cpm
+AUDIO
+VIDEO +LIGHTING +DUPLICATION +REVIEWS +WEB ONLY
CPM MAGAZINE
MARCH 2010

BLOGS
OBSERVATIONS FROM THE FAST LANE
By Editor-in-chief and Publisher, Brian Blackmore

NOTES FROM THE EDITOR OF WORSHIP FACILITIES MAGAZINE
By Carol Padgett

CHURCH IN THE DIGITAL WORLD
By Cathy Hutchison

CLOSE-UP ON ONE
By Michael Parks

MAKING CHURCH HAPPEN
By Gary Zandstra


Obreros de Paz, which was established in 1975, has benefited financially and other ways since the ELED Fresnels were installed. Thanks to its bright, flicker-free white stage lighting, the church is now able to live stream its worship services, and as a result it has seen its congregation expand well beyond its doors.

LED Installation Brings Lower Electric Bills for Orlando Church

When Obreros de Paz wanted to start live streaming its worship services and other events, the Orlando church knew its lighting system would have to be upgraded.  Incandescent light bulbs and a few conventional par cans had been used to light the stage area.  Not only was this makeshift rig inadequate for video production, it was uncomfortably hot.

“They had been using basically household lighting, and the people on stage would get so hot, they’d sometimes have to turn off the lights in the middle of a service,” says Rick Kisosondi of Lighting and Production Resources LLC (Orlando, FL), which was called in to re-design the church’s lighting system.  “Plus, they wanted to get into streaming to draw a bigger audience to their services, so they were aware it was time to install a more professional stage lighting system.”

Obreros de Paz, whose name translates into “Worker of Peace,” was a perfect candidate for LED lighting, Kisosondi believed.  The low heat generation and flicker-free operation of LEDs would increase the comfort level on stage and accommodate video production.     Plus, LEDs’ low power usage would help trim electrical bills for the church, which “like everyone these days, was looking to save money.” 

It was this last point that helped Kisosondi overcome church officials’ initial resistance to the idea of LED technology.  “They had no familiarity with LEDs, so it took some convincing on our part.  We sold them over time, basically by telling them, ‘Look, not only will LEDs do what you want them to do and offer the flexibility you need, but your electricity costs are going to go down.’”

The LED fixture that Kisosondi chose was Elation Professional’s ELED Fresnel.  Twenty ELED Fresnel units were hung in a half-hexagonal configuration over the stage’s front and sides.  A high-power DMX-protocol LED white light Fresnel, the ELED Fresnel is powered by a 50W 6000k white LED module.  It emits an output comparable to a 300W halogen Fresnel, while drawing only 75W maximum.  It features 0-100% dimming, with internal DMX control over its dimmer and strobe functions, along with a 10° to 50° manual zoom and a multi-voltage internal power supply.  Another Elation product, Compu 1024 PC-based lighting control software, is being used to control the ELED Fresnel units.

Kisosondi says that one of the reasons he chose the Elation ELED Fresnel was its ease of installation into the building’s existing electrical circuitry. “We didn’t have to do a lot of rewiring, which helped keep the installation cost lower.”

But an even more amazing savings was reflected in the church’s electricity costs.  After the ELED Fresnels were installed, Obreros de Paz’s monthly electric bill nose-dived by 32%.

“They were really surprised and pleased that their bill went down by almost one-third.  They knew LEDs were supposed to save on energy costs, but they didn’t realize it would be that much,” says Kisosondi.  At this rate, he added, the church should realize a return on its lighting investment in less than three years.

Obreros de Paz, which was established in 1975, has also benefited in another way since the ELED Fresnels were installed. Thanks to its bright, flicker-free white stage lighting, the church is now able to live stream its worship services, and as a result it’s seen its congregation expand well beyond its doors.  “Now that they’re streaming, they have people as far away as Turkey and Europe logging in and watching the services,” says Kisosondi.  “They’re really excited about that.”

www.iglesiaobrerosdepaz.com
www.elationlighting.com
www.lightingandproductionresources.com
STUFF YOU MIGHT WANT TO KNOW ...

Ouachita Baptist University Prepares to Launch Church Media/Production Arts Major

The new Production Arts major is an interdisciplinary emphasis involving Ouachita’s Pruet School of Christian Studies as well as the university’s School of Fine Arts and School of Humanities. It is one of three new majors that will be introduced in Ouachita’s Pruett School this fall, including Christian Media/Communications and Biblical Languages.

