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FEBRUARY 2007 |
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By Anthony D. Coppedge
photo by Jim Kumorek
The title may seem tongue-in-cheek, but I assure you that what I'm about to share is truly important.
It doesn't matter if you're a fan of the Terraza Blend, their Caffè Verona or if you're a card-carrying-died-in-the wool Seattle's Best junkie. There's a heck of a lot that your church should learn from Starbucks.
Where Starbucks has made the biggest impact, I think, is in three areas:
- They have consistently superior service.
- They create excellent environments.
- They have the stated goal of being the third place between work and home.
Lesson One: Consistently Superior Service
"Hey, welcome to Starbucks. What can I get started for you?" That's the first thing I hear every time I enter a Starbucks. They want to serve me and make me comfortable, something we all like to experience. Their Barista's are taught to engage the customer, not wait for the customer to make the first move.
There are usually two to four baristas (or "partners," as Starbucks employees are called) in each store at any one time, depending on the shift.
The three primary roles that baristas take on (and swap off/on during a shift) are thus POS (register), beverages (making and serving drinks), and floater (miscellaneous duties including making Frappuccino beverages and "café", the duty of cleaning tables and otherwise taking care of the customer area). Busy stores might even have two baristas at one station, especially at the espresso bar on busy days or at the Frappuccino station during the summer. If the Starbucks has a drive-through, it may have one to three baristas assigned solely to serve customers in cars.
Lesson Learned: Engage people with a smile and more than a "good morning" or the rhetorical "how ya doin' today?" Instead, ask "can I help you find the preschool area" to families with small children or "Hey, we're glad to have you! Can I show you around?" By engaging those hesitant to stop and ask for help, you've made that first step easy. Plus, they can always say "no, but thanks!" and walk on in after being welcomed by a smiling greeter.
Lesson Learned: Greeters should outnumber your other volunteer positions. Every parking lot entrance, every door, every hallway, and every hang-out space, they all need greeters.
Lesson Learned: By using "floaters", walking people to an area is far better than pointing and giving directions. Use the opportunity to create dialogue and put the visitor at ease.
Lesson Two: Excellent Environments
No matter which Starbucks I go to, I'm always treated to a clean, comfortable environment where a warm mix of colors and the famous aroma permeate the air. They promise me the world's best coffee delivered in a clean environment that always invites me to stop and stay awhile. They create an environment that is so comfortable, in fact, that people will often stay for hours.
Music is piped in where you can listen but still easily hold conversation. They even offer those songs for sale so that I can take a bit of the Starbucks experience with me in my car or at home.
The layout of each store is an art form unto itself with great traffic flow, excellent signage and plenty of eye-candy to keep me interested while I stand in line.
Lesson Learned: It's sad, but most churches I've visited seem to funnel people into the auditorium and often offer no place for people to come and just "hang out". Huge foyers are devoid of any comfortable seating or table and chairs for a casual meeting place. Sure, we want to have people attend church services and so a lot of the effort is placed on the auditorium/sanctuary. But we're missing out if we create a sterile, bland environment both outside the church and in the meeting areas.
Lesson Learned: Signage matters. Let me know where to go. Clean, easy-to-read signage helps people feel welcomed and gives them the opportunity to safely navigate your church.
Lesson Learned: The environment should be a natural extension of who you are as a church. Said another way, the place should have a comfortable, welcoming vibe while subtly communicating who you are and what you're about.
Lesson Three: Third place between work and home.
Starbucks' marketing strategy involves positioning the local Starbucks outlet as people's "third place" (besides home and work) to spend time and the stores are designed to make this easy and comfortable. The café section of the store is often outfitted with comfortable stuffed chairs and tables with hard-backed chairs. There are ample electrical outlets providing free electricity for patrons using or charging their portable music devices or laptop computers. Most stores in the US and other markets also have wireless internet access (although this access is not free, as it is in some independent coffee shops). It is not uncommon to see people working in a Starbucks for hours at a time. (source: purposedrivenlife.com)
I can't find a scientific study on it, but I meet people and hear all the time about the hours and hours per week people will spend at Starbucks. It's safe to say that a large number of people will spend more time at Starbucks - where more often than not, they're paying for this privilege - than at their local church.
Why have churches not strategically stated that they want to be people's "third place" between work and home? Now please don't misinterpret what I just said. I did not infer that spending time at the church building, per se, was the goal. Rather, having people involved with (and many times "at") the church is the key.
Still, there's something to be said for churches that own their facilities to keep their doors unlocked Monday-Friday and offer a "third place" for people to come and hang out. In fact, I've seen a growing number of churches create Cafes and Coffee Houses right inside their properties. Hey, if the bean fits...
