Audio-Technica (NAB booth C4931), a leading innovator in transducer technology for over 60 years, is exhibiting the BP3600 Immersive Audio Microphone, a premium broadcast audio tool designed to capture stable, three-dimensional sound beds at live events like worship, sporting events, concerts, festivals, movie sets, and more. “The microphone has eight compact capsule assemblies with excellent high-frequency characteristics integrated into the body while remaining compact and lightweight enough for single-operator usability and easy setup,” according to the announcement. “Direct routing is also possible, with no need for additional decoding or latency processing with 5.1.4-channel speaker layouts. This practical, state-of-the-art broadcasting solution captures realistic sound that will bring the recording location directly to listeners without the need for extensive equipment.”
The BP3600’s eight microphone modules extend from the body to form a cube with 15 cm (5.9 inches) between each microphone assembly. Each microphone assembly in the eight-channel near-coincident array is equipped with a 12-mm (0.47-inch) hypercardioid capsule to produce separated, discrete signals and deliver immersive audio experiences with ample spaciousness.
When used in a typical 5.1.4 immersive scenario, the four upper microphone channels can be assigned to the upper speaker channels, and the four lower channels can be assigned to the lower speaker channels. This eliminates the need for additional decoding or latency processing during routing.
BP3600 and accessories shown in case.
The main unit features highly visible color-coded and numbered channel indicator rings designed for easy identification of channels. For simplified setup when time is limited, each microphone assembly features a lock for precise, repeatable positioning and prevents accidental removal. These connector locks also protect the microphone terminals from the elements, including rain, and make disconnecting an assembly quicker and more reliable. Also included is a safety strap that can be connected to drop-prevention wires when used above spectators in stadiums, auditoriums, or other venues.
The end of the microphone’s grip includes a LEMO 2B multi-pin output connector for attaching the included LEMO-to-XLRM (x8) breakout cable for routing the eight channels to a mixing console or audio interface. LEMO-to-LEMO 2B multi-pin connector extension cables are available separately for use between the microphone and the breakout cable to increase the cable run length. Phantom power (48 VDC) is required for each channel.
The BP3600 comes standard with eight dedicated windscreens and a microphone stand clamp with a 5/8"-27 to 3/8"-16 threaded adapter. The microphone can be quickly disassembled and placed in the included case for protection during storage or transportation. Additional accessories, including Rycote BBG Windshields for increased noise protection and Rycote BBG Windjammer synthetic fur covers to attenuate extreme wind noise, are sold separately.
For more information, please visit www.audio-technica.com.
