integrated workflow with Adobe Audition, Adobe Premiere Pro users can save time by sending individual clips or sequences, including reference videos, directly to Adobe Audition for audio editing and restoration. File-based workflows are improved using CS5.5 with enhanced support for Red and other tapeless cameras, including improved Red Source Settings dialog in Premiere Pro and After Effects CS5.5. Native support for up to 5k media from Red Epic cameras is improved via an extension available on Adobe Labs. Providing a truly native editing solution, CS5.5 is designed to save users time and eliminates the need to transcode or rewrap footage.

Building on Creative Suite Production Premium's existing multiscreen capabilities, the new 64-bit Adobe Media Encoder CS5.5 has been completely redesigned to deliver Adobe Premiere Pro video sequences, After Effects compositions, and Adobe Encore projects to multiple screen formats quickly, while doing the encoding in the background. Adobe Media Encoder CS5.5 also introduces new format support such as AVC-Intra and DPX, and watch folders so users can encode a single clip to multiple destinations with a simple drag and drop.

"When you watch a film, it's the larger experience that sticks with you, the combination of elements, not the individual details," says Gareth Edwards, award-winning filmmaker and the creative driving force behind the much-heralded 2010 independent film, Monsters. "That's what I love about Adobe Creative Suite - all of the individual tools interlink seamlessly and blur the line between each part of the process so the focus is creating a cohesive work, not a bunch of different pieces. This interconnectivity coupled with the incredible speed of the Mercury Playback Engine makes for a powerful combination - if we had CS5.5 when we made Monsters, I know we would have finished two months earlier."

Other new elements across the suite continue to help audio and video professionals push the boundaries of their creativity. After Effects CS5.5 introduces new features such as the Warp Stabilizer, Camera Lens Blur and Light Falloff to enable users to enhance footage in post-production. The breakthrough Warp Stabilizer eliminates unwanted camera movement by steadying shaky footage, making handheld footage appear as smooth as a camera mounted on a mechanical stabilizer. The Camera Lens Blur effect mimics the properties of physical lenses offering more realistic depth of field blurs. The Light Falloff effect enables users to simulate natural illumination falloff to mimic how light behaves in a 3D scene and can be used to create other light intensity effects.

The power of Adobe Audition in CS5.5 Production Premium is now available for for both Mac and Windows platforms. The completely re-written audio engine in Audition offers a robust toolset to record, edit, mix, master, and sweeten audio. With its professional editing and multitrack mixing tools, powerful noise-reduction and effects options, audio and video professionals on both platforms can now benefit from Adobe Audition CS5.5 for handling a wide range of tasks quickly and efficiently.

Adobe Creative Suite 5.5 Production Premium continues to drive innovation by enhancing how users collaborate with existing workflows, even if they use a variety of tools. Enhanced project exchange support for Final Cut Pro users provides maximum flexibility for video editors, while new or enhanced OMF support in Adobe Premiere Pro and Adobe Audition makes it possible to export high-quality audio projects to Avid Pro Tools, facilitating more efficient collaboration between audio editors, remixers and sound designers.

Access to the new version of Adobe Story, an Adobe CS Live online service improves collaboration between users with email notifications of new script edits and a faster method of tracking changes through script elements and filters. The ability to import Adobe Story script data directly into Adobe Premiere Pro further strengthens XML-based metadata support found throughout the Production Premium suite, which is critical for everything from file-based workflows to media asset management. Metadata-driven workflows, plus the ease and flexibility of communicating with Adobe applications with critical third party solutions from news management systems to playback servers, is the catalyst behind many broadcasters and other organizations around the world switching to Adobe Creative Suite Production Premium.

Adobe Creative Suite 5.5 Production Premium is scheduled to ship in May 2011 with availability through Adobe Authorized Resellers, the Adobe Store and Adobe Direct Sales. Estimated street price for Adobe Creative Suite 5.5 Production Premium is expected to be US$1,699. Upgrade pricing and volume licensing are available.

By subscribing to Creative Suite, customers can choose a one-year subscription plan for lower payments or a month-to-month subscription for greater flexibility. For more information about Subscription Editions, visit: http://www.adobe.com/go/cssubscription.