Dr. Stan Poole, vice president for academic affairs, says that most majors are housed within one of Ouachita’s seven academic schools. With the Church Media/Production Arts major including more than one school, “this involved a greater collaboration among the schools.”

The deans of Christian studies, fine arts and humanities began with “conversations about putting together an attractive program for students interested in combining Christian ministry with expertise in production arts,” Poole explains. The Church Media/Production Arts major combines foundational courses in theology, biblical studies and ministry with hands-on study of production arts and media in such areas as stage lighting and sound, graphic design and video production.

“I was excited to see the level of collaboration among schools to create the new major,” Poole continues. “It allows us to take available resources on campus to meet the needs of students and churches.”

Dr. Danny Hays, dean of the Pruet School of Christian Studies, says each of the three new majors is designed to meet specific needs that have emerged in various ministry settings.

Detailing the need for the Church Media/Production Arts major, Hays says, “In the last 15 years, a new vocation has appeared in church ministry – media director. We view them as ministers and want them to be trained theologically. We also want them to have all the technical and artistic training and savvy they need for that particular vocation. It’s a unique combination of training and talent.”

Dr. Scott Holsclaw, dean of the School of Fine Arts, says the impetus behind developing the Church Media/Production Arts degree was, “the current trend in ministry and worship for expertise in technology, with an understanding of Christian ministry, worship and theology.”   

Citing the growing need to offer students an option for worship ministry that allows for the trends in technology in the worship centers, such as lighting, sound, design, staging, film and video, Holsclaw adds, “More and more high school students are working as volunteers in these churches and are wanting to find a way to combine their passion for ministry and worship with their passion for the arts. This interdisciplinary degree offers students options for exploring the area where they have the most passion such as art, music, theatre, media or film along with Christian ministry.”

“As most churches are using more and more technology in worship, this degree allows for the development of a theological basis for how these mediums are used and provides a solid foundation for a thoughtful and well-planned process in producing programs for worship,” Holsclaw says. “It is one thing to use technology. It is another to use it with an eye to how it will undergird the ministry and the worship of our loving, redeeming Savior. That is what we wish to accomplish with this degree.”

Dr. Jeff Root, dean of the School of Humanities, credited current and former Ouachita students with sparking interest in the new majors.

“Media jobs in churches and ministries have boomed as we have learned to use new communication tools to tell the story of Jesus,” Root says. “Whether media is displayed as part of worship or employed to enhance ministries, this combination of majors gives students some real-world tools to do the work of Christ.”

Emphasizing that the new majors are “vocationally-driven,” Hays says, “One of the strengths of Ouachita is that the different disciplines see education as a cooperative effort and are more than willing to work with each other to craft an interdisciplinary degree. It is an opportunity to draw on the expertise across campus and craft the degree to match the vocation. We feel this will enhance students’ options.”

Ouachita Baptist University is a private Christian liberal arts university in Arkadelphia, Ark. The school has an enrollment of almost 1,500 students from moreo than 30 states and 50 nations. U.S. News & World Report has ranked OBU the number one Baccalaureate College in the South for three years in a row.

For more information about Ouachita’s new Church Media/Production Arts major, contact the Chesley and Elizabeth Pruet School of Christian Studies at (870) 245-5599.

Syn-Aud-Con Updates Online Training Curriculum

Synergetic Audio Concepts, better known as Syn-Aud-Con, now has a video update available concerning their planned online training curriculum. The company has been developing a new website and online training since November 2009 and offers this video update of their progress.

http://www.synaudcon.com/website08/videoupdate.php

In the video, Syn-Aud-Con Owner Pat Brown says they have been able to add things to the online training they could never do live, using flash animation liberally. He says the live demos have been refined and are complete with audio and links for further study. Users will have an online profile and testing is available after every session.

“Audio professionals are pulled in many directions and are required to stay proficient in many areas,” says Brenda Brown, Syn-Aud-Con’s co-owner. “Audio is only one area of many. Syn-Aud-Con realizes the importance of shortening the learning curve. The motto, “Simplicity is empowering,” Brown continues.

She says the goal is to make the website and online training user-friendly. “The online training is the culmination of years of conducting live classes and learning what works and what doesn't.” Brown says the online training will be designed to put users in the classroom without leaving their computer, complete with animation, visuals, demonstrations and instruction.

“Using this approach requires more of our time to develop the content, however, it will be a valuable resource for you. We welcome your comments or suggestions. Thank you again for your patience as we go through this transition period,” says Brown.

