The supercardioid, side-address, condenser mic from Astatic is designed for recording, broadcast and live sound reinforcement. Loaded with high-speed, low-noise, low-distortion electronics, the C-100 is appropriate for critical live sound and recording applications. Operates from 48–52 V of phantom power, or remotely using internal battery power. Frequency response is 10-18,000 Hz, with 132-dB dynamic range and 148-dB max SPL (with pad on).

The GL2200 is a four-bus mixer with four-band, semi parametric EQ, hi-pass filter, six auxes and four-segment LED metering available in 12-, 16-, 24- and 32-channel configurations. A dual-function console, the GL2200 is intended for front-of-house, monitoring, recording and combined applications. Features channel direct outputs for recording, mute switching on the groups, stereo returns, a 12V lamp connector and an updated power supply with built-in combiner for backup or remote DC supply.

800-431-2609     www.allen-heath.com/US

With the capability to control 20 stereo monitor mixes, the 64-input ATI Paragon II automated console is ideal for in-ear and/or wedge monitor mixing. Inputs feature ATI's exclusive high-voltage preamps, 4-bands of parametric EQ plus the patented ATI compressor and parametric noise gate. The console has multiple solo busses, insert points and extensive metering facilities. Each channel has variable direct out that can be stereo or dual mono.

Designed as very cost-effective professional wireless systems, the new Audio-Technica Pro 100 Series is available with either a handheld, lavalier or headworn microphone. A guitar system is also available. Receivers are dual-antenna, non-diversity VHF systems with operating range of more than 200 feet. The easy-to-set up, easy-to-use operation includes a "power-save" switch on the transmitter allowing battery life of up to 20 hours. All systems include a durable, protective carrying case.

330-686-2600     www.audio-technica.com

The new Pulse Series amplifiers use switched mode power supplies reducing weight up to 70% and allowing the amps to be operated into clip zone without the power supply sagging. Performance is consistent at all power levels, particularly in the sub bass. A microprocessor monitors operation and control protection systems. C Audio’s Connect remote control system can control more than 100 amplifiers over standard Category 5 twisted-pair cable.

Providing mono or/stereo balanced audio signals to multiple destinations, the Drawmer DA-6 is a single rack-mounted amplifier, with front panel headphone monitoring. Inputs and outputs feature XLR connectors and left/right level controls. Mono/stereo switch on each output allows selection of a 1 x stereo input/ 6 x stereo output or a 2 x mono input/ 12 x mono output or any combination of the two. The unit is light weight and features 94-channel UHF synthesized tuning.

Audio system configurations can now be designed, programmed or simply accessed and changed from any convenient location, rather than from the sound booth or equipment room with BSS Audio’s new Soundweb 9010 Programmable Remote Control. Nontechnical personnel may use the 9010 Remote to change, for example, the system between services for various worship styles. It can also route or adjust any available signal to remote locations such as the foyer and classrooms.

A self-powered cabinet, the DS-15A a bi-amplified two-way system is designed for mobile and fixed sound reinforcement applications. Both the 150W amplifier for the low frequency transducer and a 50W amplifier for the high frequency driver protect against overvoltage, undervoltage and overloads. Available in black or white, it can be ceiling or wall mounted, placed on a tripod for convenient mobile use, or used horizontally as a floor monitor.

With features especially suited for post production and audio editing applications, the new Fostex D-108 8-track hard disk recorder offers .WAV file compatibility. Users can load and save sound data in .WAV format to external DOS-formatted media via removable SCSI media. Features 8-track simultaneous recording/reproducing via ADAT, 8-track analog and 16 virtual tracks for 24-track flexiblity. Allows 1,548 track minutes at FS 44kHz on 8.2 GB removable HD.

973-394-0015     www.fostex.com