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05.29.2009
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CPM MAGAZINE
CPM DIGITAL EDITION
BLOGS
CHURCH IN THE DIGITAL WORLD
By Cathy Hutchison
OBSERVATIONS FROM THE FAST LANE
By Editor-in-chief and Publisher, Brian Blackmore

Faith Church EPC Finds Cost-Effective Efficient Technology Solutions

For 25 years, Faith Church EPC in Rochester Hills, MI had gone without a building of its own. Based in this attractive Detroit suburb, the church’s congregation met at various schools and rented facilities on Sundays and holidays, having to go through the arduous process of transporting and setting up its equipment every week.

The challenges of meeting these constant set-up demands gave Faith EPC administrators an appreciation for equipment that is durable, dependable and easy to work with. So when the church finally fulfilled its long-held dream of constructing its own building in 2008, it wanted technical systems that were user-friendly, reliable and affordable for their new 350-seat auditorium.

Based on these criteria, Faith’s Technical and Creative Director Tom Moyer put together a lighting ensemble comprised largely of LED fixtures from Elation Professional. The system includes 12 Elation Opti Tri Par LED par-style fixtures and four Design LED Tri-Brick LED color wash bricks, both of which provide RGB color mixing. An ETC SmartFade ML lighting control console largely because it provided a “big bang for the buck” says Moyer. “The ability to handle moving lights and its volunteer friendly layout were important to us”

Two SmartMAC, 150-watt, moving head lights from Martin Professional complete the lighting system. Moyer says, due to the passive cooling (no fans) the lights are very quiet, something that is very important in a room this size. Sound control in general was a concern for the church as they transitioned to the new building. At the request of the worship leader, electronic drums were replaced with acoustic drums. The sound was overwhelming. Moyer’s solution included a drum enclosure from Clearsonic. The results were “fantastic”, Moyer says, “And the people there were great to deal with.”

The new audio system includes three JBL Vertec loudspeakers per side with matching JBL subs under the stage. Speakers are powered by Crown XTI Series amplifiers and controlled using a Yamaha LS-9 mixing console. All wireless mics are Sennheiser EW100’s.

The video system features three Eiki LC-XB42N 3 LCD, 4500-lumen projectors, and an Analog Way QuattroViewFX switcher/scaler. The source for lyrics and sermon notes is an iMac running Keynote. Da-Lite rigid-frame screens are mounted to the left and right of the stage, and at the back of the room for “confidence” monitoring from on stage.

The system was obtained from and installed by Advanced Light and Sound (Troy, MI). “We’d been looking for an LED option [for lighting], because we wanted to reduce operational costs going into the building,” Moyer adds. “The Elation LEDs’ low power consumption, along with their 50,000-hour lamp life, were ideal for keeping a lid on energy and maintenance costs, he says. Moyer also liked the fact that the LED’s were gel-free fixtures that could “pull almost any color at will” through RGB mixing. “Not having to pull out ladders or our lift to change gels – or maintain an inventory of gel cuts – is a great time saver, allowing me more time for programming.”

The fixtures are being run in 3-DMX-channel RGB mixing mode. Their ability to smoothly blend an infinite spectrum of colors has provided an ideal lighting solution for the church’s 350-seat auditorium, says Moyer. “We use them both in the daytime for morning services and in the evening for special events. They do just fine during the day to light up the space and give it a warm feel. I can pull some really soft amber face lighting, and I can also pull some rich, vibrant colors. The lights really excel, and folks love the real rich colors.”

In addition to their performance, Moyer likes the way the Opti Tri Pars’ external appearance contributes to the room’s design. “They have a very clean, high-tech look. It’s a newer look that’s more like an ETC fixture than a traditional par can. We’re using them with barn doors and this gives them a really theatrical look.”

The four DLED 36 Tri-Bricks are mounted behind an arch over the stage and are used to light the drum kit and provide a small wall wash. Moyer would eventually like to expand the system, adding more DLED 36 Tri-Bricks to wash the back wall. If he does this or adds any other new fixtures in the future, he will be able to do so easily, thanks to the expandability of his Elation Opto Branch 4 DMX distributor, which can be easily linked to other Opto Branches via 3- or 5-pin XLR. “That’s one reason I went with the Opto Branch – because it’s expandable,” said Moyer. “It gives us the ability to add to our lighting system without having to upgrade the splitter.”

More information about Faith EPC Church can be obtained at www.faith-epc.org.

For more information: www.analogway.com, www.apple.com, www.crownaudio.com, www.elationlighting.com, www.etcconnect.com, www.go-als.com, www.jblpro.com, www.martinpro.com, www.sennheiserusa.com, www.yamahaca.com.



STUFF YOU MIGHT WANT TO KNOW ...

Audio-Technica's Steve Savanyu Named Adjunct Faculty Instructor for InfoComm Academy.
Audio-Technica, a leading innovator in transducer technology for over 45 years, announces that Steve Savanyu, A-T Director, Educational Services, has been awarded status as an Adjunct Faculty Instructor for InfoComm Academy. InfoComm Academy is the educational body of InfoComm International, the trade association serving the professional audiovisual and communications industries.