Lesson Learned: The church should create opportunities that are so relaxed and inviting, people want to spend time at "church", but as a pseudo-neutral ground for meeting with friends. This will also create an excellent opportunity for members to bring their unchurched friends during the week as a casual and non-confrontational way to introduce them to "church".
Lesson Learned: Community involvement has a lot more to do with what you do Monday through Friday than it does what you do on Sunday. For churches with their own facilities, opening up your campus to secular events and meetings is a great way to maximize your resource and connect with the community. Churches like Irving Bible Church have "The Tubes", a McDonald's-like play place for kids, that's open to everyone in the community for free every single day. For church plants without their own locations, how can you use community hang-outs - even Starbucks - as a place to meet friends and visitors during the week? How can you partner with these businesses to create synergy in inviting people to meet there (which brings them business) while utilizing a relaxed, non-threatening place to have conversation?
Obviously, there's a lot more to this conversation than what I've covered here. But the point is simple: we're not getting it done well enough on our own. And while I'm sure some critics will pan my thoughts as being consumeristic, the reality is that in this culture, we have to be flexible with our methods, but never the message.
Anthony Coppedge is a respected media consultant who has committed himself to the church marketplace. He has been on staff at three different churches as media minister, technical director and technical coordinator. He has also been speaking at technology conferences, writing articles and reviewing products since 1995. He can be reached at anthony@anthonycoppedge.com.
Coppedge and Church Worship Consultant, Greg Atkinson have teamed up to create podcast that impact today's church ministry leaders. The podcasts can be found both on the blog of www.creativesynergypodcast.com or on iTunes and include interviews with leaders and experts on topics ranging from communication to media to worship planning. Their latest podcast is called the Church Copyright Podcast and answers many of the pressing questions faced by churches on what they can and can't do legally. |
Elation Education Experience - 2007
Young lighting designers can showcase their talents and win an all-expense-paid trip to the Worship Facilities Expo (WFX) show in Atlanta as part of the Elation Education Experience.
The contest will ask students and young lighting designers to come up with lighting specs and a design layout for an imaginary multi-purpose youth ministry building with a stage performance area. Entrants will be provided with CompuLive Pro software, along with a stage, trussing and room layout scene -- and, just like in the "real world," they'll have to work within a budget and power service limitations.
Anyone interested in entering the contest should e-mail a request for an application to the Elation Education Experience website, e3@elationlighting.com. They should also include a line or two about themselves, covering educational and job experience. Once an application is accepted, Elation will e-mail the entrant the challenge layout and a link to download the visualization software.
The challenge is open to all college and junior college students as well as lighting designers with less than three years of experience in theatre, entertainment or church lighting.
The four finalists in the Elation Education Experience will receive an all-expense-paid trip to the WFX show in Atlanta, October 2007, an event that showcases the latest in lighting and audio technology as it applies to houses of worship. Winners will be picked up in a limousine, provided with meals and hotel accommodations and get to meet with top technicians and executives from Elation Professional. All contestants will be sent an Elation swag package as a token of appreciation. Winners will be announced in the October issue of Church Production Magazine, and be contacted by e-mail.
For more information, contact Elation Professional toll free at 866-245-6726. Fax: 323-582-3108. Address: 4295 Charter St., Los Angeles, CA 90058. Web: www.elationlighting.com. Email: info@elationlighting.com.
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Church Production Magazine to Host Panel Discussion at NSCA in Orlando
Join Church Production Magazine as they host an open discussion on working in the worship market. This session, How to Work in the Worship World, is designed for integrators, consultants and manufacturers. The panel will discuss the nuances of working in the world of worship facilities. Experts on the panel consists of those who serve as technical directors and religious leaders from various houses of worship. They will be sharing their insights and experiences focusing on considerations that need to be made when working with this unique client. Further, the panel will offer insight into the business side of worship facilities so attendees can better understand, from the client's perspective, all aspects of the project, from the proposal to close out. Don¹t miss out on this opportunity to learn how to work in a growing and dynamic segment of the market.
According to Brian Blackmore, publisher of Church Production Magazine, "Virtually all churches recognize the importance of technology within the church; however, the biggest obstacle is that they don't know who to trust and where to turn when it comes to designing, purchasing and implementing those systems." Blackmore continues, "The NSCA show is an excellent venue for the churches to come and see the latest in A/V technology and to take advantage of the educational opportunities at the show such as the panel discussion that we are hosting. Our goal with this discussion is simply to get these two groups together—the church and the experts—and help them to find solutions to these issues."