The first in-person training this year is scheduled for June 5-11th at InfoComm. Until then the company plans to focus attention on getting the new website up and running.

168 Film Project and NAB Show To Present “Faith In Film” Forum

John David Ware, president of the 168 Hour Film Project will moderate a two-hour, super session for the worldwide community of faith, including church media professionals, artists, and ministries seeking excellent faith-based content. The session will include screenings of award-winning, 168 signature eleven minute films and will explore the current Hollywood media climate for entertainment with Christian themes.

In partnership with the 168 Film Project (168), an incubator for filmmakers of faith for nearly a decade, the National Association of Broadcasters Convention (NAB Show), the world’s largest electronic media show, announced an event for the worldwide community of faith, including church media professionals, artists, and ministries seeking excellent faith-based content.

"Faith in Film: A Roadmap for Success in Hollywood" will be held Wed. April 14, 3:30-5:30 PM at the Las Vegas Convention Center.  The panel discussion features writer/producer Brian Bird ("Touched by an Angel"); Paul Lauer, founder of Motive Entertainment, which designed and managed the marketing campaign for Mel Gibson's "The Passion of the Christ"; and writer/director Joshua Weigel ($100K award-winning short, "The Butterfly Circus"). The session is moderated by John David Ware, founer and president of the 168 Film Project.

The two-hour super session, included in this year’s NAB Show education program, will feature screenings of award-winning, 168 signature eleven minute films and will explore the current Hollywood media climate for entertainment with Christian themes.

Pictures like "The Blind Side" and "Fireproof" have opened to tremendous box office numbers.  The forum will examine: What are the necessary ingredients for such projects in a post "Passion of the Christ" world?  Where do opportunities exist for artists of faith?  What resources are available for the continuation of God's voice in the mainstream media?  Who is creating cutting edge content and where can it be found?

For more information on 168 and the NAB Show's "Faith in Film" forum visit www.168project.com. 
Special NAB Show registration incentives to the faith community are available, by using the code "HF02" - good for free, exhibits-only registration, now until April 1st or $100 off a Conference Flex pass until Feb. 5.  Attendees may visit the 168 exhibit (April 12-15) at the NAB Show's Content Central Area.

The NAB Show is April 10-15, 2010 in Las Vegas (exhibits open 12 April). It covers filmed entertainment and the development, management and delivery of content. See details at www.nabshow.com.

Panel Guests include BRIAN BIRD a writer/producer whose credits include "Not Easily Broken" (2009), adapted from the novel by T.D. Jakes for Sony/Screen Gems; “Saving Sarah Cain” (2008) and “The Last Sin Eater" (2007) for 20th Century Fox in partnership with Michael Landon Jr., more than 250 episodes of "Touched By An Angel," 'Evening Shade," "Step by Step" and "The Family Man."  He is currently working on “The Shunning” and “When Calls the Heart” for Fox, and “Unlikely Angel,” the untold story of 2005’s Atlanta hostage crisis in partnership with producer Ken Wales (“Amazing Grace”).

PAUL LAUER is the founder of Motive Entertainment, which designed and managed Icon Productions’ successful marketing campaign for Mel Gibson's "The Passion of the Christ." He is also credited with major grass roots campaigns for the Tom Hanks film "The Polar Express," blockbuster "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe," and many surprise successes like "Rocky Balboa,"  "United 93,"  "Secret Life of Bees," and Ben Stein’s "Expelled." The films he has helped market have grossed over $2 billion worldwide.

JOSHUA WEIGEL began writing and directing short films in 2007.  His film “Stained” won 8 awards including Best Film at the 168 Film Festival in 2008.  Most recently, he co-wrote and directed a depression era film called "The Butterfly Circus,” which won the $100,000 first prize for Best Film in The Doorpost Film Project.  "Butterfly" stars Nick Vujicic, Eduardo Verástegui ("Bella") and Doug Jones ("Pan's Labyrinth," "Rise of the Silver Surfer").  Josh and his wife Rebekah are currently seeking financing for the feature film version of "The Butterfly Circus." As an actor, Josh played the lead role in the feature film "To Save a Life" (2010).

Moderator JOHN DAVID WARE is the founder and president of the 168 Film Project (168), which has birthed more than 375 short films in its seven-year history.  It has helped propel the careers of hundreds of media professionals by providing real-world experience, recognition and collaboration with some of Hollywood’s top professionals.  John has written feature-length screenplays and is the writer/director of a short film spoof of Hollywood stereotypes entitled "The Chronicles of Hernia: the Lion, the Ditch and the Studio" (www.chroniclesofhernia.com).

