|
|

Holland, Mich.-based Parkway Electric recently designed two sounds systems for Christ Memorial Church. One PA, located stage right, is located above a 200-voice choir loft and orchestra area. A second PA is located over the main altar/stage area. |
|
And Then The Stock Market Crashed ....
How a Michigan-based church innovated in the short-term, with an eye on the long-term
What is a church to do when the economy spirals into recession halfway through raising funds for a much-needed new PA system? In the case of Holland, Michigan-based Christ Memorial Church (CMC), a member of the Reformed Church of America, the answer was to innovate.

Top: A ring of L’Acoustics 115XT loudspeakers aligned with the front of the stage providing sound reinforcement for the main stage area. This system design was a compromise from a larger system originally planned for the church’s sanctuary. Budget cuts due the recession necessitated the change, but both the church and the systems integrator where pleased with the results.
Bottom: Both new PA systems are visible in this photo. Three L’Acoustics 115XT loudspeakers are visible in the foreground. These speakers are part of a new main PA providing sound reinforcement for the main stage/altar area. The four L’Acoustics Kiva line array elements suspended below a Kilo low-frequency section are visible in the background. This larger PA supports the choir and orchestra.
|
Early last year, Christ Memorial Church (CMC) initially commissioned Parkway Electric & Communications, also in Holland, Mich., to design a discrete loudspeaker setup to provide sound reinforcement for its 180-voice choir and orchestra, both of which perform from the far left side of the sanctuary. After evaluating at a number of systems, Parkway specified a compact LA4-powered system comprised of four Kiva elements arrayed beneath a Kilo low-frequency extension cabinet, with two additional Kivas from L-Acoustics. The new system is located in a down-firing configuration behind the array to provide monitoring for the choir.
This new L’Acoustics system supplemented an older existing PA system that was oriented over the main stage area where the altar is located and the pastor’s sermon originates. That older system was put together piece by piece over the past ten plus years, says Worship Leader, Gary Matthews. As the church’s worship styles evolved, the need for a more robust sound system began to emerge. Matthews says the “Classic” service, with full choir, orchestra and organ, is the most well attended service, but the “Contemporary” services, which has an urban R&B feel, is growing.
Pleased with the new choir/orchestra system, the church began to move forward with plans to replace the main PA for the 1,700-seat fan-shaped room. Original plans included adding two larger L’Acoustics Kiva/Kilo line arrays.
And then the stock market crashed.
That's when Parkway Systems Engineer Jeff VandeHoef offered a somewhat unconventional alternative that better suited the church's actual budget: a flown system of four L-Acoustics' 115XT HiQ coaxial enclosures, which are more traditionally deployed as stage wedges or fill speakers. Two SB118 subs were also installed, as were L’Acoustics LA4 amplified controllers for power and processing. A Yamaha M7CL digital audio mixing console was also recently added.
The new sound system was met with praise. Matthews says, “The congregation noticed an improvement in the sound, but the change was subtle.” Matthews notes that the small visual footprint of new 115XT cabinets as a positive attribute for the CMC congregation. “The new system is not visually overwhelming,” he adds.
Gary Zandstra, Parkway’s sales and marketing manager comments on Matthews first listening experience, " After listening for a while, he told us that he was absolutely astounded with the sound quality and coverage emanating from this tiny coaxial system that had initially been viewed as somewhat of a compromise before it went in."
An additional pleasant surprise to this budget-driven solution was the realization that the acoustic signatures of both the choir system and main system sounded very similar, despite being based on two disparate designs. "Knowing that line source array and coaxial technologies are very different, I was amazed at how remarkably similar the Kiva and 115XT HiQ sounded," notes Zandstra.
"In fact, the chance of us putting a Kiva system in there in the next couple of years went way down because they're really happy with how the 115XT HiQs are performing," adds VandeHoef. "However, the beauty of this design is that if they do eventually decide to install Kiva, the coaxials will simply be repurposed as stage monitors. So this system allowed the church to move forward and install a system that they truly needed, but without the worry that they would be wasting money on equipment that would be used perhaps only for a short time."
The church recently completed a $15 million renovation that included the addition of a video venue called The Gathering Space. There, attendees take in the “Casual Classic” service via video captured and delivered live from the “Classic” service taking place in the main sanctuary. JVC GY DV550 video camera signals route via SDI connections through an Analog Way Di-Ventix seamless switcher located at the front-of-house (FOH) position where an operator selects the camera feeds going to the video venue. A separate Di-Ventix switcher is used to route video content, including sermon notes and song lyrics, but no camera feeds yet, to the screens in the main sanctuary.
The end result is one very satisfied client. According to Matthews, "We are absolutely thrilled with the results. The musical style in our Arts Ministry can greatly vary from a full orchestra and choir performing Haydn's Creation to our Urban Contemporary style of worshipall in the same roomso we needed a system that sounded great and was highly versatile. The setup that Parkway developed and installed has been a 'win' for all that we do."
www.analogway.com
www.christmemorial.org
www.l-acoustics.com
www.parkwayelectric.com
www.yamahaca.com
|
|
STUFF YOU MIGHT WANT TO KNOW ...
