Church Production

Lake Pointe Church Using More Than 150 Channels of Sennheiser Wireless

"The RF environment in the greater Dallas region can be volatile and difficult to manage," says Audio Director, Jason Cole.

By CP Staff
May 1, 2013 8:33 pm EST

Topics: Industry Buzz, Tech Buzz, Audio,
Tags: audio, microphones, production, training, troubleshooting, wireless,

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Following the Federal Communication Commision's (FCC) ruling outlawing use of the 700 MHz bandwidth issue a few years ago, Lake Pointe in Rockwall, Texas turned to Sennheiser for advice on how to restructure its wireless systems. Now Lake Pointe Church regularly uses over 150 channels of Sennheiser wireless across its four campuses.

With an active congregation of approximately 10,000 and four campuses spread across approximately 30 square miles, Lake Pointe ranks as one of the largest churches in the United States.

Every weekend, Lake Pointe Church works hard to ensure its programming and audio quality are consistent across all of its campuses. Working alongside a staff of 14 full-time personnel and approximately 350 volunteers, of which 85 serve each weekend, Technical Audio Systems Director, Jason Cole is responsible for making sure the "Lake Pointe DNA" is present in all of the church's events. According to a press release from Sennheiser, Cole relies on a ever-growing collection of the company’s G3 wireless systems and microphones to make that happen.

"Audio is such a critical part of what we do," Cole observes. "I spend a lot of time with our campus producers so they know exactly how things are supposed to sound, and how things need to be presented from an audio perspective. Again, we are looking for sonic consistency across all our campuses - and having all Sennheiser everywhere makes that process so much easier because we know what each mic is going to sound like."

Lake Pointe's main auditorium, which seats approximately 4,500 people, is outfitted with 10 Sennheiser EM 3732 receivers, coupled with SKM 5200 transmitters and Neumann KK 105 supercardioid capsules. Additionally, it employs 10 channels of Sennheiser wireless for its IEMs (in-ear monitors). "All of our vocalists - particularly our worship leaders - are blown away by how superior the Sennheiser mics sound, especially in their IEMs," Cole says.

According to Cole, the RF environment in the greater Dallas region can be volatile and difficult to manage. "The RF landscape changes so much in this area that we really have to monitor it on a regular basis," he says. "One of the great things about the Sennheiser wireless is the amount of bandwidth that we get. We have so many options when it comes to channel selections." With his Sennheiser G3 systems, setting up and synching frequencies on the fly is a fast and simple process. "We do the scans right off of the 3732 unit," Cole says. "Having the ability to do the scans, pick the frequencies and very quickly synch them to the beltpacks or handheld mics is a beautiful thing. This is a big deal because every Sunday morning we have to play this RF game."

At front of house, Lake Pointe routinely relies on Sennheiser's WSM software to monitor changes in wireless system performance. "Even though our wireless receivers are located backstage, we have them networked together so our FOH engineer can monitor all performances from FOH and troubleshoot as required," says Cole. "Every now and then, something will change in the RF that has nothing to do with us, and we have to adapt. With the WSM software, we can see all the RF signals going to all the receivers and transmitters all the time. We can also monitor battery life or see if a performer has the 'mute' switch on. It allows us to react very quickly before issues come up so the quality of our performances won't be affected."

In addition to its vast collection of Sennheiser wireless equipment, Lake Pointe also depends on Sennheiser wired mics on drums, guitars and other instruments. On drums, Cole uses a combination of e900 series microphones, such as the e905 on snare, the e914 on hi-hat and the e902 on the kick drum. "I am telling you, the e902 is the single best mic solution for kick drums I have ever heard, and I have played with them all." For toms, he routinely uses MD 421s, and on electric guitar amplifiers, he will reach for either the e609 or the e906 depending on the tone of the amp.

"Because our church is so big and since we are really well connected with other churches around the country, other technical directors regularly ask us advice on which wireless systems and microphones to buy. We recommend Sennheiser without hesitation."

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Loved the Story. As a speaker I am looking for the right Mic system to travel with that will work best with all systems. Also I attend LakePointe. The Guys are AWESOME! Now I know the company. I need to choose the right system for me. Thank you!

By Phillip Hatfield | June 25, 2013

I am the Technical Director at Emmanuel Church in Paramount, CA about 15 miles south east of Los Angeles. We also have a nightmare rf situation. We too use all Sennheiser wireless. We run 24 channels using the less expensive EM300 G3 receivers with the SKM300 845 capsules.They work great! I have to also agree on the Sennheiser e902 kick drum mic. Best kick mic on the market today and I too have used them all. You can't go wrong with Sennheiser mics.

By Rick Dean | May 28, 2013



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