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First Baptist Church of Spartanburg Goes HD
By Britt Dillard
The first weekly broadcasts live from First Baptist Spartanburg began in 1956 on local CBS affiliate WSPA. Since that time, the church has grown to include more than 7,000 members and to reach, through broadcasts of the church services and "The Encouraging Word" ministry, an average weekly viewing audience of more than 150,000 people.
In 2006 we realized that the analog infrastructure supporting our broadcast production was nearing the end of its useful life and would need to be replaced and updated with current digital technologies. We planned the overhaul of our production facilities as part of a larger upgrade to our sanctuary, and we worked with systems integrator TI Broadcast Solutions Group to design and install new digital routing and switching, audio selection, and graphics systems that would enhance and extend our production and broadcasting capacity now and into the future. To ensure we reached this goal, we chose to make the leap from analog to HD.
The decision to go all the way to high definition (HD) was difficult for us. While we want to push our productions toward excellence, we don't want to indulge in extravagance. Members of First Baptist Spartanburg range from 14-year-old students tithing as best they can, to the hard-hit business person, to retired individuals no longer bringing in an income. We want to show good stewardship to each member. Choosing high-quality equipment was a priority because we need to know that our systems are solidly built and will serve the church into another generation. The decreasing cost differential separating digital standard definition (SD) equipment from HD made it clear that the best use of our budget would be to invest in HD-capable products. We also understood that, as religious networks made their shift to HD, our new production facilities would put First Baptist Spartanburg on a short list of churches generating much-in-demand HD content.
After a careful evaluation process and advice from TI Broadcast Solutions Group, we decided to build our HD production operations on a Kahuna SD/HD multiformat production switcher from Snell. We use the switcher to produce a live-to-air feed of Sunday morning services and also for an image magnification (IMAG in HD) center cut and in-house video (16:9) distribution to overflow and satellite worship venues (all SD). We use a pair of IMAG screens in the sanctuary and also have created a campus-wide video-loop system with four players distributing four in-house channels to 37 screens.
The ability to create SD and HD feeds for network broadcast while simultaneously switching our internal video feed was a critical factor in our selection of the Kahuna. The 4-M/E Kahuna switcher allows two operators, working on two separate control panels, to create two different productions from six manually controlled cameras and one pan/tilt/zoom camera. Because it's a large switcher with unique internal conversion capabilities, it can accommodate virtually any input and provide the variety of SD and HD outputs we require. In addition to reducing the external conversion gear required, this functionality reduces potential points of error within our production workflow.
In putting the Kahuna at the heart of our HD production workflow, we realized a few unexpected benefits, as well. We have been able to integrate the switcher with our Harris server system to allow Kahuna operators to roll opens, closes, welcome messages and other clips from the switcher GUI.
The Kahuna interface was also important in our purchase decision, as we work with a large volunteer staff. The switcher has proved very intuitive, and our staff likes its feel both in terms of ergonomics and operation. Over the course of this project, we have made a lot of major decisions in implementing new equipment. As we installed and brought these systems online, the Kahuna easily presented the least trouble and facilitated the most error-free transition. It's been a seamless shift, and some of the credit for this goes to the support team at Snell. The engineer who assisted us in initializing the system immediately understood our desired workflow and was immensely helpful in easing the transition to this new environment.
Our confidence in the Kahuna has been borne out by its outstanding performance so far, and our experiences with the Snell team and Kahuna Care program have been excellent. As the company continues to develop the switcher, we anticipate getting many more years of good service out of the Kahuna.
Britt Dillard has been the minister of media for First Baptist Spartanburg in S.C. since 1983.
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STUFF YOU MIGHT WANT TO KNOW ...
Martin Professional E-Shop Opens for Business
Martin Professional has opened an online shop for purchasing Martin lighting and smoke products and more. The new Martin E-Shop, accessible at eshop.martin.com, provides 24/7 access to Martin Professional products from one easy location.
The Martin E-Shop is initially available to all Martin Professional distributors, as well as the Scandinavian and UK markets, but will soon be made available in the USA, Germany, France and Italy.
The E-Shop is simple to use with a shopper-friendly purchasing process, familiar Martin web design, secure payment system, and direct delivery. Also available via the website are product accessories, spare parts, swag and more, making the Martin E-Shop a one-stop shop for everything Martin.
Users can thoroughly research products via a comprehensive Product Resource Center, as well as view pricing information and product availability. Other features include account management, access to exclusive E-Shop campaigns and more.
The first step is to register as a user by emailing eshop@martin.com to request a username and password. Then click into eshop.martin.com and experience a new and effortless way to shop for Martin gear.
Founded in 1986 and headquartered in Aarhus, Denmark, Martin Professional is a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors.
For more information, visit www.martin.com.
Soundcraft's "Guide To Mixing" Video Now Free On YouTube
Previously available only on DVD, Soundcraft has published its popular "Guide To Mixing" video series on its own YouTube site, SoundcraftUK ( www.YouTube.com/SoundcraftUK). All 18 chapters from this successful tutorial may be viewed online, including sections on microphone placement, setting up a mix and monitor mixing. To complement the video tutorials, a PDF text version may be downloaded from the company's website, www.soundcraft.com
Qualified Educational establishments may request printed copies of the "Guide To Mixing", as well as the full-resolution videos on DVD.