The 168 Film Project is a competition in which films are based on a Bible verse and created in a one week time period to premiere at the 168 Film Festival. The eighth annual competition will occur February-March 2010, and the film festival is March 26-27.

www.nabshow.com
www.168project.com


NEW PRODUCTS

01.

Leviton Wireless Battery-Free Lighting Solutions

Leviton now offers a coordinated line of wireless, battery-free products that can cut installation costs up to 50% while reducing install time by as much as 75%.

Choose from a variety of energy-saving wireless occupancy sensors, wireless remote switches and wall switches with integrated wireless receivers.  With no wires to run and no batteries to replace, you can virtually install and forget.  Simply replace the existing wall switch with the new receiver switch, attach the solar-cell-powered occupancy sensor and installation is complete.

Ideal for commercial retrofit applications, Leviton’s wireless lighting control products are the reliable, trouble-free solution for time, cost and energy savings.

www.leviton.com


02.

Audio-Technica BP892 MicroSet Omnidirectional Condenser Headworn

Audio-Technica is enhancing its BP892 MicroSet Subminiature Omnidirectional Condenser Headworn Microphone with the AT8464 Dual-Ear Microphone Mount. The high-SPL successor to Audio-Technica’s popular AT892, the BP892 offers increased dynamic range with maximum audio quality and minimum visibility. The Dual-Ear Mount allows users to convert their single-ear-worn BP892 MicroSet to a dual-ear-worn unit for maximum stability and comfort. This device will now come standard with all BP892 MicroSet units, and is also sold as a stand-alone item to retrofit BP892 and AT892 units already in the hands of end users.

Ideal for broadcast, live sound, theater, ENG, house-of-worship and fitness applications, among other active uses, the AT8464 provides additional stability and a comfortable fit for the BP892. It easily converts the mic to left or right wearing positions, and the continuously adjustable headband fits both children and adults. It features a durable, lightweight, low-profile design with an included cord clip. Like the BP892 it accompanies, the AT8464 is available in both black and theater beige.

All configurations of the Audio-Technica BP892 MicroSet Subminiature Omnidirectional Condenser Headworn Microphone, with included AT8464 Dual Ear Mount, are now available with U.S. MSRPs

www.audio-technica.com

03.

FOR-A HVS-350HS HD/SD 1.5 M/E Digital Video Switcher

The new HVS-350HS HD/SD 1.5 M/E Digital Video Switcher from FOR-A is the “big brother” to the company’s popular and cost-effective HVS-300HS. The new HVS-350HS switcher is ideal for mobile production units and small control rooms that have limited space but produce challenging programs.

“Since its introduction, the HVS-300HS has seen incredible success in several markets such as houses of worship, education, and corporate video production,” says Hiro Tanoue, president, FOR-A Corporation of America. “Our customers have been impressed with its compact footprint and big, cost-effective performance. Our latest addition to the product line, the HVS-350HS, adds 1.5 M/E functionality, more inputs, and more standard features – without dramatically increasing the size of the switcher or control panel. It is the perfect addition to the HVS-300 Series of Hanabi switchers.”

The new HVS-350HS provides eight inputs and outputs standard, which can be expanded to 24 inputs and 12 outputs. HD/SD-SDI I/O is standard, though a variety of other formats can be installed to support analog video and PC sources. Its 10-bit processor supports 1080i, 720p, NTSC, and PAL formats. Built-in frame synchronizers on each input and a resizing engine on four inputs allows asynchronous signals – including HD, SD, analog, and PC signals – to be switched in the same program.

Other standard features include two keyers and four DSK channels, four still stores, and a dual channel 16-split multi-viewer. The HVS-350HS also provides more than 100 2D and 3D transitions and effects, along with two channels of dedicated picture-in-picture, event memory and sequence functionality, and an on-screen display for easy setting changes.

 A new 1.5 M/E traditional control panel, optimized for the HVS-350HS, features 20 bus buttons, dedicated fade levers for M/E and P/P buses, three-axis joystick, and a USB interface for saving and reading still store content or switcher parameters. The control panel is connected to the 3 RU main unit by a single BNC cable. There are four additional ways to operate the HVS-350HS, including a new 1.5 M/E rack-sized operation unit and PC-based control software. The control panel and compact remote panel developed for the HVS-300HS can also be used but are limited on some functions.

The HVS-350HS will be available in July 2010. The HVS-300RPS will be available in the end of February 2010.

www.for-a.com