Sunday morning is no longer the whole job. Church production now reaches far beyond the worship center. Overflow rooms, online campuses, classrooms, student spaces, lobbies, broadcast rooms and multipurpose venues all need AV systems that are flexible, reliable and usable by real people, including volunteers.
That is why Church Production spent the week on the show floor at InfoComm 2026 in Las Vegas. Our team met with nearly 50 companies, with some days scheduled in half-hour increments from booth to booth. The goal was simple: find products with real-world value for church production teams.
InfoComm is not a church production show in the same way FILO, Capture Summit or CFX are built around ministry teams. It is a broader pro AV show, covering corporate AV, higher education, live events, installed audio, digital signage, broadcast, collaboration and control. For churches, that breadth is the point.
Based on our observations from InfoComm 2026, here are five products we believe are especially relevant for church production teams. Presented alphabetically, this is not a ranking, but a practical look at products that could help churches serve with greater clarity, flexibility and purpose.
Audio-Technica D50 Digital UHF Wireless System
Audio-Technica’s D50 brings high-density digital UHF wireless to church teams planning for more channels, more rooms and more complexity.
Wireless microphones are mission-critical for churches, and RF environments are not getting easier. Audio-Technica’s new D50 Digital UHF Wireless System is built for high-density applications, with up to 244 MHz of tuning bandwidth, or 138 MHz in the U.S., and high-density mode supporting up to 47 simultaneous frequencies within a single 6 MHz TV channel.
The system includes two-channel and four-channel receiver options, Dante support, PoE+ power, onboard spectrum analysis, AES256 encryption, Wireless Manager software and handheld, bodypack and gooseneck base transmitters.
For churches managing pastors, vocalists, classrooms, events and multi-room systems, the D50 offers a scalable wireless platform with the flexibility to grow as production needs become more complex.
Ready the full product announcement.
L-Acoustics Source Intelligence
For churches fighting stage noise, room reflections and open-mic bleed, Source Intelligence could offer a new path to cleaner vocals.
Some products are impressive because of what they add. L-Acoustics Source Intelligence is impressive because of what it removes.
Running as a licensed application on the L-ISA Processor II, Source Intelligence uses machine learning to identify the voice in a microphone signal and remove everything else in real time, including PA bleed, crowd noise, stage instruments and room reverb. The result is cleaner, more intelligible vocals with greater gain before feedback and less need for the usual compromises.
For churches, the implications are significant. Worship leaders, pastors and speakers do not always stay in ideal positions, and loud stages, reflective rooms and open microphones can make vocal clarity difficult. In a demo at InfoComm, the result was startling: the kind of voice separation that sounds almost impossible until you hear it. For churches using L-Acoustics systems, Source Intelligence could become a powerful tool for improving intelligibility without forcing every solution to come from EQ, staging restrictions or feedback management.
Read the full product announcement.
M&W Pro Audio D24 and D32 Digital Mixers
Designed by Greg Mackie and Peter Watts, the D24 and D32 bring a fresh approach to digital mixing for churches, events and installed AV.
Church audio consoles need to be powerful enough for experienced engineers and approachable enough for newer volunteers. The new M&W Pro Audio D24 and D32 digital mixers aim directly at that tension, combining touch-screen based faders, an intuitive interface and workflow ideas from longtime pro audio designer Greg Mackie and digital engineer Peter Watts.
The D24 includes 24 Lyric preamps by Watts, while the D32 includes 32, along with 13 70mm touch-sensitive electronic faders on the D24 and 17 100mm touch-sensitive electronic faders on the D32. Both mixers include browser-based tablet mixing, more than 100 screens, custom fader screens, an illustrated on-screen manual and a 10-channel Simple mixer mode designed for new church volunteers, conference operators and other less-experienced users.
For churches, the Simple mixer mode may be the most important feature. It gives teams a path toward a more capable console without making every event dependent on the most experienced audio person in the room.
Read the full product announcement.
Pliant Technologies CrewCom Flex Frameless Matrix IP Intercom Platform
For churches, CrewCom Flex could make advanced intercom more reliable, more scalable and more attainable.
Intercom is easy to overlook until it fails. For churches managing worship, broadcast, backstage, lobby, security, production and overflow teams, reliable communication is not a luxury. It is the system that keeps everything else moving.
Pliant Technologies’ new CrewCom Flex takes a different approach to high-end intercom by removing the traditional centralized matrix frame. Each panel and desktop panel functions as its own intelligent distributed matrix, creating a frameless IP-based system with no single point of failure. The platform brings together wired panels, desktop panels, wired beltpacks, wireless users and browser- or app-based virtual intercom panels over an AES67 / SMPTE ST 2110 backbone.
For churches, that architecture could be a big deal. By reducing the need for centralized frame hardware, CrewCom Flex has the potential to improve reliability, simplify expansion and lower the cost of distributing serious intercom across campuses, venues and remote production workflows.
Read the full product announcement.
Violet Audio dMix 128 Scalable FPGA-Based Mixing Platform
For churches balancing budget, control and capacity, Violet Audio’s dMix 128 is a mixer platform worth watching.
Churches often need more audio capacity before they have the budget for a large-format console. Violet Audio’s new dMix 128 addresses that gap with a scalable mixing platform that delivers 128 mixing channels and 88 busses in a single unit at a price point designed to make higher-end capability more accessible.
Introduced in the U.S. under the leadership of industry veteran Phil Wagner, the dMix 128 is built on FPGA architecture and includes 32 mic/line inputs, 24 outputs, integrated effects processing, redundant power supplies and networking support including MADI, AES3 and AES67 I/O.
For churches, the flexibility may be as important as the price. The dMix 128 supports HTML5 browser-based control from computers or tablets, native integration with platforms including Q-SYS and Crestron, and external third-party control surfaces, including options with physical knobs and moving faders.
Read the full product announcement.
The best products at a show like InfoComm are not always the loudest, largest or flashiest. For churches, the real question is more practical: will this help the team serve better without adding unnecessary cost or complexity?
These five products stood out because they address real pressure points for church production teams, from wireless reliability and mixing capacity to vocal clarity and intercom resilience. Just as important, these products offer more capability without ignoring the realities churches face every week: limited budgets, lean staffs and volunteer operators.