Steve Savanyu
Savanyu joined Audio-Technica in 2000 and, prior to his current positions, has held the titles of Market Manager, Installed Sound, Broadcast & Theater; and Marketing Manager, Training and Seminars. He formerly owned and operated Stonewood Studios, an audio/video production company in Geneva, Illinois. Savanyu is also involved with Kent State University’s School of Journalism and Mass Communication, teaching courses on audio production. Building on the experience he gained in these capacities, Savanyu brings a thorough understanding of the importance of hands-on education initiatives and consistent communications efforts to his current roles at Audio-Technica and in his new capacity as Adjunct Faculty Instructor with the InfoComm Academy.

“The InfoComm Academy program is dedicated to teaching the A/V body of knowledge for the betterment of the audiovisual industry and its customers,” says Melissa Taggart, InfoComm Senior Vice President for Certification, Education and Standards. “InfoComm looks for the best minds in A/V and business to present relevant coursework that provides practical knowledge to the industry that will keep them up-to-date on technology trends. Our knowledgeable faculty members are critical to the success of this program, and we are grateful for their participation.”

“We are very proud of Steve and what he continues to accomplish here at A-T,” states Greg Pinto, Audio-Technica Vice President, Marketing. “Steve has the right knowledge and experience to be of great service to the A/V industry as a whole, so it is very fitting that he is named Adjunct Faculty Instructor for the InfoComm Academy. It is an honor that Audio-Technica can have a presence within this institution, and we look forward to Steve and A-T continuing to push the industry forward with such honors and initiatives.”

About the InfoComm Academy and the Faculty Program
The InfoComm Academy Faculty Program was created to recognize the contributions of its corps of dedicated instructors and to contribute to their professional development. In doing so, InfoComm provides students with the highest quality training from the industry’s leading technical experts. Faculty members are nominated by the InfoComm Professional Education and Training Committee (PETC), with final selections made by the association’s Board of Directors.

With more than 50,000 enrollments since 1997, InfoComm’s audiovisual education and certification programs are the A/V industry’s leading professional development resource. InfoComm Academy offers an extensive range of A/V courses designed and taught by InfoComm’s expert faculty members representing the entire spectrum of technical, sales, management and professional disciplines. Courses are taken online, at the Fairfax, Virginia headquarters, around the world and at InfoComm, which will next take place June 14-19, 2009, in Orlando, Florida. Last year’s show had more than 8,600 course registrations. On any given day, there are over 3,000 students enrolled in InfoComm training and certification. InfoComm also licenses certain curricula to companies and organizations and provides contract training on location by request.

Additional information is available at www.infocomm.org and www.audio-technica.com.

DiGiCo Launch New & Improved Website

The new www.digico.biz
Recognizing the increasing importance of the world-wide-web as a source of rapid information and communication, DiGiCo announces the launch of their new and improved web site.

“We’ve completely re-designed it,” explains marketing director David Webster. “It’s now database driven to allow it to be quickly and easily updated and we’ve included more of the information we know our customers want and need.”

This site includes, offline and online software, which is now freely available, allowing engineers to both prep their show even before seeing a console and also to remote control it. Time-saving documents such as PDFs of line drawings, which provide data to determine if a console is the right size for a particular location before additional information is downloaded. Consultants, specifiers and contractors can also download the latest DXF line drawings to include in their installation specifications. Brochures, high-resolution product images and logos are available from the Marketing section.

“We’ve made the site very simple to navigate, with information accessible from multiple locations,” continues Webster. “For example, you may find yourself in one part of the site looking at what shows our consoles have been on recently. You like what you see and want to find out where your local distributor is. Rather than having to start from one of the dropdown menus at the top of the page, you can go directly there from the Related Information panel on the right hand side of the page. It’s a small thing, but when you’re busy, that can be important.

“Our products are at the forefront of digital technology,” Webster adds. “Our resources have to reflect that and do.”

For more information, visit www.digico.biz

Seattle’s Youth-Centered Vera Project Benefits from EAW

The stage/performance space at Seattle's Vera Project, featuring EAW SM Series stage monitors.
The Vera Project (Vera) is a Seattle music-arts center run by and for youth. By engaging participants at all levels of music production and community organizing, Vera strives to fulfill its mission to foster a participatory creative culture through popular music concerts, arts programs, experiential learning and volunteer opportunities for all ages, especially young people. This year’s concert calendar boasts performances from singer-songwriter Maria Taylor, electronic musician Dan Deacon and neo-folk act Iron & Wine, among others. EAW, a world leader in sound system technology, is a proud sponsor of the program and recently donated loudspeakers and monitors to this worthwhile cause. In 2008, EAW assisted the Vera Project by providing a selection of LA460 Full-Range Loudspeakers, subwoofers and power amplifiers.

Following that, the Vera staff saw an opportunity to upgrade their stage monitors. “EAW was kind enough to donate some SM12’s and an SM15,” notes Jeffery McNulty, Tech-Facilities Manager for the Vera Project. “I had contacted Jon [Bosaw, EAW Director of Sales] to see about us purchasing some monitors, and he instead got really excited about helping us out in a very kind and generous way with a great donation.”