Avid Pro Tools M-Powered 8 Software is Now Compatible with Mackie Onyx-i Series Mixers
Loud Technologies Inc., parent company of Mackie, announces the signing of an agreement with Avid that licenses the use of Mackie’s new Onyx-i Series Firewire Recording Mixers with Avid Pro Tools M-Powered 8 software.
To enable use with Pro Tools M-Powered 8, users will need to purchase the Mackie Universal Driver upgrade ($49.99 USD) at www.mackie.com. Once the driver is downloaded and installed, the Onyx 820i, 1220i, 1620i and 1640i mixers can be used with Avid Pro Tools M-Powered 8 software.
 “For years, Mackie customers have wanted to combine the familiar workflow of an analog mixer with the world’s most popular DAW,” says John Boudreau, VP of Loud’s Music Gear group. “Through our newly-signed agreement with Avid, Mackie’s Onyx-i mixers now make this possible.”
Chris Gahagan, senior vice president of Products at Avid said, “Avid has made openness a key component of its ongoing strategy, and this agreement with LOUD is a perfect example of how we continue to open up our ecosystem. As joint developers of the HUI protocol, Avid and Loud have a history of working productively together, and we’re pleased to be working together on this latest endeavor to provide our customers with more choice and flexibility when it comes to unleashing their creativity.”
Mackie Onyx-i Series FireWire Recording Mixers are now available at Mackie-authorized dealers worldwide. For more information on this series, please visit http://www.mackie.com/onyxiseries.
www.avid.com
www.loudtechinc.com
Lighting Inspirations Chooses WFX For It’s Official Debut
“Lighting Inspirations”, a full-service lighting design company based in Port Jefferson, NY, made its formal debut at the Worship Facilities Conference & Expo (“WFX”) at the Charlotte Convention Center in Charlotte, North Carolina on October 27-30th, 2009.
 “We chose WFX to launch our business because it’s the perfect venue to introduce ourselves to key people in the house of worship industry and demonstrate our expertise in lighting design”, says Paul Braile, co-founder of Lighting Inspirations. Steve Brill, co-founder of the company, adds “Lighting Inspirations’ sole focus is on what we do best -- lighting design and services. We’re an experienced team of award-winning lighting design experts and we believe our singular focus on lighting design will allow us to distinguish ourselves from the competition. We are eager to introduce our company and showcase our talent to the WFX attendees”.
The Lighting Inspirations team has decades of experience in the lighting industry. The team includes award-winning lighting designers, consultants, programmers, production managers, draftsmen, technicians, electricians and a nationally recognized expert in automated follow-spot systems.
www.lightinginspirations.net
Saint Brendan Church Gets the Sound Solutions to New Challenges
In June of 1981, the parishioners of Saint Brendan Church dedicated their brand new sanctuary in Youngstown, Ohio. The building’s beautiful, ornate architecture, meticulously planned color schemes and soaring ceilings have brought joy and pride to the congregation.
 While the room’s four-second reverb time made for a majestic choir and organ sound, the drums and guitars of the church’s contemporary services were a challenge to tame. And for sermons and spoken word presentations, the intelligibility factor was more than a little problematic. The church needed a solution that would cut through the mud without impacting the room’s aesthetics, and found it in Community Entasys loudspeakers.
“They had tried a number of other systems over the years, but it usually involved conventional speaker cabinets flown too high to achieve any directionality,” says Jay Dunkle of Radi-O-Sound Communications. “Intelligibility was a major issue for them, particularly since they don’t follow along in a missallete, so they rely solely on the spoken word.”
Four Entasys cabinets cover an audience area of approximately 40 feet by 60 feet. The loudspeakers are powered by a single Electro-Voice CPS-Series amplifier, with Biamp DSP providing automixing and EQ functions. “Since the Entasys cabinets are true line arrays, they provide a very even distribution of the sound for long throws, and their directivity eliminates nearly all the reflected sound,” says Dunkle. “Being able to cover the whole space with only four cabinets also helped tremendously in increasing intelligibility.”
Matching the room’s aesthetics was also easily achieved. “We sprayed the cabinets using the same color paint that was on the walls,” says Dunkle. “They really look great.” Dunkle reports the church and congregation are exceptionally pleased. “The sound system literally received an ovation from the parishioners,” he says.
http://www.communitypro.com

| NEW PRODUCTS |
01. |
Canon U.S.A. KJ22ex7.6B HDgc Multi-purpose, Portable Zoom Lens for 2/3-inch Cameras |
 |
Canon U.S.A., Inc. introduces the KJ22ex7.6B, the newest member of its “second-generation” line of cost-effective HDgc portable HD lenses. First introduced in 2006, the HDgc lenses were specifically intended to work with the emerging wave of cost-effective HD camcorders from all major manufacturers that were targeted at HD news-gathering and budget-conscious HD productions. These lens families encompass the 2/3-inch, 1/2-inch, and 1/3-inch HD image format sizes.