Pricing for the new Subscription Edition starts as low as US$39 per month for Adobe Premiere Pro and US$85 per month for Production Premium.

Education pricing for students, faculty and staff in K-12 and higher education is available from Adobe Authorized Education Resellers and the Adobe Education Store at http://www.adobe.com/education/purchasing/education_pricing.htm. More information regarding education volume licensing for higher education and K-12 institutions can be viewed at http://www.adobe.com/aboutadobe/volumelicensing/education.

For more detailed information about features, OS support, upgrade policies, pricing and International versions, please visit http://www.adobe.com/go/creativesuiteproduction.

Showcase Gospel Concert Gets New Sound in Miami Gardens

posted March 29, 2011

Founder-owner Harold Cummings and his company Drummer Boy Productions recently provided an entire Martin Audio system for a concert by leading Gospel artist Fred Hammond at the Jesus People Ministries Church in Miami Gardens.

Hammond, one of the top Gospel Artists in the world who was once featured in the group Commissioned, takes a keyboard player, drummer (musical director Calvin Rogers, a well known artist in his own right), bass, guitar and percussion players along with three background singers.

Asked to provide sound and staging, Harold says, "We transformed the existing stage into a larger set up for the band with Martin Audio LE1200 and LE1500 stage monitors and four W8LMs and 1 W8LMD per side flown from a Genie lift along with 4 WS218X subs, 2 ground-stacked two per side. We also used Yamaha PM5Ds for monitors and FOH."

Cummings describes his experience with the backline for this show, "It sounded amazing. It was thrilling to a have a complete Martin Audio system for the first time, because we’d been using their monitors for some time now. We also had sidefills made up of H3s with WSX218X subs that sounded ridiculous. So loud and so clear, it's just the system to have.”

"Whatever they asked me for, monitor or house-wise, we were able to give them without batting an eye. Ray Hammond, Fred's brother, who is production manager and front-of-house engineer, was very happy with the sound. They had originally specified active bi-amped wedges, but I knew how good the Martin Audio LE Series sounds so I stuck with them and the client was blown away that passive monitors could sound that good!"

For more about Martin Audio, please click to http://www.martin-audio.com

Willow Creek Community Church Extends Video Production Platform to New Campus

posted March 28, 2011

Willow Creek Community Church prepares for their new campus launch in Huntley, Ill. with a Ross Video CrossOver 12 Solo compact production switcher.

Willow Creek chose the affordable Ross CrossOver Solo due to its ability to go HD in the future, as well as expandability for when their current campus moves locations or adds IMAG. Willow Creek goes on air with CrossOver Solo on April 3, 2011.

“We chose CrossOver Solo for many reasons, but mainly because we have already had positive experiences with Ross Video,” said Matthew Wentz Regional Technical Director, Willow Creek Community Church. “Our main campus in South Barrington, IL already has a Ross Synergy and Vision, so cross training and troubleshooting will be much easier than trying to figure out a new interface.”

“At Ross Video we appreciate customers like Willow Creek Community Church. They’ve been a loyal Ross customer throughout the progression of our switcher lineup, and have also become RossGear, openGear and Ross Router customers,” says Dave Westermann, regional sales manager – Great Lakes Region, Ross Video. “The Willow Creek staff has been great to work with, and has given us valuable product feedback over the years. We look forward to continuing our relationship for many more years ahead.”

CrossOver Production Switchers CrossOver is Ross’ line of single MLE production switchers designed for compact studios, outside broadcast vehicles, edit suites and flight packs. Compact, tough, and powerful, the CrossOver Series includes the CrossOver Solo, 12, and 16. Highlights of all switchers include internal up/down conversion, animation stores, UltraChrome Chroma keying, internal reference generators, 2D DVEs, and AI Memory recalls. The CrossOver Solo is a 12-input , single-piece unit that the company describes as “incredibly easy on the budget, the 12 and 16 models are also budget friendly, but are two piece systems with a standalone 2RU chassis.” The CrossOver 16 panel adds Macros, mnemonic indicators.

