When it comes to video production, Sony is one of the most well-established names in the industry. So it’s not a surprise that they are releasing a new video switcher built on their XVS line’s top pedigree. The new XVS-G1 brings a lot to the table. Based on the spec sheet, this switcher, which utilizes a new hybrid architecture, has more processing power than any other switcher in its weight class.
Video production powerhouse
The XVS series of switcher is backed by a 4 RU processor, which is pretty significant, but considering it comes with up to 48 inputs and 24 outputs in HD, 4 RU is reasonable. It’s also capable of UHD changing the max I/O to 24/12. This level of expandability means this switcher could be deployed for years as a standard HD switcher, and when your church is ready to go to 4K, the heart of your video production system will be prepared as well. Each input also has its own frame synchronizer, removing the need for little external fail factories to bring in non-synced inputs.
Utilizing a standard central processing unit (CPU), a field-programable gate array (FPGA), and adding an optional graphics processing unit (GPU) lets the XVS load balance the processing power across all the required uses.
If the I/O isn’t impressive enough, the 16 keyers should be enough to wow even the most jaded video professionals. Each keyer has a 2.5D resizer and can be used in many different ways across the M/E bank. Many churches will find they do not need this much compositing, as they will just be putting lyrics over backgrounds or IMAG, and 16 keyers is overkill. However, the flexibility afforded by having that many compositing options and outputs offers houses of worship the opportunity to produce multiple services, events or looks with just one piece of gear. Once you get used to using that many keyers, it’s tough to go back to using less.
“The XVS-G1 gives churches a cost-effective switcher platform for today's need in HD and if they need 4K UHD in the future. The switcher they buy now, can support them without having to replace it – just build on what they have," adds Craig Harper, National Manager, Faith, Sony Electronics. "This switcher also gives the church that has need for IMAG only or IMAG and streaming, a powerful production tool at the right size and the right price point but with every bit of the Sony Switcher power and reliability we are known for.”
The most impressive portion of the platform is the hybrid architecture. Utilizing a standard central processing unit (CPU), a field-programable gate array (FPGA), and adding an optional graphics processing unit (GPU) lets the XVS load balance the processing power across all the required uses. The CPU handles system control and UI interface; the FPGA handles the timing critical processing I/O and the converter mixer and keyer. At the same time, the GPU runs 3D DME effects processing, an internal clip player, and graphics layering. This should keep any individual part from being overtaxed when you put the pedal down.
The clip player will probably not be the biggest selling point in the house of worship market, being far more helpful in sporting and event production. However, it’s worth noting that this is the first Sony switcher with a file-based clip player. It can use standard format files like AVC, MOV, and MP4, making it helpful in running bumper videos or sermon illustrations.
Control panels
When it comes to control panels, familiarity is king. So it’s no surprise Sony has stuck with a tried and true design that is familiar but has added some new and exciting takes on a few segments of the interface. At release time, there will be four new control panels for the XVS-G1, a 1 M/E or 2 M/E with either 16 or 24 Crosspoint buttons. These new panels are derived from the ICP-X7000 series, which is known for its reliable operation.
One of the more interesting features in this block is the track pad and track ball; it will be interesting to see how these function compared to the more traditional joystick most switchers use.
The switcher is divided into five blocks: the standard Crosspoint block and Transition block, which are widely recognized on most switchers. In addition, there is a Utility and ShotBox block, a Device Control block, and a Multi-Function FlexiPad block. The ShotBox block is for recall and keyframe/macro editing and menu navigation and parameter adjustment. The Device Control block controls the resizer, DME, DDR, and VTR. One of the more interesting features in this block is the trackpad and track ball; it will be interesting to see how these function compared to the more traditional joystick most switchers use. The last block, the Multifunction FlexiPad, is used for direct macro execution, key adjustment, transition rate, and effect building. So while most video professionals should feel right at home with this interface, it will be interesting to see how these design choices play out with everyday use.
Conclusion
On paper, the Sony XVS-G1 Live Production Switcher appears to be a very impressive piece of gear. And while pricing is not yet available, the only thing I see missing is that there are no native HDMI ports built in. It seems like most users are going to need a few converter boxes, as well, even if only for multi-viewers.
The XVS-G1 reads like an excellent switcher, one that, if the price point is right for churches, will be a very strong contender.