ChurchProduction.com: Midas Previews Generation 2.1 Digital Console Software
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New Generation 2 software from Midas provides new and enhanced features to all Midas digital consoles, including the company's Pro Series shown here.


Midas Previews Generation 2.1 Digital Console Software

Midas announces the first public viewing of Generation 2.1 software for their entire range of digital consoles.

By CP Staff
April 2, 2013 12:58 pm EST

Topics: Industry Buzz, Product Announcements, Audio,
Tags: audio, console, digital, engineer, mixer, sound,

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Midas Generation 2 software, unveiled at Prolight+Sound in 2012 in Frankfurt, Germany, adds a host of new features and functionality to the entire range of Midas digital consoles including new effects and dynamics options, plus, according to Midas, two new ground-breaking mixing concepts called MCA’s and "collapsed" fader flip. The company is also adding a rack-full of new latency-compensated effects plug-ins and dynamics processing options to every console in the Pro series, plus the flagship XL8.

New effects plug-ins include a dual-channel Klark Teknik DN60 Real Time Analyser, a Klark Teknik tape saturation effect, sub-harmonic generator, multi-channel input phase adjustment insert, a fifth input compressor option, ducker mode for noise gates, plus a new "transient accent" gate option and a variable presence control for all input channel compressors.

G2.1 software will be available as a free-of-charge download to all Midas owners. "There has never been a better time to invest in Midas digital" says Brand Development Manager, Richard Ferriday. "G2.1 is further proof that buying into the Midas brand is not just buying the world's best-sounding mixer-it is also investing in constantly evolving products which offer great ROI, an industry-leading development team committed to providing no-compromise solutions, and well over 40 years of brand heritage. When combined with our recent competitive pricing policy, Midas now offers an unbeatable value proposition".

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when is G2.1 coming

By Anatoliy M Ostapenko | May 20, 2013

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