Nine-Venue Church Adds Personal Monitor Mixers to Aid Sound Quality and Reduce Stage Clutter

posted March 22, 2011

When you’re as busy as the tech department at Perimeter Church, managing nine auditoriums, an average of six weekend services, and more than 2,300 events each year, certain logistics need to be as reliable and as streamlined as possible—especially audio. To help dramatically reduce stage noise and adapt to the different needs of this 95-acre Atlanta-area campus, Perimeter Church continues to select Aviom Pro16 Personal Mixers to grow alongside the Church.

“We have more than 50 Aviom A-16II Personal Mixers on the campus,” says Steve Simmons, director of Technical Ministries, Perimeter Church. “We just added 16 Aviom A16IIs and an A-16CS Control Surface to our new Cecil B. Day Chapel and are also adding even more over the next month to our children’s theater.”

While Aviom was initially selected by Perimeter Church to help reduce stage noise and improve sound quality in the front of house, the residual benefits have greatly helped the staff of primarily volunteers—from mix engineers to the musicians and vocalists.

“We eliminated the need for a monitor engineer and simplified the role of our front of house mix engineer,” says Simmons. “As for the members of the bands, who use click tracks, they love having the ability to store and recall up to 16 mixes for the different service elements. Aviom personal mixers allow us to almost immediately begin rehearsal thanks to the fact that we do not need monitor wedge mixes.”

At Perimeter Church, most rooms feature different bands each week—all of which utilize radically different instrumentation. On its growing campus, Aviom helps to eliminate potential stage clutter typically caused by bulky monitor wedges, while also being versatile when it comes to integrating with other equipment throughout the campus.

“Two of our venues use Innovason sound consoles with a DioAV A-Net Card while the other rooms have the Aviom systems interfaced with either Allen & Heath or APB-DynaSonics consoles,” says Simmons.

The children’s theater, which holds two KidsQuest worship services each week for children in grades one through five, will be adding new Aviom equipment as part of an overall theater renovation. According to Simmons, to help further this interactive children’s worship filled with music, sketches, puppet presentations, and video, the new additions will include an Aviom A-16D Pro A-Net Distributor, an AN-16/i Input Module, and six A-16II Personal Mixers.

“We selected Aviom thanks to its ease-of-use, sound quality and strong reliability. In one case, however, teaming up with Aviom even allowed us to repurpose an $80,000 sound board by shutting down the monitor position,” says Simmons.

www.Aviom.com.

Creative Stage Lighting Now Avolites Exclusive United States Distributor

posted March 8, 2011

Creative Stage Lighting and Avolites have reached a distribution agreement. Creative Stage Lighting has been appointed the exclusive wholesale distributor of Avolites products in the United States and within Canada on a non-exclusive basis.

Avolites products, including consoles from the Diamond, TITAN, Pearl and Classic lines, and the upcoming Sapphire Touch, are available through CSL’s Dealer Network. Under the arrangement Creative Stage Lighting will also provide 24/7 technical support for Avolites products.

“The Avolites line clearly complements our dimming and control solutions,” said CSL President George B. Studnicky III. “We are delighted to have them available through our Dealer Network.”

"We have every confidence in our brand going forward with Creative Stage Lighting,” said Steve Warren, Commercial Director of Avolites. “We feel confident in the knowledge that Creative Stage Lighting will be able to serve and support the technical needs of our American users having witnessed their devotion to lighting over the past thirty three years. We look forward to a long and successful relationship.”

www.creativestagelighting.com

Christian Copyright Licensing International (CCLI) Launches Church Streaming and Podcast License

posted March 4, 2011

Christian Copyright Licensing International, Inc. (CCLI) announces the launch of the Church Streaming & Podcast License, providing legal coverage for churches to stream or podcast their live-recorded worship music.

“We are very excited to bring this wonderful new resource to the churches,” says Howard Rachinski, president/CEO of CCLI. “As more churches are streaming and podcasting the pastor’s message over the internet, this very affordable license will now allow them to include songs in their webcast worship service as well.”