“Since Canon’s introduction of our HDgc lens series, we have received enthusiastic feedback from our worldwide community of users,” states Larry Thorpe, national marketing executive, Broadcast and Communications division, Canon U.S.A. “Those end-user experiences have helped guide the design of our second-generation line of cost-effective HDgc portable HD lenses, starting with the KJ17ex7.7B portable 2/3-inch HD zoom lens, which was introduced earlier this year at NAB. The new KJ22ex7.6B is the second in this 2/3-inch family of lenses. These lenses retain the robust magnesium optomechanical design of our higher-end lenses. Canon’s mobilization of contemporary design tools and optical materials have facilitated a significant cost reduction, while still maintaining an impressive overall HD imaging performance.”
The Canon KJ22ex7.6B is designed as a multi-purpose telephoto lens. Striking an excellent balance between size, weight, and exceptional optical performance, the lens encompasses a generous range of focal lengths while also providing a modest wide-angle of almost 65 degrees in the 16:9 HD image format. This feature provides camera operators with flexible image- framing options, especially for outdoor shooting. Additional design optimizations include large-diameter aspherical lens elements that contribute to a better control of comatic aberration, geometric distortion, and corner resolution. Curvature of field and chromatic aberrations have also been reduced by use of special optical materials that include Fluorite and Hi-UD glasses. Extensive computer optimization of both the optical and optomechanical designs contributed to achieving a high-performing telephoto lens within a compact and lightweight body.
Ease of use and reduced operator fatigue were specific design imperatives of the new Canon KJ22ex7.6B, with particular emphasis on a re-designed Digital Drive unit for greater operator comfort and convenience. The Digital Drive unit enables users to program precise and repeatable settings into the KJ22ex7.6B lens for zoom position and speed, focus, and iris. An information display built into the Digital Drive unit makes precise customization quick and convenient. Users can program as many features as they wish, or, if they prefer, none at all. This new unit was designed to improve the tactile interface for the control of zoom, iris, and focus functions. Improvements include widening the spacing between the focus ring and the Digital Drive unit so operators are less likely to accidentally change settings while manipulating the focus control. Of particular importance, Canon incorporated a new software platform within the Digital Drive unit that allows the KJ22ex7.6B to work with the different chromatic aberration correction systems developed by various camera manufacturers.
www.usa.canon.
|
02. |
Hall Research SC-1080H Multi-Format Video Scaler |
 |
Hall Research has released its most versatile video scaler to-date, the SC-1080H. This multi-input, multi-format scaler includes a variety of common analog and digital audio and video formats. Any of the inputs can be selected for display on a DVI or HDMI compliant LCD. Advanced features such as native display resolution detection, 3-D motion compensation, and X-axis mirroring make it suitable for countless professional applications.
The Model SC-1080H features five distinct types of video inputs: HDMI/DVI, PC/VGA, YPbPr, S-Video, and Composite Video. All video inputs have corresponding audio inputs. The device provides a digital video output that can display any of the inputs. The output can be scaled to any desired resolution for display on any HDMI or DVI compliant display. Audio inputs include both analog and digital types, while the audio output is digital (S/PDIF) on a separate connector as well as embedded in the HDMI video stream.
Intuitive front panel controls, IR remote, and professional RS-232 control interface allow its use in many professional applications and installations. Advanced video scaling with smooth and jitter-free output is capable of producing any PC resolution up to 1920x1280 or HDTV resolution up to 1080p.
The SC-1080H provides extensive on-screen display capabilities, and supports EDID on all applicable ports. Analog video inputs support both NTSC and PAL video and feature adaptive 3-D comb filter for the best possible performance. The unit is 1RU high and half rack wide, so that two can fit side-by-side in a 1RU space.
www.hallresearch.com
|
03. |
Stagetec Crescendo Compact Digital Audio Console
New compact digital console with configurable bus layout
addresses live venues and on air production |
 |
Salzbrenner Stagetec Mediagroup is supplementing their range of digital mixing consoles with a freely configurable yet compact audio console. The new Crescendo targets the needs of customers in broadcast and live venues seeking an easy-to-operate and flexible desk yet also ready for demanding tasks. Crescendo fills the gap between Stagetec’s successful flagship console Aurus and the small Auratus with fixed bus layout and less DSP power fit for smaller venues.
Crescendo features a freely configurable bus layout with a maximum of 128 buses. Up to 96 of these can be used as aux buses. In fully expanded form with seven DSP boards, the console provides a signal-processing capacity of 300 true audio channels–the same maximum DSP-power as the the company’s larger Aurus desk. This is sufficient for even complex projects and high demands on console resources, e.g. surround applications which often require 80 buses or even more.
Unrevealed convenient operation
Since Stagetec introduced its “direct access” concept for the control surface back in 2002, Stagetec desks are considered have developed a following due to the user-friendly nature of their consoles. Crescendo continues this tradition and features up to 48 easy-to-reach channel strips with extensive visual feedback by its bright and switchable TFT screens and intelligent use of OLEDs (organic light emitting diodes). The console dimensions are compact ranging from 1100-2400 mm (43.3" - 94.5") in width by 540 mm (21.26") in depth. Thanks to this, Crescendo fits even into small control rooms or may be installed in an auditorium without taking up to many seats.
www.stagetec.com. |
|
|
|