McNulty is thrilled with the EAW products and what it has meant for the Vera Project. He stated, “We have a great Live Sound program here, and we are so happy to be able to teach people how to use this excellent EAW gear. We continuously place engineers into other clubs around Seattle, and they are usually well seasoned by the time they make it through our system. We like to foster a new attitude here at the Vera where the artist comes first, with the audience a close second, so that touring acts have an enjoyable experience, and that of course starts with great gear and well-trained volunteers. The Danielson Family was here recently, and the drummer wrote on his blog that the Vera Project was his favorite venue of the whole tour, in large part because of the great P.A. sound and monitor mix.”

For more information, please visit www.theveraproject.org and www.eaw.com.

NEW PRODUCTS

01. TASCAM Announces M-164 Mixer Line
TASCAM Affordable Analog Mixers Feature Attractive Specs and Design

Tascam’s M-164 series is a new line of analog mixers, combining great analog specs with cutting-edge digital technology. The M-164 is a 16-channel mixer with six mic inputs, great-sounding EQ and a striking design with built-in meter bridge. The M-164FX adds digital effects like reverb, delay and chorus for polished mixes without adding external processing. the M-164UF is the first compact mixer with a built-in USB 2.0 to deliver all 16 outputs to a computer for live or studio recording.

"TASCAM started the home studio revolution, and TASCAM mixers were top sellers through the '70s and '80s," said Paul Jenkins, VP of Sales and Marketing for TASCAM. "These latest mixers not only have the great-sounding audio performance TASCAM is known for, but new digital technology that allows each channel to be recorded individually to a computer through USB. TASCAM has been an innovator in high channel counts over USB 2.0, and the M-164UF is the latest example.”

For more information, please visit www.tascam.com.

02. Astatic 1600VP Choir/Instrument Microphone
Astatic Following other breakthrough Astatic variable pattern designs such as the 930VPL boundary mic and 1500VP large diaphragm condenser, the new 1600VP is the first continuously-variable pattern condenser hanging microphone system with remote polar control design (patent pending) and an anti-rotational positioning mount.

The 1600VP's variable polar pattern with remote control allows the user to precisely adjust the shape of the pick-up pattern to provide the best gain before feedback from a remote location using the standard mic cable.

Designed to hang from a ceiling, the 1600VP is highly effective in the recording and sound reinforcement of choirs, instruments and ambient mic’ing. A low-profile carbon fiber boom (MB-1) is available for microphone stand mounting.

The remote variable polar pattern control uses a two-conductor shielded cable (max length 2000 feet) between the microphone head and the pattern-control box (VPC-1), giving the installer or end user the ability to change polar patterns when installed, or from scene to scene without inducing noise into the audio chain. Adjustments to the pick-up pattern can be done ”on the fly“ without costly lifts, ladders and capsules.

Special attention has been given to the frequency response and sensitivity of the microphone while utilizing the variable-pattern control to precisely alter the shape of the pick-up pattern. The large-diameter, low-noise elements produce a frequency response of 40 Hz to 20kHz with a selectable, recessed 80 Hz, 12 dB/octave high-pass filter that removes unwanted low-frequency energy when engaged. The filter control is conveniently located on the control box.

Up to six control boxes can be mounted in one rack unit. The polar-pattern dial is positioned for easy adjustment and can be secured with a single “flat style” blank panel when rack mounted.

Made in the USA, the 1600VP has been designed to resist interference from cell phones, two-way communication devices and lighting apparatus. Using Astatic’s RF Resistant Architecture, the 1600VP meets the stringent RF standards set by the European Union.

For more information, visit www.astaticinstalled.com

03. Sachtler FSB8 fluid head
Sachtler Sachtler, a Vitec Group brand, introduces the new FSB 8 75-mm fluid head, which answers the call for a larger capacity (20 lb max payload) head employing Sachtler's FSB technology. The new head joins the existing FSB 2, FSB 6, and the new FSB 4.

By incorporating Sachtler's proprietary Speed Balance (SB) system, the FSB 8 provides high-precision and fast counterbalance for digital camcorder operators. Additionally, Speed Balance reduces the minimum payload for a head, which allows the FSB 8 user to smoothly operate the head with camera packages weighing as little as two pounds, well-suited for lightweight DVCAM and (H)DV camcorders.

“The new FSB 8 has a 10-step counterbalance as well as five grades of drag - horizontal and vertical,“ says Sachtler designer Thomas Wermann. “It operates with reliable Sachtler features such as a self-illuminating Touch Bubble. The FSB 8 is the ideal head for professional (H)DV users."

Along with the rest of the heads in the FSB range, the FSB 8 is part of the high quality “Works with SOOM" products, allowing it to be paired with Sachtler's multifunctional tripod system SOOM, capable of height ranges from 8 inches to 8 feet (20cm to 250cm). Another accessory that enhances FSB8 functionality is the FSB CELL power supply. This 7.2 V battery with a storage capacity of 10.5 Ah, mounts directly between the camera and the FSB8.

For more information, please visit www.sachtler.us.