The new license is available to active CCLI Church Copyright License holders in the United States and Canada. Currently, over 155,000 churches across North America have a Church Copyright License, which allows them to legally copy, store and project songs, to assist with congregational singing within the church’s worship service. The Church Copyright License does not include broadcast rights, but the new CCLI Streaming & Podcast License will allow churches to webcast those same songs. CCLI represents over 3,000 church music publishers and over 200,000 songs.

More information is available at http://www.ccli.com/streaming.

Based in Portland, Oregon, CCLI also has regional offices in Australia, the United Kingdom, South Africa and Brazil. Globally, CCLI provides license and resource services to over 200,000 churches, schools and ministries.

For more information, please contact Paul Herman. .(JavaScript must be enabled to view this email address) 503-257-2230.

Chicago’s Compass Church Deploys “Invisible” Sound System

posted March 4, 2011

The Compass Church—a 3,000-member, multi-site church located in the Chicago suburbs—selected the K-array KR200S loudspeakers to reinforce the live sound of its diverse and progressive worship services. The speakers are used in the church’s new multi-site location in the gymnasium of nearby Crone Middle School, referred to as the 111 Campus.

Working with Frankfort, Ill.-based integrator Plus One AV, The Compass Church had identified some core requirements the audio system for the 111 Campus would need to overcome. First, the system would need to be extremely easy to set up and tear down each week. Second, since the facility is a gymnasium, the system would need to be acoustically flexible and able to provide superior sound for both spoken word and live music. Marty Fornelli of Plus One AV arranged a competitive shoot-out between the K-array KR200S and two systems from a competitive brand and set up each system side by side in The Compass Church's main sanctuary.

"We were blown away by the K-arrays," recalls Josh Tryon, technology director at The Compass Church. "For spoken word, the K-array was hands down the best. The clarity was amazing, whereas the other boxes were just mediocre. What was especially surprising was that the sounds we were getting from the speakers did not look possible given their physical size!" Tryon was also surprised that a single individual can load in with the entire system, carrying a rifle case in each hand and a subwoofer under each arm.

Showing up for work each Sunday A typical Sunday at the 111 Campus consists of two separate services, each of which feature spoken word and a full rock band consisting of a digital drum set, electric guitar and bass. In addition to lead and backing vocals, each instrument is plugged directly into the active K-array system, which requires no space-consuming rackmount gear or power amplifiers. Tryon says that they typically run the system at only about 93 dB during a given performance, even though the system is capable of running at 127 dB continuous. "This is plenty of volume for the gymnasium, especially considering the reflective acoustics. We're not even pushing the K-arrays," Tryon observes.

The KR200S features a line array of two-inch, high-efficiency drive units, which are engineered for maximum linear excursion. Tryon appreciates how this speaker design allows him to tailor the direction of the soundwaves with great precision: "The pattern coming off of the speakers is 120 degrees wide -- it is nice and tight. This really makes a difference in a gymnasium so you are not shotgunning sound everywhere; it also helps us with decay times and you can control reverberation more effectively. You can tilt the speakers or walk outside of the sound pattern very easily."

In addition to the K-array KR 200S and the KL18MA subwoofers, the 111 Campus uses a full complement of Sennheiser evolution and G3 series wireless microphones and wireless personal monitors as well as Sennheiser HD 280 headphones for monitoring the live mix. Since installing the system, which also includes four K-array KL18MA subwoofers, Tryon and his technical team have had several inquiries from neighboring churches on how to run sound for multi-site locations. When doing live demos at the 111 Campus, they are routinely asked, "Where are the speakers?" before their guests recognize the slim, discreet and powerful system right before their very eyes.

Stagetec USA Opens East Coast Office

posted March 4, 2011

Stagetec started off 2011 with the opening of an office in New York City. Located in Williamsburg, Brooklyn, the new office has been equipped with an Aurus and a Crescendo console and several Nexus systems.

“Having our systems this close to the biggest market for broadcast and theatre in the US was important to us,” states Rusty Waite, President of Stagetec USA, “and offers the ability for potential and existing customers to come by for a demo and/or training.”