The panel is to be moderated by Mark Johnson, editor of Church Production Magazine. Confirmed participants include Bill Thrasher of Thrasher Design Group, Jimmy Moore, Minister, Technical Ministries, Idlewild Baptist Church, and Stephen Brown of Resource Group. The panel will be held during the NSCA Expo on March 16th from 3:30 to 4:30PM. The location will be announced.
Shure Talks "White Spaces" with FCC, US Senate, Congressional Leaders
From Wednesday, January 24, through Friday, January 26, representatives from Shure Incorporated, the Grand Ole Opry, the Professional Audio Manufacturer's Alliance (PAMA), the Sports Video Group (SVG), PRG Audio, Springboard Productions, Masque Sound, and Sound Associates, Inc. among others, participated in a series of meetings in Washington, D.C. with U.S. Senators, members of the House of Representatives, and Commissioners and staff at the Federal Communications Commission (FCC).
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| From left-to-right—Ryan Smith, Shure Inc.; Rep. Jim Cooper (D-TN); Steve Gibson, Grand Ole Opry; Hank Neuberger, Springboard Productions |
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| From left-to-right—Richard Fitzgerald, Sound Associates; Bob Rendon, PRG Audio; Rep. Bobby L. Rush (D-IL); Geoff Shearing, Masque Sound; Paul Gallo, PAMA; Danielle Burt, Bingham McCutchen LLP; Jeff Krull, Shure Inc. |
The group, which collectively has decades of experience and a wealth of practical, real-world knowledge in the professional design and application of wireless microphone systems, highlighted the integral role of wireless microphone systems in today's entertainment, sports, and news productions. They emphasized that professional audio productions face significant interference risk from the introduction of unlicensed devices in television broadcast bands unless FCC rules are developed that fully protect wireless microphone systems.
"The group we assembled for these presentations included individuals who are responsible for some of the country's biggest and most significant events in news, politics, sports, music, and theater on a regular basis," said Jeff Krull, vice president for Product Development at Shure. "We facilitated these meetings to explain to these policymakers that our industry is very important to many sectors of American life, and that we're very concerned about this proposed legislation and resulting rules."
The group consisted of professionals involved with live music, entertainment and sports production, wireless microphone manufacturing, and several of the Nation's most well-respected experts in audio production and engineering, including: Steve Gibson (Grand Ole Opry), Hank Neuberger (Springboard Productions), Ed Greene, RF & Audio engineer, Bob Rendon (PRG Audio), Geoff Shearing (Masque Sound), Richard Fitzgerald (Sound Associates), and Ed Wieczorek, Broadcast & Studio engineer.
"One of the messages we wanted to deliver is that wireless microphone systems are critical to the production of the content that Americans demand and expect from all media and entertainment outlets," added Krull. "Our group wants to ensure that wireless microphones are protected from potential interference. FCC rules that do not allow for the successful co-existence of unlicensed devices would also significantly harm the greater public interest. Any interference could cripple the production of live, high-profile events like the Super Bowl, World Series, Grammy Awards, Broadway shows, and political conventions to name a few".
Digital Projection International Marks Ten Years of DLP Innovation
Digital Projection International (DPI) recently marked the tenth anniversary of the company's establishment. As Texas Instruments' (TI) founding partner in the development of DLP technology, DPI offers a broad range of projection systems for commercial A/V, staging and home cinema applications.
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| DPI Board of Directors |
The foundation of the team that would go on to form DPI stemmed from Rank Brimar in 1987. During the time period between 1988 and 1995, the members of the Brimar team identified the DMD technology then under development at Texas Instruments, and entered a joint agreement with TI to jointly develop this emerging display technology for projection applications. In 1996, the first public display of the very first three-chip DLP projection systems were shown at InfoComm and market interest began to stir. Later that year, the management team within the digital projection development group executed a buyout from Rank Brimar and DPI was formed.
In the years following, DPI continued to develop both large format commercial three-chip projectors such as the Lighting Pro and Highlite Pro series, the mid size three-chip Mercury series, as well as the much smaller one-chip DLP displays. Such single-chip projectors as the iVision, and dVision series were capable of integration into both commercial and home cinema applications. By 2005, DPI introduced two additional 2K native resolution projectors as well as commencing development on a new Lighting Pro series that would be capable of producing 22,000 lumens. These new projectors marked a 40,000% increase in brightness from the CRT projectors of the late 1980's, and would be officially introduced into production the following year.
