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Loren Alldrin

Our reporter ticks off his first observations: great sound, compact size, light weight. And then he notes sound reinforcement setups in which these speakers make a mixer altogether unnecessary. Read more

Gear

The CP Series takes the QSC self-powered speaker line in the direction of smaller and lighter. The line's CP8 and CP12 both have 1,000 watts of class-D power, with 800 watts going to the woofer and 200 going to the high-frequency transducer. Read more

Gear

Boom-1 is designed to deliver DSP processing to optimize the bass sensation, compensating for different transducer designs, mounting systems and even music styles. Read more

Gear

Like a two-way speaker with a woofer and tweeter, the sonically detailed C-100 microphone uses two diaphragms of different sizes. The smaller diaphragm extends to 50 kHz, while the larger handles lower frequencies. Read more

Gear

No piece of sound equipment is closer to the presenter than the mic, so the sound tech's job starts there. Here CPM takes a look at the three main mic types—handheld, lavalier and headset—and their distinct advantages and disadvantages in the church Read more

Education

A CPM audio selection guide, this piece includes invaluable insights about planning your investment in a digital mixer. For starters, be sure to leave room for growth: "Multiplying your current inputs by 1.25 or even 1.5 is a good rule of thumb." Read more

Education 1 Comments

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Image courtesy of Steinberg.

If you’re ready to take your mixes and truly make them final, WaveLab Pro 9.5 is chock-full of the tools you need. CPM's reviewer "torture-tested" it and shares, "Dive in, and you’ll discover there’s almost nothing WaveLab can’t do to an audio file." Read more

Gear

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Images courtesy of Mackie.

We recently had the chance to evaluate the full Mackie MP line, including the MP-120, MP-220 and MP-240 in-ear monitors. All three are cosmetically identical, but the sound delivered by each is totally distinct. Read more

Gear

A long cylinder, a mesh ball—you’ve seen countless handheld mic models and they all look pretty much the same. Underneath that mesh, however, hides major differences. Read more

Education

Introduced at the January 2018 NAMM show, the MP series of in-ear monitors consists of three models designed to challenge Shure and Sennheiser's positions in the church market. Read more

Gear

As many churches know, capturing quality recordings is easy to discuss in a staff meeting but hard to accomplish in real life. Here, tools to set you up for success. Read more

Education

Key Largo is designed to be the "nerve center" of a keyboard rig, combining audio mixing with effects, MIDI, USB and sustain pedal functions. Read more

Gear

This unique little interface makes sense when you need to capture impeccable audio from a stationary source, wherever that may be. Read more

Gear

Key Largo is designed to be the “nerve center” of a keyboard rig, combining audio mixing with effects, MIDI, USB and sustain pedal functions. Read more

Gear

If your mixes are in a rut of mind-numbing sameness, it’s time to try something new. Here, in no particular order, are several things you can try to breathe new life into your mixes. Read more

Education 3 Comments

“Mixing on the C3500 is truly a joy, and its headroom and transparency make turning out a polished-sounding mix that much easier.” Read more

Gear

While it was designed for recording, the new drum module may be a Godsend for live sound applications in smaller churches with limited gear and/or mixing talent. Read more

Gear

The LV1 represents a significant step forward in digital mixing. It’s compact, flexible, modular, powerful, intuitive, and it sounds great. If your church or touring group has the means, this is one mixer you need to experience for yourself. Read more

Gear

Allen & Heath' reveals a new emphasis on audio solutions for any venue from boardroom to boardwalk to worship center. Read more

Gear

"As a long-time audio tech, it’s rare I use or test a product that really surprises me." Read more

Gear

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