For more information, visit www.harman.com
Datavideo Introduces "Church Video Productions" White Paper
HD or SD, Mac or PC, Premier or Final Cut, three CCD or one CCD…these are just a few of the dozensmaybe hundredsof questions that require answers from the church doing video productions. To help make sense of the wide range of options available, and provide a bit of guidance, Datavideo is distributing a white paper entitled "Church Video Productions". The paper is designed to give readers "a working knowledge of how video productions created within the church can be leveraged to expand the core vision and outreach of the church, and how to more actively engage the congregation and the wider community." Datavideo believes this paper will stimulate reader's imaginations, get the creative juices flowing, and offer guidance to further enhance the impact of a church's ongoing ministry. The paper focuses primarily on video production as it relates to message delivery through video production. The "equipment planning and installation sections" focus on important considerations in audio with regard to cable runs and matching audio equipment to video production equipment.
To download this white paper, visit http://www.datavideo.us/churchvideoproductions.html.
NEW PRODUCTS
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Electro-Voice EVA (Expandable Vertical Array) Loudspeakers |
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The new EVA (Expandable Vertical Array) series of loudspeakers for installed sound from Electro-Voice, part of the EV-Innovation (EV-I) family, offers benefits of concert line arrays in a new, simpler format. EVA modules can quickly and easily be assembled into full-bandwidth line arrays with well-defined coverage, without the rigging and drive complexities of conventional concert line array products.
EVA is a modular system, with four two-way models available to provide a range of directivities from 90° x 6° to 120° x 20°. The attractive units may be assembled in various configurations to provide the required coverage.
The EVA series uses advanced transducer and crossover techniques to provide extensive low-frequency response without compromising midrange quality. In many EVA applications, subwoofers will not be required to provide a full musical experience.
EVA modules use passive crossovers and have 16-ohm impedances. Thus, a complete two-channel EVA system can be driven by a single two-channel amplifier of sufficient output.
The two vertical coverage angles (6° and 20°) can be combined to create line arrays optimized for spaces ranging from 12 m (40 ft) to more than 60 m (200 ft) deep. The two horizontal coverage options (90° and 120°) provide a match for nearly any space.
Each module contains two EVS2008 eight-inch woofers and four DH2005 1.25-inch high-frequency compression drivers on Hydra plane wave generators. The loudspeakers are arranged in two sets, with a slight inclination angle between sets. This angle is engineered to provide optimum vertical wavefront shape for EVA arrays.
EVA rigging uses simple and attractive coupling plates to join modules. The resulting array is smooth-sided and unobtrusive. There are no box angle adjustments.
Each module contains a complex and sophisticated passive crossover network that eliminates the need for loudspeaker DSP and multiple amplifier channels. Six EVA modules can be operated in parallel from a single amplifier channel capable of driving 2.7 Ohm nominal impedance.
Each module has switchable frequency-shading and attenuation options that are used to adjust the array uniform audience coverage. For each installation, the array design, including module switch settings, is done using EVADA (EVA Design Assistant) software, an easy to use array modeling program downloadable from www.electrovoice.com.
For more information, visit www.electrovoice.com.
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RC4 Wireless Debuts RC4 Black Magic Wireless Dimmer |
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RC4 Wireless has introduced the latest in their RC4Magic series – the new RC4 Black Magic system. All RC4 Black Magic wireless dimmers are now fully protected against overloading and overheating. These two new safe-guards are interlinked and very fast acting making it virtually impossible to permanently damage a dimmer. Larger dimmers have provided this protection for years, but smaller dimmers struggled with ways to reliably provide these features in a very small space. The new RC4 Black Magic is fully protected.
RC4 Black Magic power adaptors operate from 100V to 240VAC, are UL, CE, TUV, and GS listed, and come with a variety of prong adaptors for use with outlets anywhere in the world.
If you don't want to run from AC power, the RC4 Black Magic DMXio also has an internal 9V battery clip. And, when running on battery power, the unit automatically preserves battery life by turning off after three minutes with no DMX data. Throw it a roadcase at the end of a gig, and the battery won't be dead the next time you pick it up.
Until now, all RC4Magic systems have operated in the 2.4GHz band. RC4 now offers North American users the option to operate Black Magic in the 902-928 MHz band.
Visit www.theatrewireless.com for more information.
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Broadcast Pix Slate 100 Control Panel |
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The entry-level Slate 100 from Broadcast Pix is a live video production system that can also be controlled from an intuitive touch screen monitor or mouse and keyboard. A new optional control panel provides users with a traditional switcher interface. The Slate 100 Control Panel features a classic preview/program switcher layout including a next transition section for managing the system's three keyers. There are also controls for the Slate 100's built-in CG, clip store, graphics, and camera control systems, including a bank of buttons that corresponds to thumbnails on the multi-view for easy selection of digital assets and device controls. While the Slate 100 can be controlled by one operator, the new panel also enables a separate graphics operator to use the system's keyboard and mouse for especially fast-paced live productions.
For more information, visit www.broadcastpix.com. |
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