2006 marked the company's tenth year of incorporation, as well as the arrival of 1080p for all markets. Continuing to work with Texas Instruments as new technology emerged, Digital Projection introduced four models that create imagery at native 1080p resolution, including both 3-chip and single-chip projectors. Today, Digital Projection remains TI's only partner with a diversity of display solutions that are all 100% dedicated to the DLP platform
"DPI and DLP Products have long shared a strong business partnership spanning years of product innovation and customer installations," said Doug Darrow, DLP Brand and Marketing Manager at Texas Instruments. "DLP congratulates DPI on this major milestone marking a decade of success." Mike Levi, president of Digital Projection, Inc. added; "To all of our new and longtime customers alike: Thank you for investing with DP over the last decade. As we commence our 11th year of business and 21st year of product development, we pledge to hold your trust in our people and products, deep within our business principles. We can't wait to show you what DP is likely to achieve over the next ten years."
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AVOCENT WIRELESS HD MULTIPOINT EXTENDER
Avocent Corporation announces it is now shipping the industry's first wireless high-definition (HD) media extender providing both wired and wireless connectivity in one product. The Emerge MPX1000 HD Multipoint Extender incorporates high-definition multimedia interface (HDMI) technology for moving high-definition content from one source to multiple destinations. High resolution computer graphics up to 1280 x 768, HD video up to 720p, stereo audio, and control data are wirelessly transmitted to as many as eight wireless or wired receivers.
"We are pleased to announce the availability of the Emerge MPX1000 HD Multipoint Extender, our first HD extension product," said Mitch Friend, senior vice president and general manager of Avocent. "This breakthrough in audio-video delivery is a step towards meeting the market's push for higher resolutions by providing true digital picture and sound content delivery to displays for presentation and digital signage applications."
The Avocent Emerge MPX1000 HD Multipoint Extender includes a transmitter and receiver that provides media support for use in professional audio-visual applications. The Emerge MPX1000 extension product extends video and audio over standard 10/100 Ethernet wiring up to 3000 feet and wirelessly through walls up to 150 feet, or up to 1000 feet line of sight with an optional directional antenna. Audio-video synchronization is maintained at each display and all wirelessly connected receivers remain in lock step with each other.
The Avocent MPX1000 HD Multipoint Extender has interchangeable modules for input of analog VGA signals or digital HDMI/DVI signals. The MPX1000 extender solution is accessible through two primary user interfaces: an on-board web server that allows browser-based unit control and configuration, and a front panel display that provides push-button access to system status. The extenders allow for control of attached audio-visual equipment through RS-232 serial and infrared connections. These products and additional accessories are available through professional A/V system integrators and contractors. URL: www.avocent.com |
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MiPro MA-808 PORTABLE WIRELESS PA SYSTEM
Avlex Corporation announces the introduction of the new MA-808 Portable Wireless PA System. Featuring a rugged, high-impact enclosure with retractable handles and integrated wheels for easy transport, this bi-amplified system delivers clear, powerful sound-thanks to a Class AB amplifier for the (high frequency) HF driver and a Class D amplifier that drives a large, ten-inch woofer. With a built-in MP3 recorder/player module, support for two wireless receiver modules, and storage provisions for the transmitters, the MA-808 is a complete, self-contained PA solution.
The MA-808 features the bi-amplified power system which utilizes dedicated amplifiers each for the HF and LF sections. For thunderous low end, the MA-808's Class D amplifier delivers 120 watts RMS and feeds a ten-inch woofer. To ensure clear high frequency performance, the unit's HF section is powered by a 50-watt RMS, Class AB power amp.
As a wireless PA system, the MA-808 features twin wireless receiver modules. Setup is simple via MiPro's industry-leading auto-scan and ACT (Automatic Channel Targeting) functionality. This system ensures clear, reliable reception over substantial distance-free from signal dropouts and interference. Another important aspect of the MA-808's wireless design is its built-in antenna, which eliminates any possible inconvenience caused by antenna breakage. With onboard storage provisions for the transmitters, the MA-808 redefines ease-of-use when working with portable, wireless PA systems.
Additionally, the MA-808 comes with one wired microphone that can serve as an additional microphone source. Also, the included MP3 recorder/player module's three-in-one design supports CDs, MP3, and SD Flash cards. The flash card reader/writer supports MP3, WAV, and WMV formats and features 128 MB of memory, with record capability up to 506 minutes (8.4 hours). Record modes include SP (standard) and LP (long).
Finally, the MA-808 is both an AC and battery powered system. There is a large capacity, rechargeable battery that can recharge while being used. Further, the MA-808 uses a universal AC switching power supply to ensure constant, reliable voltage.
URL: www.avlex.com |
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AVIOM PRO64 SERIES OF AUDIO NETWORKING PRODUCTS
Pro64 kicks off a new era at Aviom and the product line represents a sea change in how audio will be transported in applications such as corporate AV, broadcast, education and more. Pro64 products deliver the flexibility of a digital network, combined with the audio performance and simplicity of an analog wire. All Pro64 products deliver audio with low latency via Aviom's A-Net audio transport protocol.
The Pro64 products with A-Net have been designed from the ground up for audio networking. Every Aviom Pro64 system is a network, designed specifically to deliver optimal performance in distributing multiple channels of audio to as many locations as desired. As a true network, a Pro64 system can distribute audio without being restricted by the physical locations of inputs and outputs or the direction of the signal flow. In auto mode, up to 64 channels (24 bits, 48kHz) are distributed throughout the entire network. Channels can be input anywhere in the system and output everywhere, regardless of network topology and layout.
URL: www.aviom.com
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SHARP PORTRAIT MODE 65-INCH PROFESSIONAL HIGH-DEFINITION LIQUID CRYSTAL DISPLAY
Expanding on its recently upgraded line of professional Liquid Crystal Display (LCD) monitors, Sharp introduces the PN-655RU, the first 65-inch LCD display specifically designed to operate in portrait mode. To ensure reliable operation and backlight life for use in portrait mode, Sharp optimized the internal cooling, air flow and backlight system. This model joins the current 65-inch PN-655U, which is designed for landscape mode applications. Also joining the 65-inch lineup is the PN-655RUP (portrait mode version of the PN-655UP, which incorporates an integrated protective acrylic overlay).
"There are many important portrait-mode applications for high-end, large screen displays in diverse market settings such as medical imaging, digital signage, design and flight information display," said John Becconsall, director, Professional Display Products, Sharp Commercial Markets Sales and Solutions Group. "With the introduction of this monitor, Sharp's professional display line can now fulfill the traditional landscape as well as portrait application needs, and offers superior image quality and improved compatibility, for reliability in a wider range of commercial applications."
The 65-inch monitor has a full 1920 x 1080 two-mega pixel high-definition (HD) resolution for accurate and precise image reproduction. With commercial design and components, the PN-655RU offers reliability for extended use applications, complementing Sharp's line of professional LCD video/data monitors.
To serve the discriminating image-quality needs of the commercial market better, the PN-655RU has a four-wavelength spectrum, cold-cathode fluorescent backlight that provides an enhanced color spectrum including deeper, more vibrant and vivid reds. Sharp's proprietary Advanced Super View (ASV) panel provides picture quality for fast-moving video through its fast pixel response time of less than six ms.
Sharp's LCD monitors incorporate several proprietary technologies and features that ensure unparalleled image quality for a professional presentation of information, data and images. The line has anti-glare and low-reflection properties, enabling Sharp monitors to be placed in brighter areas where other screens might appear washed out. Higher contrast lets viewers discern details they might otherwise miss, particularly when viewing darker content. The 170-degree viewing angles help the monitors display a crisp picture that can be seen from virtually anywhere in a room. A black TFT/Bright Pixel Elimination ensures that if a pixel fails, it is effectively invisible to the viewer.
The PN-655RU and PN-655RUP are supported with a three-year on-site parts and labor limited warranty, including three-year warranty on the backlight when used in portrait mode.
URL: www.sharpusa.com
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NEATO MEDIAFACEONLINE PLUS EDITION AND MEDIAFACEONLINE
Designing CD or DVD labels with your own look just got easier. NEATO, a division of Fellowes, Inc., announces the launch of MediaFACEonline Plus Edition and MediaFACEonline, web-based design software that creates CD/DVD labels and jewel case inserts. The software brings design options traditionally only available on CD-ROM software to the web, providing immediate access to new design features without patches or upgrades.
MediaFACEonline Plus Edition supports multiple media labeling technologies and offers a collection of design images. The web-based software allows users to create not only adhesive labels with NEATO, but also those produced from Avery, CD Stomper, Memorex, and Epson/Canon printers that print directly to discs. MediaFACEonline is available for users who need design capabilities with NEATO labels only. Both editions are compatible with any PC or Mac computer with internet access.
Users have the opportunity to try the software for free by visiting www.mediaface.com. They can use their own images or select from 500 free high-resolution images to design CD/DVD labels and jewel case inserts. The software also features high-end image and text tools. Additionally, users can save designs for future use or editing, or in a PDF format for printing or sharing.
The software is available at major electronics retail stores and wherever NEATO labeling products are sold.
URL: www.mediaface.com |
Copyright (c) 2007
Production Media, Inc.
info@churchproduction.com |